Cheryl Patrice Derricotte is an American visual artist working mostly with glass and paper. She lives and works in San Francisco, California.
Cheryl Patrice Derricotte is an American visual artist working mostly with glass and paper. She lives and works in San Francisco, California.
Derricotte is originally from Washington, DC.
She holds a Master of Fine Arts from the California Institute of Integral Studies (CIIS), [1] a Master of Regional Planning from Cornell University, [2] and a B.A. in Urban Affairs from Barnard College, Columbia University. [3]
Derricotte describes her artwork process as:
Identities shaped by home (or homelessness); natural beauty (or disasters), memories of happiness (or loss) inspire my artwork. This results in works on glass and paper. Both materials are translucent and seemingly fragile, yet they are hearty enough to survive the passage of time between civilizations. I make art from research. This type of inquiry also leads me not just to economic but also environmental concerns. Observations of current events, politics, and urban landscapes are my entry into these issues. [4]
She has exhibited in galleries, [5] museums and art spaces. Her first solo exhibition in 2016, Ghosts/Ships, held at the Museum of the African Diaspora in San Francisco, "offers a glimpse into the global African slave trade that is both subtle and direct in its links between past and present." [6] In 2019 she was part of the “Ancestral Journeys” exhibition at the Euphrat Museum of Art, [7] an exhibition which "spotlights self-identity, family history, immigration, and diasporas..." [8]
Her awards include a San Francisco Individual Artist Commission; Hemera Foundation Tending Space Fellowship for Artists; the Rick and Val Beck Scholarship for Glass; [9] Emerging Artist at the Museum of the African Diaspora; [10] Gardarev Center Fellow; [11] Art Alliance for Contemporary Glass’ Visionary Scholarship, [12] D.C. Commission on the Arts & Humanities/ National Endowment for the Arts Artist Fellowship Grant, [13] San Francisco Individual Artist Commission, [14] and a Puffin Foundation Grant. [14] She was a Finalist for the LEAP Award in 2016. [15]
Derricotte is the current Secretary/The Minister of Information for Three Point Nine Art Collective, [16] [17] a group of San Francisco area Black artists. [18] She is also the Chief Mindfulness Officer of Crux, [19] a U.S. nationwide cooperative of Black artists "working at the intersection of art and technology through immersive storytelling (Virtual Reality)." [18] She has also been part of moderated discussions and talks "responding to representations of race and identity." [20] [21]
Hung Liu (劉虹) was a Chinese-born American contemporary artist. She was predominantly a painter, but also worked with mixed-media and site-specific installation and was also one of the first artists from China to establish a career in the United States.
The de Young Museum, formally the M. H. de Young Memorial Museum, is a fine arts museum located in San Francisco, California. Located in Golden Gate Park, it is a component of the Fine Arts Museums of San Francisco, along with the Legion of Honor. The de Young is named for early San Francisco newspaperman M. H. de Young.
The Museum of the African Diaspora (MoAD) is a contemporary art museum in San Francisco, California. MoAD holds exhibitions and presents artists exclusively of the African diaspora, one of only a few museums of its kind in the United States. Located at 685 Mission St. and occupying the first three floors of the St. Regis Museum Tower in the Yerba Buena Arts District, MoAD is a nonprofit organization as well as a Smithsonian Affiliate. Prior to 2014, MoAD educated visitors on the history, culture, and art of the African diaspora through permanent and rotating exhibitions. After a six-month refurbishment in 2014 to expand the gallery spaces, the museum reopened and transitioned into presenting exclusively fine arts exhibitions. MoAD does not have a permanent collection and instead works directly with artists or independent curators when developing exhibitions.
Yerba Buena Center for the Arts (YBCA) is a multi-disciplinary contemporary arts center in San Francisco, California, United States. Located in Yerba Buena Gardens, YBCA features visual art, performance, and film/video that celebrates local, national, and international artists and the Bay Area's diverse communities. YBCA programs year-round in two landmark buildings—the Galleries and Forum by Japanese architect Fumihiko Maki and the adjacent Theater by American architect James Stewart Polshek and Todd Schliemann. Betti-Sue Hertz served as Curator from 2008 through 2015.
The Chinese Culture Center of San Francisco is a community-based, non-profit organization established in 1965 as the operations center of the Chinese Culture Foundation located in Hilton San Francisco Financial District, at 750 Kearny Street, 3rd Floor, San Francisco, California, United States.
Richard Mayhew is an Afro-Native American landscape painter, illustrator, and arts educator. His abstract, brightly colored landscapes are informed by his experiences as an African American/Native American and his interest in Jazz and the performing arts. He lives and works in Soquel and Santa Cruz, California.
Taraneh Hemami is an Iranian-born American visual artist, curator, and arts educator based in San Francisco. Her works explore the complex cultural politics of exile through personal and collective, multidisciplinary projects often through site specific installation art or participatory engagement projects.
Southern Exposure (SoEx) is a not-for-profit arts organization and alternative art space founded in 1974 in the Mission District of San Francisco, California. It was originally founded as a grassroots, cooperative art gallery in conjunction with Project Artaud which was a live/work artist community. By the 1980s, they converted the gallery to a community space for supporting emerging artists.
Toyin Ojih Odutola is a Nigerian-American contemporary visual artist known for her vivid multimedia drawings and works on paper. Her unique style of complex mark-making and lavish compositions rethink the category and traditions of portraiture and storytelling. Ojih Odutola's artwork often investigates a variety of themes from socio-economic inequality, the legacy of colonialism, queer and gender theory, notions of blackness as a visual and social symbol, as well as experiences of migration and dislocation.
Joyce J. Scott is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator. Named a MacArthur Fellow in 2016, and a Smithsonian Visionary Artist in 2019, Scott is best known for her figurative sculptures and jewelry using free form, off-loom beadweaving techniques, similar to a peyote stitch. Each piece is often constructed using thousands of glass seed beads or pony beads, and sometimes other found objects or materials such as glass, quilting and leather. In 2018, she was hailed for working in new medium — a mixture of soil, clay, straw, and cement — for a sculpture meant to disintegrate and return to the earth. Scott is influenced by a variety of diverse cultures, including Native American and African traditions, Mexican, Czech, and Russian beadwork, illustration and comic books, and pop culture.
Weston Teruya is an Oakland-based visual artist and arts administrator. Teruya's paper sculptures, installations, and drawings reconfigure symbols forming unexpected meanings that tamper with social/political realities, speculating on issues of power, control, visibility, protection and, by contrast, privilege. With Michele Carlson and Nathan Watson, he is a member of the Related Tactics artists' collective and often exhibits under that name.
Zarouhie Abdalian is an American artist of Armenian descent, known for site-specific sculptures and installations.
Jenifer K Wofford is an American contemporary artist and art educator based in San Francisco, California, United States. Known for her contributions to Filipino-American visual art, Wofford's work often addresses hybridity, authenticity and global culture, frequently from an ironic, humorous perspective. Wofford collaborates with artists Reanne Estrada and Eliza Barrios as the artist group Mail Order Brides/M.O.B. She was also the curator of Galleon Trade, an international art exchange among California, Mexico and the Philippines.
Lindsey White (1980) is a visual artist working across many disciplines including photography, video, sculpture, and book making. Her work has been described as "reveling in lighthearted gags and simple gestures to create an experience that is all the more satisfying for the puzzles it contains."
Taravat Talepasand is an American contemporary artist, activist, and educator, of Iranian descent. She is known for her interdisciplinary painting practice including drawing, sculpture and installation. As an Iranian-American woman, Talepasand explores the cultural taboos that reflect on gender and political authority. Her approach to representation and figuration reflects the cross-pollination, or lack thereof, in our Western Society. Talepasand previously held the title of the chair of the painting department at San Francisco Art Institute (SFAI). She is an assistant professor in art practice at Portland State University.
Cheryl R. Riley is an American artist and furniture designer. Her official website is cherylrriley.com/
Chanell Stone is an American photographer. She is Black and known for her "Natura Negra" series. Stone lives and works in Oakland, California.
Lava Thomas is an American artist. Thomas was born and raised in Los Angeles.
Angela Hennessy is an American artist and educator. She is an Associate Professor at the California College of the Arts, and co-founder of SeeBlackWomxn. Hennessy teaches courses on visual and cultural narratives of death in contemporary art. She primarily works with textiles. She uses synthetic and human hair to create large-scale sculptures addressing cultural narratives of the body and mortality. Through writing, studio work, and performance, her practice addresses death and the dead themselves. Hennessy constructs “ephemeral and celestial forms” with every day gestures of domestic labor—washing, wrapping, stitching, weaving, brushing, and braiding.
Raheleh "Minoosh" Zomorodinia is an Iranian-born American interdisciplinary visual artist, curator, and educator. She works in many mediums, including in photography, video, installation, and performance. Her work is informed by the tension between Iran and the United States, as well as explorations of the self, of home, nature, and the environment. She is based in the San Francisco Bay Area.
