Chavez | |
---|---|
Background information | |
Origin | New York, New York, United States |
Genres | |
Years active | 1993–present |
Labels | Matador |
Spinoff of | Wider |
Members | Matt Sweeney James Lo Clay Tarver Scott Marshall |
Chavez is an American band from New York City, formed in 1993. After a period of inactivity, the band re-formed in 2006. [2] They released two independent non-charting albums in the mid-1990s. [3]
Influenced by a wide variety of rock bands, including the Jesus Lizard, Blue Öyster Cult, and Cheap Trick, [4] [5] Chavez utilizes angular, asymmetrical riffs and dramatic dynamic shifts. The band is fronted by guitarist Matt Sweeney, who was previously a member of Skunk and Wider, and played with Guided by Voices. Drummer James Lo also came from Wider; the band is rounded out by guitarist Clay Tarver (Bullet Lavolta) and bassist Scott Marshall (son of director Garry Marshall). [6] [7]
The band quickly gained a following in the New York underground scene [2] [8] following the release of their first single "Repeat the Ending". Their debut album Gone Glimmering was released in 1995 and was followed by the EP Pentagram Ring. The music video for the song "Break Up Your Band" aired in an episode of MTV's Beavis and Butt-head ,[ citation needed ] and the band toured with Guided by Voices and Bardo Pond. Chavez's second full-length album Ride the Fader was released in 1996, and was praised by Entertainment Weekly as "a fine specimen of spare, brainy post-metal hard rock". [9]
Chavez never officially broke up, but they released no new material and played few shows between 1999 and 2006. [10] In 2006, Matador Records released Better Days Will Haunt You, a compilation of virtually all of Chavez's studio material up to that point, [11] [12] with the addition of new vocals for the song "White Jeans". The band played a few shows in support of the compilation, and later played with other bands such as Pavement and Sonic Youth. [13]
In 2001, during Chavez's period of inactivity, guitarist Matt Sweeney went on to join Smashing Pumpkins frontman/guitarist Billy Corgan and Slint guitarist David Pajo to form Zwan. [14] Sweeney teamed up with Will Oldham (under the moniker Bonnie 'Prince' Billy) for the 2005 album Superwolf , [15] as well producing and playing on Early Man's debut record for Matador, Closing In. [16] Sweeney is also involved in the NYC anti-band Soldiers of Fortune who have put out two records with Mexican Summer. [17] Clay Tarver has kept himself busy directing various television commercials as well as writing the script for the movie Joy Ride and later becoming the co-showrunner and an executive producer of Silicon Valley . [18] [19] Matt Sweeney played guitar on Johnny Cash's American VI released posthumously in 2010 and played in Iggy Pop's band for the Post Pop Depression record and tour. The band was chosen to perform at the ATP I'll Be Your Mirror festival organized by ATP & Portishead in September 2011 in Asbury Park, New Jersey. [20]
Portishead are an English rock band formed in 1991 in Bristol. The band comprises Beth Gibbons (vocals), Geoff Barrow, and Adrian Utley (guitar). Dave McDonald, an audio engineer who helped produce their first two albums, is sometimes regarded as the fourth member.
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Mary Star of the Sea is the only studio album by American alternative rock band Zwan, released on January 28, 2003 on Reprise. Produced by frontman Billy Corgan and Bjorn Thorsrud, the album was supported by the singles "Honestly" and "Lyric".
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Ride the Fader is the second and final studio album by American indie rock band Chavez. It was released on Matador Records on November 5, 1996. The album is considered by most fans and critics to be the band's best work.
Gone Glimmering is the debut studio album of American indie rock band Chavez. It was released via Matador Records on May 23, 1995. The album was recorded over weekends in December 1994 and January 1995 at various locations with various producers/engineers.
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We knew exactly what we wanted it to sound like, like if the Jesus Lizard had more melodies—all that tough angular stuff, but to also embrace other elements.
We were talking about how a lot of '70s rock had a grand, dark, evil mystery we were tapped to. For example, in [Blue Öyster Cult's] "Don't Fear the Reaper," there's that big dramatic fucking thing in the middle of it, like in that Cheap Trick song "Dream Police." These are all influences that were very untrendy at the time and still are.
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