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Michael Charles Gauntlet Wilding was an English stage, television, and film actor. He is best known for a series of films he made with Anna Neagle; he also made two films with Alfred Hitchcock, Under Capricorn (1949) and Stage Fright (1950); and he guest starred on Hitchcock's TV show in 1963. He was married four times, including to Elizabeth Taylor, with whom he had two sons.
Western wear is a category of men's and women's clothing which derives its unique style from the clothes worn in the 19th century Wild West. It ranges from accurate historical reproductions of American frontier clothing, to the stylized garments popularized by Western film and television or singing cowboys such as Gene Autry and Roy Rogers in the 1940s and 1950s. It continues to be a fashion choice in the West and Southwestern United States, as well as people associated with country music or Western lifestyles, for example the various Western or Regional Mexican music styles. Western wear typically incorporates one or more of the following, Western shirts with pearl snap fasteners and vaquero design accents, blue jeans, cowboy hat, a leather belt, and cowboy boots.
The Arts Theatre is a theatre in Great Newport Street, in Westminster, Central London.
John Michael Terence Wellesley Denison was an English actor. He often appeared with his wife, Dulcie Gray, with whom he featured in several films and more than 100 West End theatre productions.
Quiet Weekend is a 1941 play by the British writer Esther McCracken. It opened on 2 July 1941 at Wyndham's Theatre in London's West End, where it enjoyed a successful run of 1,059 performances, closing on 29 January 1944. The production was directed by Richard Bird and designed by Michael Relph. It was a sequel to the 1938 play Quiet Wedding.
One Wild Oat is a comedy play by the British writer Vernon Sylvaine which premiered in 1948. Its West End run was at the Garrick Theatre with direction by the veteran entertainer Jack Buchanan. It ran for 508 performances from December 1948 to February 1950. The cast originally included Robertson Hare and Alfred Drayton, who had appeared together in several of Sylvaine's farces and their subsequent film adaptations. In 1949, following the death of Drayton, his role was taken over first by Arthur Riscoe and then Hartley Power.
Wild Horses is a 1952 stage farce by the British writer Ben Travers. It was first performed at the Manchester Opera House in August 1952 before moving on to the Aldwych Theatre in the West End, lasting for 179 performances between November 1952 and April 1953. The plot revolves around the sale of a valuable painting. It starred Robertson Hare and Ralph Lynn who had previously appeared together in the Aldwych farces, written by Travers in the 1920s and 1930s.
Spring Meeting is a 1938 British comedy play written by M.J. Farrell and John Perry. It was a hit in the West End, running for 310 performances at the Ambassadors Theatre between May 1938 and March 1939. Directed by John Gielgud, the cast included Niall MacGinnis, Edmund Breon, Nicholas Phipps, Joyce Carey, Zena Dare, Betty Chancellor and Margaret Rutherford. Rutherford's performance in particular attracted strong reviews. From December 1938 a Broadway version ran at the Morosco Theatre with a cast including Gladys Cooper and A.E. Matthews, lasting for 98 performances.
On the Spot is a 1930 Chicago-set play by the British writer Edgar Wallace. Wallace was inspired by a visit to the United States and, in particular, the Saint Valentine's Day Massacre. Known as a prolific author, he reportedly dictated the manuscript for the play in just four days. It was his greatest theatrical success.
The Calendar is a 1929 play by the British writer Edgar Wallace. It is a crime thriller set in the world of horse racing world, the sport being among Wallace's interests. The protagonist is a financially struggling racehorse owner with a shady reputation. It premiered at the Palace Theatre in Manchester before transferring to Wyndham's Theatre in the West End.
The Mouthpiece is a 1930 crime play by the British writer Edgar Wallace. It was one of several theatrical failures written by Wallace following the enormous success of On the Spot, with a plot described as "flimsy".
The Old Man is a 1931 mystery play by the British writer Edgar Wallace. Its original production was staged at Wyndham's Theatre in London's West End for a ninety performance run. It is set entirely in the "Coat of Arms" tavern where a mysterious old man lurks in the background, reputedly an escapee from a lunatic asylum. The original cast included Alfred Drayton, Jack Melford, Harold Warrender and Finlay Currie.
M'Lady is a 1921 play by the British writer Edgar Wallace. It is a drama about a woman who tries to raise her daughter in high society, only for her husband to return from Broadmoor where he has been serving a sentence for killing a police officer. It was panned by theatre critics.
Double Dan is a 1927 comedy crime play by the British writer Edgar Wallace. It is inspired by the 1924 novel Double Dan by Wallace. The plot concerns high finance and a criminal who is a master of disguise.
The Terror is a 1927 mystery thriller play by the British writer Edgar Wallace. It is based on Wallace's 1926 novel The Black Abbot.
Smoky Cell is a thriller play by the British writer Edgar Wallace first staged in 1930. In America a group of detectives hunt down a notorious racketeer.
Dorothy Brandon was a British playwright active in the interwar years. Her greatest West End success was the 1923 medical drama The Outsider which was revived several times, and adapted into films on three occasions.
Wild Heather is a 1917 play by the British writer Dorothy Brandon. A woman looking to marry has to choose between two very different men.
The Good Companions is a 1931 play by J.B. Priestley and Edward Knoblock, based on Priestley's 1929 novel of the same title about a touring concert party. The music was composed by Richard Addinsell.
The White Countess is a 1954 play by J.B. Priestley and his wife Jacquetta Hawkes.
References
- ↑ Wearing p.442
