Charlotte Haslund-Christensen (born 1963) is a Danish lens-based visual artist [1] born and based in Copenhagen. She is a graduate of the Danish school of art photography Fatamorgana (1996) and the International Center of Photography in New York (1997). [2]
Haslund-Christensen’s long-term projects are performative and documentary, taking their impetus from the specific contexts in which they are created, for example anthropological ‘expeditions’ (the artist as explorer in Natives: The Danes), in the basement of a police station (posing as a mugshot photographer for Who’s Next?) or as a traveling photographer or camerawoman in local communities (in Heroes, To Tingberg with Love and Hope & Fear - work in progress). A common political thread throughout her oeuvre is addressing stereotypes and the role of the media - past and the present - in their creation.
Her work as an artist has been analysed as operating at the intersection of documentarism, anthropology and social intervention. Whilst each project has its own conscious, visual and often staged film or photographic form – based on the specific historical or contemporary media it interrogates – each is motivated by her meetings with people, investigating the gap between their hopes, lives and dreams and the apparently incessant need for the racial, gendered or religious ‘other’ in a global climate of increasing fear. Her works have been exhibited widely nationally and internationally, and are part of both private and public collections including a collected artpiece at the National Museum of Photography (Denmark). [3]
Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing, and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication.
Susan Meiselas is an American documentary photographer. She has been associated with Magnum Photos since 1976 and been a full member since 1980. Currently she is the President of the Magnum Foundation. She is best known for her 1970s photographs of war-torn Nicaragua and American carnival strippers.
Helena Christensen is a Danish model and photographer. She is a former Victoria's Secret Angel, clothing designer and beauty queen. Christensen was also the co-founder and original creative director for Nylon magazine, and she is a supporter of funding for breast cancer organizations and other philanthropic charities.
Aïda Muluneh is an Ethiopian photographer and contemporary artist based in Addis Ababa. She does commercial work as well as photojournalism in Addis Ababa and elsewhere.
Marion M. Bass, known as Pinky Bass or Pinky/MM Bass, is an American photographer, known for her work in pinhole photography.
Carrie Mae Weems is an American artist working in text, fabric, audio, digital images and installation video, and is best known for her photography. She achieved prominence through her early 1990s photographic project The Kitchen Table Series. Her photographs, films and videos focus on serious issues facing African Americans today, including racism, sexism, politics and personal identity.
John Collier Jr. was an American anthropologist and an early leader in the fields of visual anthropology and applied anthropology. His emphasis on analysis and use of still photographs in ethnography led him to significant contributions in other subfields of anthropology, especially the applied anthropology of education. His book, Visual Anthropology: Photography as a Research Method (1967) is one of the earliest textbooks in the field and is still in use today. He is also notable as someone who overcame significant learning and hearing impairments to succeed on a larger stage.
Wendy McMurdo specialises in photography and digital media. In 2018 she was named as one of the Hundred Heroines, an award created by the Royal Photographic Society to showcase global female photographic practice.
In Denmark, photography has developed from strong participation and interest in the very beginnings of the art in 1839 to the success of a considerable number of Danes in the world of photography today.
Marian Penner Bancroft is a Canadian artist and photographer based in Vancouver. She is an associate professor at the Emily Carr University of Art and Design, where she has been teaching since 1981. She has previously also taught at Simon Fraser University and the Nova Scotia College of Art and Design. She is a member of the board of Artspeak Gallery and is represented in Vancouver by the Republic Gallery.
The participation of women in photography goes back to the very origins of the process. Several of the earliest women photographers, most of whom were from Britain or France, were married to male pioneers or had close relationships with their families. It was above all in northern Europe that women first entered the business of photography, opening studios in Denmark, France, Germany, and Sweden from the 1840s, while it was in Britain that women from well-to-do families developed photography as an art in the late 1850s. Not until the 1890s, did the first studios run by women open in New York City.
Underwater photography is a scuba-based underwater sport governed by Confédération Mondiale des Activités Subaquatiques (CMAS) where teams of competitors using digital underwater camera systems all dive at the same saltwater ocean sites at the same time over a two-day period. The submitted digital images are then assessed and ranked by a jury using a maximum of five photographic categories as well as an overall score. The sport was developed prior to 1985 as a photographic film-based event and is currently mainly practised in non-English speaking countries.
Mark Sealy is a British curator and cultural historian with a special interest in the relationship of photography to social change, identity politics and human rights. In 1991 he became the director of Autograph ABP, the Association of Black Photographers, based since 2007 at Rivington Place, a purpose-built international visual arts centre in Shoreditch, London. He has curated several major international exhibitions and is also a lecturer.
Haslund may refer to:
Photography in Sudan refers to both historical as well as to contemporary photographs taken in the cultural history of today's Republic of the Sudan. This includes the former territory of present-day South Sudan, as well as what was once Anglo-Egyptian Sudan, and some of the oldest photographs from the 1860s, taken during the Turkish-Egyptian rule (Turkiyya). As in other countries, the growing importance of photography for mass media like newspapers, as well as for amateur photographers has led to a wider photographic documentation and use of photographs in Sudan during the 20th century and beyond. In the 21st century, photography in Sudan has undergone important changes, mainly due to digital photography and distribution through social media and the Internet.
Natalie Christensen is an American photographer based in Santa Fe, New Mexico, United States. She has exhibited her photographs in the U.S. and internationally, including Santa Fe, New York, Brooklyn, Los Angeles, London, Berlin and Barcelona.
Blake Fitzpatrick FRSC is a photographer, curator and writer, who is concerned with the photographic representation of the nuclear era, contemporary militarism and the Berlin Wall as a mobile ruin.
Thomas Carr is an American archaeologist and photographer who has studied the intersection of anthropology and art with an emphasis on the abandonment of human built environments in the natural landscape. His academic work has been published in journals such as Archaeological Prospection and Colorado Heritage Magazine. He has also lectured extensively on archaeology, photography, visual ethnography, and historic preservation. His photographic work in the Rocky Mountains region has been the subject of several major exhibitions and numerous group and juried exhibitions over the last 30+ years. The Western History and Genealogy Department of the Denver Public Library holds a collection of Carr's photographs in its permanent archives.
Alinka Echeverría is a Mexican-British artist and visual anthropologist. Echeverría's research-based works explore issues of visual representation through the media of photography, video and installation, focusing on the deconstruction of the masculine and colonial gaze.