A chillador of the steel-strung variety, with 12 strings in 5 courses | |
String instrument | |
---|---|
Classification | |
Hornbostel–Sachs classification | 321.321-5 |
Developed | Early 18th century (perhaps earlier) |
Related instruments | |
Charango, Walaychu, Ronroco |
The name chillador can refer either to two related types of charango. The First type, simple called chillador is a type of charango which has a flat back and is usually steel-strung. It exists in both 10-and 12-string forms. When strung with 10-strings (in 5 courses) it is tuned the same as a charango. With 12 strings, courses 2 and 4 are triple-strung, and the (re-entrant) tuning is more like that of a charangon or ronroco in Argentine tuning. [1] The chillador charango is a standardly-tuned charango but with a body built from bent sides and a flat back like a (smaller) guitar, [2] [3]
A chillador is a very small guitar-shaped fretted stringed instrument, usually with 10, 12, or 14 metal strings, in paired or tripled courses. It is played in southern Peru and northern Bolivia. The chillador has 5 courses like its cousin, the charango, and has a similar tuning to the charango. [4] The chillador is a common instrument of estudiantina ensembles, [5] and is typically strummed rapidly, rather than plucked. There are several characteristics that separate a chillador from a charango: The chillador has a smaller scale length (31 cm) than a charango (37 cm); [6] the chillador typically has 12 or 14 metal strings while the charango has 10 strings which are typically nylon; and the chillador has a flat back with laminated wood sides like a guitar, while the charango usually has a one-piece carved wood back or uses an armadillo shell. The chillador is an essential instrument of Kajelo music.
The chillador charango is tuned like a standard charango with 10 nylon strings in 5 courses, but it is built differently, with bent sides and a flat back like a guitar or ukulele. It is often deeper than a ukulele, in order to get a similar sound as the standard carved charango. [7]
The classical guitar is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern steel-string acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar.
A mandolin is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of eight strings. A variety of string types are used, with steel strings being the most common and usually the least expensive. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin. Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass.
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.
The charango is a small Andean stringed instrument of the lute family, from the Quechua and Aymara populations in the territory of the Altiplano in post-Colonial times, after European stringed instruments were introduced by the Spanish during colonialization. The instrument is widespread throughout the Andean regions of Bolivia, Peru, Ecuador, northern Chile and northwestern Argentina, where it is a popular musical instrument that exists in many variant forms.
The cittern or cithren is a stringed instrument dating from the Renaissance. Modern scholars debate its exact history, but it is generally accepted that it is descended from the Medieval citole. Its flat-back design was simpler and cheaper to construct than the lute. It was also easier to play, smaller, less delicate and more portable. Played by people of all social classes, the cittern was a popular instrument of casual music-making much like the guitar is today.
The vihuela is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of the lute in Italy and has a large resultant repertory. There were usually five or six doubled strings.
The term requinto is used in both Spanish and Portuguese to mean a smaller, higher-pitched version of another instrument. Thus, there are requinto guitars, drums, and several wind instruments.
A tiple, is a plucked typically 12-string chordophone of the guitar family. A tiple player is called a tiplista. The first mention of the tiple comes from musicologist Pablo Minguet e Irol in 1752. Although many variations of the instrument exist, the tiple is mostly associated with Colombia, and is considered the national instrument. The Puerto Rican version characteristically has fewer strings, as do variants from Cuba, Mallorca, and elsewhere among countries of Hispanic origin.
A string is the vibrating element that produces sound in string instruments such as the guitar, harp, piano, and members of the violin family. Strings are lengths of a flexible material that a musical instrument holds under tension so that they can vibrate freely, but controllably. Strings may be "plain", consisting only of a single material, like steel, nylon, or gut, or wound, having a "core" of one material and an overwinding of another. This is to make the string vibrate at the desired pitch, while maintaining a low profile and sufficient flexibility for playability.
The yueqin, also called a moon lute or moon guitar, is a traditional Chinese string instrument. It is a lute with a round, hollow soundboard, a short fretted neck, and usually four strings. It is an important instrument in the Peking opera orchestra, often taking the role of main melodic instrument in lieu of the bowed string section.
A course, on a stringed musical instrument, is either one string or two or more adjacent strings that are closely spaced relative to the other strings, and typically played as a single string. The strings in each multiple-string course are typically tuned in unison or an octave.
The jarana jarocha is a guitar-shaped fretted stringed instrument from the southern region of the state of Veracruz, Mexico. Typically strung with 8 strings in 5 courses, usually arranged in two single outer strings with three double-courses in between. The strings are usually nylon, although they were gut in the past. The body is somewhat narrower than a guitar because of its direct lineage from the Spanish baroque guitar of the sixteenth century. Sometimes mistaken for a ukulele, the jarana jarocha comes in at least five sizes, the smallest being the chaquiste, somewhat smaller than a soprano ukulele; then the mosquito, about the size of a soprano ukulele; the 'primera', about the size of a concert ukulele; the 'segunda', in length between a tenor and a baritone ukulele; and the 'tercera', somewhat longer than the baritone ukulele. Some luthiers are building jaranas of a size they label "tercerola" or "jarana cuarta", but there is some discussion as to whether these represent a distinct size or are merely particularly large variations of the standard tercera.
On a stringed instrument, a break in an otherwise ascending order of string pitches is known as a re-entry. A re-entrant tuning, therefore, is a tuning where the strings are not all ordered from the lowest pitch to the highest pitch.
The dramyin or dranyen is a traditional Himalayan folk music lute with six strings, used primarily as an accompaniment to singing in the Drukpa Buddhist culture and society in Bhutan, as well as in Tibet, Ladakh, Sikkim and Himalayan West Bengal. It is often used in religious festivals of Tibetan Buddhism. The instrument is played by strumming, fingerpicking or plucking. The dramyen, chiwang (fiddle), and lingm (flute) comprise the basic instrumental inventory for traditional Bhutanese folk music.
There are many varieties of ten-string guitar, including:
This is a chart of stringed instrument tunings. Instruments are listed alphabetically by their most commonly known name.
A guitalele, also called a ukitar, or kīkū, is a guitar-ukulele hybrid, that is, "a 1/4 size" guitar, a cross between a classical guitar and a tenor or baritone ukulele. The guitalele combines the portability of a ukulele, due to its small size, with the six single strings and resultant chord possibilities of a classical guitar. It may include a built-in microphone that permits playing the guitalele either as an acoustic guitar or connected to an amplifier. The guitalele is variously marketed as a travel guitar or children's guitar. It is essentially a modern iteration of the Quint guitar.
The Guitarrón Chileno is a guitar-shaped plucked string instrument from Chile, with 25 or 24 (rarely) strings. Its primary contemporary use is as the instrumental accompaniment for the traditional Chilean genre of singing poetry known as Canto a lo Poeta, though a few virtuosi have also begun to develop the instrument's solo possibilities.
The hatun charango is a small plucked chordophone from Peru, related to the guitars and lutes. Specifically, it is a form of charango, which has either seven or (usually) eight strings arranged in seven courses.
The mandolin is a modern member of the lute family, dating back to Italy in the 18th century. The instrument was played across Europe but then disappeared after the Napoleonic Wars. Credit for creating the modern bowlback version of the instrument goes to the Vinaccia family of Naples. The deep bowled mandolin, especially the Neapolitan form, became common in the 19th century, following the appearance of an international hit, the Spanish Students. They toured Europe and America, and their performances created a stir that helped the mandolin to become widely popular.