Chhotalal Rukhdev Sharma (died 1926) was a Gujarati playwright. [1]
He had studied Sanskrit in childhood and had studied Raghuvansh by Kalidas. His first play Madhav Vilas (1899) was produced by Amdavad Gujarati Natak Company. He had a long career with Deshi Natak Samaj. He used unconventional Savaiya, Shikharini and Totak metres in musical plays instead of popular Betabaji metre. He wanted to start his own theatre company so he had consulted poet Fulchandbhai Shah to write Rajhans based on Dashakumaracharitra but he died soon in 1926. [2]
His plays are as follows: [2]
Date | Title | Theatre company | Notes |
---|---|---|---|
1899 | Madhav Vilas | Amdavad Gujarati Natak Company | |
1904 | Vijay Kamla | Deshi Natak Samaj | First act by Dahyabhai Dholshaji Zaveri |
1905 | Chandrasinh | Amdavad Gujarat Arya Natak Samaj | |
26 October 1905 | Sati Sita | Deshi Natak Samaj | |
1906 | Geetasundari | Deshi Natak Samaj | |
6 September 1906 | Bhagwadgeeta | Deshi Natak Samaj | |
1908 | Sati Draupadi | Deshi Natak Samaj | |
1910 | Jalim Tuliya | Deshi Natak Samaj | |
11 March 1912 | Saraswatichandra | Aryanitidarshak Natak Samaj | Based on Saraswatichandra by Govardhanram Tripathi |
6 July 1912 | Sanyasi | Deshi Natak Samaj | |
12 December 1912 | Kulin Nayika | Deshi Natak Samaj | |
12 April 1913 | Ajitsinh | Deshi Natak Samaj | |
1914 | Sati Sulochna | Deshi Natak Samaj | |
1915 | Sati Damayanti | Deshi Natak Samaj | |
1916 | Ashok | Deshi Natak Samaj | |
1917 | Siddha Satyendra | Kachchh Nitidarshak Natak Samaj | Based on Gulabsinh by Manilal Nabhubhai Dwivedi |
1918 | Ahalyabai | Kachchh Nitidarshak Natak Samaj | |
1918 | Rukmani Swayamvar | Kachchh Nitidarshak Natak Samaj |
Tarak Janubhai Mehta was an Indian columnist, humourist, writer and playwright who is best known for the column Duniya Ne Undha Chasma. He translated and adapted several comedies into Gujarati, and was a well-known figure in the Gujarati theatre.
Shanta Kalidas Gandhi was an Indian theatre director, dancer and playwright who was closely associated with IPTA, the cultural wing of the Communist Party of India. She studied with Indira Gandhi at a residential school in the early 1930s, and remained close to the prime minister in later life. She received many government awards and sinecures under the Indira Gandhi administration, including the Padma Shri (1984) and being made chairperson of the National School of Drama (1982–84).
Indulal Kanaiyalal Yagnik was an Indian independence activist, a leader of the All India Kisan Sabha and one who led the Mahagujarat Movement, which spearheaded the demand for the separate statehood for Gujarat on 8 August 1956. He is also known as Indu Chacha. He was also a writer and film maker.
Chandravadan Chimanlal Mehta, popularly known as C. C. Mehta or Chan. Chi. Mehta, was a Gujarati playwright, theatre critic, bibliographer, poet, story writer, autobiographer, travel writer and broadcaster from Vadodara, Gujarat, India.
Gujarati theatre refers to theatre performed in the Gujarati language, including its dialects. Gujarati theatre is produced mainly in Gujarat and Maharashtra, in cities like Mumbai, Ahmedabad and Baroda, surat and else where Gujarati diaspora exists, especially North America. Rustam Sohrab, performed by Parsee Natak Mandali on 29 October 1853 in Mumbai, marked the beginning of Gujarati theatre.
Jaishankar Bhudhardas Bhojak, better known by his theatre name Jaishankar Sundari , was an Indian actor and director of Gujarati theatre. Starting at the young age, he rose to fame for his roles of female impersonator in early Gujarati plays. He retired from acting in 1932 but returned to theatre direction and teaching in 1948. He directed and acted in several successful plays. He was awarded the Ranjitram Suvarna Chandrak in 1951 and the Padma Vibhushan in 1971.
Jayanti Ghelabhai Dalal was an Indian author, publisher, stage actor, director and politician. Born in family of theatre organiser and involved in politics during and after independence of India, he was influenced by socialism and Gandhian philosophy. He wrote one-act plays, short stories and edited publications.
Amrit Keshav Nayak was a Parsi theatre actor-director, lyricist and Gujarati author. He joined theatre at early age and later directed several plays including adaptations of plays of Shakespeare. He wrote plays and novels also.
Markand Jashbhai Bhatt was an Indian Gujarati theatre actor and director. Born and studied in Vadodara, he taught theatre for more than thirty years at M. S. University. He acted in and directed several Gujarati plays.
Harji Lavji Damani, better known by his pen name Shayda, was a Gujarati language poet, novelist, short-story writer and playwright from Gujarat, India. He is known as Ghazal Samrat, the king of ghazal poetry, as he established the Gujarati ghazal form in Gujarati literature.
Pranlal Kharsani, better known by his stage name P. Kharsani, was a Gujarati stage, television and film actor.
Rasiklal Chhotalal Parikh (1897–1982) was a 20th-century Gujarati poet, playwright, literary critic, Indologist, historian, and editor from Gujarat, India. He was the president of Gujarat Sahitya Sabha and was appointed as the president of Gujarati Sahitya Parishad in 1964. He received the Sahitya Akademi Award in 1960 for his play Sharvilak. He is also a recipient of the Ranjitram Suvarna Chandrak and the Narmad Suvarna Chandrak.
Hasmukh Jamnadas Baradi was a Gujarati playwright, theater artist and theater critic from India.
Bapulal Nayak was an Indian stage actor, director and manager of the early Gujarati theatre. Born into a family of traditional folk theatre performers, he joined the theatre company Mumbai Gujarati Natak Mandali at a young age. His acting was well received in his initial roles. He was involved in stage planning and managing and later became a partner in the company. He rose to fame and acted in several successful plays with Jaishankar Bhojak 'Sundari', who played female roles opposite him. He acted in plays written by Mulshankar Mulani, Gajendrashnakar Pandya and Nrisinh Vibhakar. He wrote and directed several plays and eventually bought the theatre company. After a career lasting five decades, he retired after his company suffered heavy loss with the advent of the cinema.
Pransukh Manilal Nayak was an Indian Gujarati theatre actor, director, manager, and playwright from Gujarat, India. Born into a family of traditional theatre actors, he joined theatre troupes at a young age and rose to fame for his comic roles and female impersonations. His performances as a woman from Banaras in Kumali Kali and as Jivram Bhatt in Mithyabhiman were acclaimed. During his long career, he worked with many theatre companies and gave 22,455 performances, earning a listing in the 1989 Guinness Book of Records.
Kanta is an 1882 Gujarati play by Manilal Dwivedi, based on a historical event; the killing of King Jayshikhari of Patan by King Bhuvad of Panchasar. Dwivedi added the characters of Tarala, Haradas and Ratnadas from his own imagination and gave dramatic twists to the original story in order to make the story more suitable for a dramatic retelling. It has been called the most outstanding play of the 19th century in Gujarati literature. Reportedly, the play has elements of Sanskrit drama and Shakespearean tragedy reflected in its construction, due to Dwivedi's recent translation of Sanskrit play Malatimadhavam and studies of Shakespeare's plays. Kanta had moderate success on the stage. The Mumbai Gujarati Natak Mandali inaugurated its theatrical activities by staging this play on 29 June 1889.
Muljibhai Khushalbhai Nayak (1892–1971) was a Gujarati theatre director and actor from Gujarat, India. He was well known for his heroic and Bhavai roles.
Mulshankar Harinand Mulani was a Gujarati playwright from the Gujarati theatre of India. After working as a village development officer and as an editor with a weekly newspaper, he joined the Mumbai Gujarati Natak Mandali, a theatre company, where he worked as a playwright for decades. He wrote more than fifty plays on social, mythological and historical subjects including commercially or critically successful plays like Rajbeej (1891), Ajabkumari, Saubhagya Sundari (1901), Nandbatrisi (1906) and Krishnacharitra (1906).
Nrusinhavatar is one of the two Gujarati plays written by Manilal Nabhubhai Dwivedi, the other is Kanta. Written probably in 1896, it recounts the puranic mythological tale of Nrusinhavatar. It was first staged by the Mumbai Gujarati Natak Company in 1899 but was unsuccessful. It was staged again in 1906-07 and became successful. It was edited and published as the book by Dhirubhai Thaker in 1955.
Gujarati Natak Mandali (1878–89) and its successor Mumbai Gujarati Natak Mandali (1889–1948) was a theatre company in Bombay, British India. It gave immense contributions to the Gujarati theatre, with productions of more than hundred plays, as well as the training and introducing of many major actors and directors.
This article about an Indian writer or poet is a stub. You can help Wikipedia by expanding it. |