Chicha Libre is a Brooklyn-based six-member band founded by Olivier Conan. Its name is a reference to chicha , a corn-based liquor that has been produced in South America since the time of the Incas. It is also the name of a Peruvian musical genre (also known as Peruvian cumbia) on which the band's music is based. [1]
Conan was first introduced to chicha music on a trip to Peru in 2005. [2] Their first album, ¡Sonido Amazonico!, was released in 2008 on Barbes Records, [2] a label which Conan runs from his home in Brooklyn. [3] They released their second album, Canibalismo, in 2012, [4] and an EP, Cuatro Tigres, in 2013, both digitally and on vinyl. [5]
The band's original members were Olivier Conan (lead vocalist, cuatro), Josh Camp (DuoVox, keyboards, background vocals), Vincent Douglas (guitar), Greg Burrows (percussion, background vocals, timbales, bongos, guiro, reco-reco), Timothy Quigley (percussion, bongo, shakers, conga) and Nick Cudahy (bass guitar). Additional members are Neil Ochoa (congas) and Karina Colis (timbales). Featured guest artists have included Jose Carballo (a former member of the seminal Peruvian chicha band, Los Hijos del Sol). [6]
The band's music is based on chicha, a fusion of rock and roll and cumbia produced by the native population of the Peruvian Andes and Amazon. This music was most popular in the 1960s and 1970s in northern Peru. [7] Conan has described his band's music as "free-form Chicha" and has said they take many liberties with chicha music. [8]
Sonido Amazonico received a favorable review from Brendon Griffin in PopMatters . Griffin wrote that "...like the best music of any genre it leaves you wondering about the mystery of it all" and gave the album a rating of 9 out of 10. [9] Jon Lusk wrote on the BBC's website that the album's music was "too self-conscious and contrived to match the fevered originals". [10] Robert Christgau awarded Cuatro Tigres an A− and wrote that the band "acknowledge[s] their true roots" on the EP. [11]
The music of Latin America refers to music originating from Latin America, namely the Romance-speaking regions of the Americas south of the United States. Latin American music also incorporate the Indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.
The güiro is a percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines along the notches to produce a ratchet sound.
Andean music is a group of styles of music from the Andes region in South America.
Peruvian music is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments. Pre-Columbian Andean music was played on drums and string instruments, like the European pipe and tabor tradition. Andean tritonic and pentatonic scales were elaborated during the colonial period into hexatonic, and in some cases, diatonic scales.
Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, Europeans and African slaves during colonial times. Cumbia is said to have come from funeral traditions in the Afro-Colombian community.
Cumbia villera is a subgenre of cumbia music originating in Argentina in the late 1990s and popularized all over Latin America and Latin communities abroad.
José Bernardo Alzedo was a Peruvian composer.
"Lambada", also known as "Chorando Se Foi (Lambada)", or "Llorando Se Fue (Lambada)" (both meaning "crying, he/she went away" in Portuguese and Spanish, respectively), is a song by French-Brazilian pop group Kaoma. It features guest vocals by Brazilian vocalist Loalwa Braz and was released as the first single from Kaoma's 1989 debut album, Worldbeat. The accompanying music video, filmed in June 1989. in Cocos beach in the city of Trancoso, in the Brazilian state of Bahia, featured the Brazilian child duo Chico & Roberta.
"Llorando se fue" is a Bolivian folk song recorded by Los Kjarkas in 1981 on the album Canto a la mujer de mi pueblo and released as a B-side of the "Wa ya yay" single in 1982. The song has been very popular in Latin America since the 1980s and has been covered several times. It obtained international fame with artists such as Wilkins in 1984, Argentine singer Juan Ramón in 1985, Brazilian singer Márcia Ferreira in 1986 and the French-Brazilian pop group Kaoma in 1989. Kaoma's cover "Lambada" was an unauthorized translation of the song and based on the music of Cuarteto Continental group and Márcia Ferreira's Portuguese version that led to a successful lawsuit against Kaoma's producers Olivier Lorsac and Jean Karakos. Recently, the song was adapted by several artists including Ivete Sangalo, Red Fox's "Pose Off", Jennifer Lopez for her 2011 single "On the Floor", Don Omar's "Taboo" and Wisin & Yandel's "Pam Pam".
Karen Dejo is a Peruvian actress and dancer. She has appeared in numerous Latin American television presentations.
Los Ronisch are a Bolivian cumbia band. They originate from Cochabamba and are one of the most popular cumbia bands in South America. The press have called this band "the box-office record breakers" due to its vast popularity among people in Bolivia, Peru, Argentina, Ecuador and other countries.
Peruvian cumbia is a subgenre of chicha that became popular in the coastal cities of Peru, mainly in Lima in the 1960s through the fusion of local versions of the original Colombian genre, traditional highland huayno, and rock music, particularly surf rock and psychedelic rock. The term chicha is more frequently used for the pre-1990s variations of the subgenre.
Bareto is a music group from Peru, famous for making their own versions of classic Peruvian cumbia songs.
The Fiesta Nacional de la Danza, also known as Semana de la Danza Puertorriqueña, is a cultural celebration that takes place every year in Ponce, Puerto Rico. The festival centers on the danza, a musical genre native from the city of Ponce and oftentimes called "Puerto Rico's classical music" with rhythm, tune, and cadence that are similar to the waltz. The celebration lasts a week and takes place in mid-May. It is sponsored by the Ponce Municipal Government and the Institute of Puerto Rican Culture.
"L'Été indien" is a 1975 single by American-French singer Joe Dassin. In the song he reflects with fond memories of his lover, whom he met during an indian summer, but with whom he has now lost contact.
Cumbia is a folkloric genre and dance from Colombia.
Cariñito is a Peruvian cumbia song written by Limeño Ángel Aníbal Rosado in 1979 and first interpreted by the Peruvian group Los Hijos del Sol. Readapted by numerous international groups and in different musical styles, the song is one of the best-known songs in the realm of Peruvian cumbia and cumbia in general.
Sonido Tré is a latin music trio comprising vocalists Mayda Belén Rivera and Edgar Ríos, and Quique Domenech on Cuatro. All three members were born in Puerto Rico. Domenech studied the cuatro from the age of six. At 11 he entered a five-year program at the Institute of Puerto Rican Culture studying the cuatro and music theory. He has been nominated twice for a Latin Grammy. Rivera was a semifinalist on Latin American Idol. The newest member of Sonido Tré is Edgar Ríos. Ríos was a member of the a cappella group Nota, winners of the NBC show The Sing-Off.
Cumbia is a musical genre and folk dance from Panama.
Los Mirlos is a Peruvian cumbia band with origins in Moyobamba, Peru.