Chasing Yesterday | |
---|---|
Directed by | George Nicholls Jr. |
Written by | Francis Edward Faragoh |
Based on | the novel, Le Crime de Sylvestre Bonnard by Anatole France |
Produced by | Cliff Reid |
Starring | Anne Shirley O. P. Heggie Helen Westley |
Cinematography | Lucien Andriot |
Edited by | Arthur Schmidt |
Music by | Alberto Colombo |
Production company | |
Release date |
|
Running time | 80 minutes |
Country | United States |
Language | English |
Chasing Yesterday is a 1935 American historical drama film directed by George Nicholls Jr. using a screenplay by Francis Edward Faragoh, adapted from the 1881 novel Le Crime de Sylvestre Bonnard , by Anatole France. Released on May 3, 1935, the film stars Anne Shirley, O. P. Heggie, and Helen Westley.
A Parisian book collector realizes that the only clue to the whereabouts of a long-missing rare book is a love note from his own youth. He returns to his hometown in search of the book, but instead discovers that his former lover has been survived by a teenage daughter. He becomes emotionally attached to the girl, and plans to adopt her. But he has to face the crooked lawyer who serves as her current legal guardian.
Sylvestre Bonnard is an aging book collector. While going through his mementos one afternoon, he comes across a brief note written by a former lover. Studying it, he realizes that it is written on a page torn from a rare book that he has been seeking for decades. Excited, he decides to return to his home town, where he and the lover had their romance, to search for the book.
When Bonnard arrives, he meets an attorney, Mouche, through which he discovers that his old flame had a daughter, who now lives in a girl's boarding school. Mouche is the girl's guardian. Failing to find the book in his search, Bonnard travels to the school to speak with the daughter, Jeanne. On his arrival, he is dismayed to find that both Mouche and the school's headmistress, Mlle. Prefere, treat the young 15-year old cruelly. He is also entranced by the young lady, so much so that the focus of his trip now turns from a search for the book to an attempt to rescue the girl.
Sensing a way to escape the confines of the school, and unbeknownst to Bonnard, Jeanne convinces Mlle. Prefere that he is romantically interested in her. When Bonnard returns to his home in Paris, Jeanne tells Prefere that Bonnard would be thrilled if they paid him a visit there. When they arrive, Bonnard is thrilled, which Prefere misinterprets as a show of romantic interest. As time goes on and they remain in Paris, Prefere becomes more and more convinced that Bonnard is indeed in love with her. When she broaches the subject of marriage to the aging bibliophile he is aghast at the suggestion. In the ensuing confusion, Jeanne confesses her subterfuge, which causes Prefere to understandably react angrily. Embarrassed, Prefere ushers Jeanne back to the school, barring Bonnard from attempting to visit the young girl, to whom he becomes strongly attached.
Without permission, Bonnard travels to the school and, with Jeanne's wholehearted cooperation, whisks her away, with the intent of adopting her. Upon discovery of the girl's disappearance, Mouche realizes where she must have gone and goes to Paris to confront Bonnard. When he does, he offers to sell Jeanne's adoption to Bonnard, and for not pressing kidnapping charges, for a large sum of money. Wishing to get the girl out of her unfortunate circumstances, Bonnard agrees to the sale, but the only way he can raise the money is by selling his book collection. Distraught at the prospect of giving up his beloved books, but seeing no other way, sets up a time to complete the sale. However, Coccoz, a traveling bookseller with whom Bonnard is acquainted, shows up at the last minute and it is discovered that Mouche had stolen the rare book which had begun Bonnard's search in the first place. Not only has he stolen the book, but it is also found out that he had forged the original papers giving him custody of Jeanne.
With the tables turned, Mouche agrees to Bonnard's adoption of Jeanne, and forgoes any payment.
In March 1935 it was revealed that the title of the film, based on France's book, would be Chasing Yesterday, and that Anne Shirley was slated as the star. [2] By the end of March, photography on the film had been completed, and editing had begun. [3]
Harrison's Reports gave the film a lukewarm review, complimenting the direction and acting, highlighting Heggie and Shirley, while thinking that the screenplay was lacking: "The story, however, unfolds in such a tame, listless, and uninteresting fashion that one soon becomes bored and loses interest in the outcome." [4] The Film Daily was also less than kind, calling it a "Fair sentimental drama handled in simple style." [5] The Educational Screen, however, gave the film a good review, calling the direction expert and the acting fine. Overall, they called the film charming and humorous, and a "delightful adaptation" of the France novel. [6] Modern Screen felt the plot was thin and muddled, but felt that Heggie, Shirley, and Westley all gave good performances. [7] Motion Picture Daily gave it a more positive review, complimenting Nicholls' direction, calling it charming and touching. They complimented the acting by Shirley, Girardot, and Qualen. They particularly doled out recognition for Patterson, calling her performance "outstanding", and saying about Heggie, "Few screen performances have equaled Heggie's portrayal." [8] The Motion Picture Herald also enjoyed the picture, calling it sentimental and interesting, nicely juxtaposing comedy and drama, and they also felt that it was well directed. [9]
Lili is a 1953 American film released by MGM. It stars Leslie Caron as a touchingly naïve French girl whose emotional relationship with a carnival puppeteer is conducted through the medium of four puppets. The film won the Academy Award for Best Original Score, and was also entered in the 1953 Cannes Film Festival. It was later adapted for the stage under the title Carnival! (1961).
Arthur Freed was an American lyricist and a Hollywood film producer. He won the Academy Award for Best Picture twice, in 1951 for An American in Paris and in 1958 for Gigi. Both films were musicals, and both were directed by Vincente Minnelli. In addition, he produced the film Singin' in the Rain, the soundtrack for which primarily consisted of songs he co-wrote earlier in his career.
John Qualen was an American character actor of Norwegian heritage who specialized in Scandinavian roles.
Anne of Green Gables is a 1934 American comedy drama film directed by George Nicholls, Jr., based upon the 1908 novel Anne of Green Gables by Canadian author Lucy Maud Montgomery. Dawn O'Day, who portrayed the title character in the film, changed her stage name to Anne Shirley, which she was billed as for this and all subsequent roles. The film was a surprise hit, becoming one of four top-grossing films RKO made that year as noted in The R.K.O. Story, published by Arlington House.
Five Graves to Cairo is a 1943 war film directed by Billy Wilder and starring Franchot Tone and Anne Baxter. Set in World War II, it is one of a number of films based on Lajos Bíró's 1917 play Hotel Imperial: Színmű négy felvonásban, including the 1927 film Hotel Imperial. Erich von Stroheim portrays Field Marshal Erwin Rommel in a supporting performance.
Can-Can is a 1960 American musical film made by Suffolk-Cummings productions and distributed by 20th Century Fox. It was directed by Walter Lang, produced by Jack Cummings and Saul Chaplin. The screenplay was written by Dorothy Kingsley and Charles Lederer, loosely based on the musical play by Abe Burrows. The music and lyrics were written by Cole Porter for the play, but for the film, some songs were replaced by those from earlier Porter musicals. Art direction was handled by Jack Martin Smith and Lyle R. Wheeler, costume design by Irene Sharaff and dance staging by Hermes Pan. The film was photographed in Todd-AO. Although performing well on initial release, it failed to recoup its production costs from its domestic receipts.
Heidi is a 1937 American musical drama film directed by Allan Dwan and written by Julien Josephson and Walter Ferris, loosely based on Johanna Spyri's 1880 children's book of the same name. The film stars Shirley Temple as the titular orphan, who is taken from her grandfather to live as a companion to Klara, a spoiled, disabled girl. It was a success and Temple enjoyed her third consecutive year as number one box office draw.
Helen Westley was an American character actress of stage and screen.
Oliver Peters Heggie, billed as O. P. Heggie, was an Australian film and theatre actor best known for portraying the hermit who befriends the Monster in the film Bride of Frankenstein (1935). He was born Otto Peters Heggie at Angaston, South Australia to a local pastoralist. He was educated at Whinham College and the Adelaide Conservatoire of Music. He died in Los Angeles of pneumonia. He is buried at Woodside Cemetery, Yarmouth Port, Barnstable County, Massachusetts.
Frederick Hugh Herbert was a playwright, screenwriter, novelist, short story writer, and infrequent film director.
In the Meantime, Darling is a 1944 American drama film produced and directed by Otto Preminger. The screenplay by Arthur Kober and Michael Uris focuses on a wealthy war bride who is forced to adjust to living in spartan conditions in military housing during World War II.
Playboy of Paris is a 1930 American pre-Code musical comedy film directed by Ludwig Berger and starring Maurice Chevalier, Frances Dee, and O.P. Heggie. It was based on a 1911 play The Little Cafe by Tristan Bernard which had previously been adapted into a 1919 French silent film. Paramount produced a separate French-language version Le Petit Café, also starring Chevalier, which broke records for an opening-day attendance in Paris.
The Crime of Sylvestre Bonnard is the first novel by Anatole France, published in 1881. With this, one of his first prose works, he made himself known as a novelist; he had been primarily known as a poet affiliated with Parnassianism because of his Poèmes dorés, which imitated that verse style. The novel received the Académie française prize.
Grand Old Girl is a 1935 American drama film directed by John Robertson from a screenplay by Milton Krims, John Twist, Arthur T. Horman, adapted from a story by Wanda Tuchock. The film stars May Robson, Mary Carlisle, Fred MacMurray, and Alan Hale, other cast members included Ben Alexander.
A Dog of Flanders is a 1935 American drama film directed by Edward Sloman, based on a screenplay by Ainsworth Morgan from the story by Dorothy Yost, which she adapted from the 1872 novel of the same name by Ouida. The film stars Frankie Thomas, appearing in only his second film.
The Arizonian is a 1935 American Western film directed by Charles Vidor and starring Richard Dix, Margot Grahame, Preston Foster, and Louis Calhern. The screenplay was by Dudley Nichols. The film was released by RKO Radio Pictures on June 28, 1935.
Freckles is a 1935 American drama film directed by Edward Killy and William Hamilton from a screenplay written by Dorothy Yost, adapted by Mary Mayes from Gene Stratton-Porter's 1904 novel of the same name. Two earlier adaptations of Stratton-Porter's novel had been produced, the first by Paramount in 1917, and the second in 1928 by FBO, both were also titled Freckles. This 1935 version was released by RKO Radio Pictures on October 4, and stars Tom Brown, Virginia Weidler, and Carol Stone.
Ginger is a 1935 American comedy-drama film directed by Lewis Seiler and written by Arthur Kober. The film stars Jane Withers, O. P. Heggie, Jackie Searl, Katharine Alexander, and Walter Woolf King. It was Withers' first starring role.
The Crime of Sylvestre Bonnard is a 1929 French silent drama film directed by André Berthomieu and starring Émile Matrat, Thérèse Kolb and Gina Barbieri. It is based on the 1881 novel The Crime of Sylvestre Bonnard by Anatole France.
Champagne for Breakfast is a 1935 American comedy-drama film, directed by Melville Brown. It stars Mary Carlisle, Hardie Albright, and Joan Marsh, and was released on June 18, 1935.