Cheptalel

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Cheptalel
Cheptaleel's Prayer.jpg
Contemporary illustration of Cheptalel
Affiliation Kalenjin mythology and folklore
Personal information
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Siblingsnone
Consortunnamed
Childrenunknown

Cheptalel [1] [2] (also Cheptaleel) is a heroine found in the folklore of the Kipsigis [3] and Nandi [4] sections of the Kalenjin people of Kenya. She became a folk hero as a result of being offered as a sacrifice (actually or symbolically) to save the Kalenjin sections from a drought that was ravaging their land.

Contents

Etymology

The name Cheptalel in Kalenjin mythology was the second most common name given to the supreme being, it denotes an attribute that gives the meaning 'controller of all things'. The similar sounding name Cheptalil gives the thought of a supreme being endowed with glory (lilindo). The two names, Cheptalel and Cheptalil, though false cognates are used interchangeably in common parlance. [3]

Cheptalel is commonly seen to derive from the feminine prefix Chep (or fully Chepto meaning girl) and the word 'lel' meaning white. A similar naming convention is found in the name Koitalel, where koita means stone. However, when used to denote the supreme being the prefix does not denote a female supreme being. Rather it is associated with one aspect, that of creation and prosperity of life as opposed to the masculine which was associated with destruction. [5]

It has also been postulated that the name derives from a Sudanic name for the sun 'Tel', as of Chee-po-Tel or Tie-po-Tel, thus the girl of Tel i.e. She of the Sun. [6]

Life

There is little in the legend about Cheptalel's background though certain aspects of her early life appear in all traditions. Notably, she is understood to have been a virgin and in some accounts the only child in her family. In all accounts she had a boyfriend who plays a significant role in saving her life. [4]

Drought legend

In the legend, there came a time when rain disappeared for many years leading to a severe drought such that the elders held a meeting to decide on what to do. It was decided that a young girl would be offered as, or would go and offer, a sacrifice to the owner of the sky so that he would allow rain to fall. A young virgin girl was thus selected to go to a body of water (usually the home of Ilat) to pray for rain.

Her boyfriend found out about the plan and determined to follow her surreptitiously as she went on her mission. When she arrived at the lake (in some accounts waterfall), she stood at the shore and sang thus;

"Tulog tuloei, tulo tuloei,
I was sent by the age-mates
Of my father and my mother
To go to the shore of a lake
So that it can rain" [4]

As she sang, it began to drizzle and when she sang again it began to pour. When she sang a third time, it began to rain heavily and at the same time Ilat, in the form of lightning, struck but before he could get the girl, her boyfriend jumped out of his hiding place and killed Ilat thus rescuing Cheptalel. [4]

In one version of the legend, a pure white goat was taken along with her to the water and there the goat was sacrificed and the girl spared. [3]

Christian missionaries adopted the name as a name for God. [3] The name remains in common use today. [7]

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Traditional Kalenjin society is the way of life that existed among the Kalenjin-speaking people prior to the advent of the colonial period in Kenya and after the decline of the Chemwal, Lumbwa and other Kalenjin communities in the late 1700s and early 1800s.

Kalenjin mythology refers to the traditional religion and beliefs of the Kalenjin people of Kenya.

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Kalenjin folklore consists of folk tales, legends, songs, music, dancing, popular beliefs, and traditions communicated by the Kalenjin-speaking communities, often passed down the generations by word of mouth.

Kalenjin names are primarily used by the Kalenjin people of Kenya and Kalenjin language-speaking communities such as Murle in Ethiopia, Sebei of Uganda, Datooga, Akie and Aramanik of Tanzania.

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The Siger people were a community commonly spoken of in the folklore of a number of Kenyan communities that inhabited regions of northwestern Kenya at various points in history.

The Lumbwa Treaty event took place on 13 October 1889, in Lumbwa in Kericho between the Kipsigis led by Menya Araap Kisiara and the British East Africa administration. It was based on a cultural practice of oath taking in Kipsigis called Mummek or Mummiat or Mumma. Mumma means "to do something impossibly disgusting". It involves two parties taking an oath and invoking a preemptive curse if the oath is to be broken by any party taking the oath. There usually would also be a performance of black magic; and on this particular event a coyote was savored in two halves with each party burying its part and making the oath never to harm each other in any way.

The Kalenjin are a Nilotic people living in Kenya. They speak Kalenjin language which is spoken in dialects specific to individual contingent tribes and/or sub-tribes. The system observes that every name of a person, object or place has a meaning. The system has been subject to westernization and attrition to linguistics due to the Kenyan adoption of Swahili language as a lingua-franca and the dynamic view that indigenous languages are provincial and irrelevant.

Diana Chemutai Musila, known by her stage name, Chelele, was a Kalenjin secular music singer songwriter. She sang in Kipsigis, a dialect of Kalenjin language. The Kalenjin are a Southern Nilotic ethnicity that inhabits the former Rift Valley Province of Kenya and a number of districts in the Mount Elgon area in Uganda. Chelele's songs were ranked top the charts on Kalenjin radio and TV stations during her years of fecund music production. She is reminisced for her feisty demeanour during all her recording and stage performances.

References

  1. Worldmark Encyclopedia of Cultures & Daily Life, Kalenjin online
  2. Heaven Wins: Heaven, Hell and the Hope of Every Person online
  3. 1 2 3 4 Fish, B., & Fish, G., The Kalenjin Heritage, Traditional Religious and Social practices, Africa Gospel Church and World Gospel Mission, 1995, p.7-8
  4. 1 2 3 4 Chesaina, C., Oral Literature of the Kalenjin, Heinmann Kenya Limited, 1991, p.46-48
  5. Naaman, R., Investigation Of Kipsigis Worldview Items Towards Understanding The Catholic Doctrine Of Salvation Through Inculturation Approach: A Case Of Kericho Sub-county, p.55 online
  6. Did the God Ra Derive from Arabia? An examination of Wesley Muhammad's claim in Black Arabia and the African Origins of Islam, Major points of disagreement online
  7. Ochieng, P., Whatever you do, don’t kill the Kenyan dream, Nation Newspaper, 2010 online