Francisco "Chino" Pozo (October 4, 1915, Havana - April 28, 1980, New York City) was a Cuban drummer.
Pozo claimed to be the cousin of Chano Pozo, though this has been disputed. He was an autodidact on piano and bass, but concentrated on bongos, congas, and drums. He moved to the United States in 1937, and played with Machito from 1941–43 and with the Jack Cole Dancers from 1943-1949. Following this he played in numerous jazz ensembles, especially latin jazz and Afro-Cuban jazz; his credits include work with Jose Curbelo, Noro Morales, Tito Puente, Tito Rodríguez, Enric Madriguera, Perez Prado, Josephine Premice, Tadd Dameron, Charlie Parker, and Dizzy Gillespie. He toured with Peggy Lee in 1954-55 and played with Stan Kenton (1955), Herbie Mann (1956), Xavier Cugat (1959), and René Touzet (1959). He also recorded with Illinois Jacquet, Phineas Newborn, Gábor Szabó, and Paul Anka.
Jerome Richardson was an American jazz musician and woodwind player. He is cited as playing one of the earliest jazz flute recordings with his work on the 1949 Quincy Jones arranged song "Kingfish".
Oscar Pettiford was an American jazz double bassist and composer. He was one of the earliest musicians to work in the bebop idiom.
Mitchell Herbert Ellis was an American jazz guitarist. During the 1950s, he was in a trio with pianist Oscar Peterson.
Grady Tate was an American jazz and soul-jazz drummer and baritone vocalist. In addition to his work as sideman, Tate released many albums as leader and lent his voice to songs in the animated Schoolhouse Rock! series. He received two Grammy nominations.
Charlie Rouse was an American hard bop tenor saxophonist and flautist. His career is marked by his collaboration with Thelonious Monk, which lasted for more than ten years.
Adolph Stanley Levey known professionally as Stan Levey was an American jazz drummer. He was known for working with Charlie Parker and Dizzy Gillespie in the early development of bebop during the 1940s, and in the next decade had a stint with bandleader Stan Kenton. Levey retired from music in the 1970s to work as a photographer.
Arturo "Chico" O'Farrill was a Cuban composer, arranger, and conductor, best known for his work in the Latin idiom, specifically Afro-Cuban jazz or "Cubop", although he also composed traditional jazz pieces and even symphonic works.
Julius Watkins was an American jazz musician who played French horn. Described by AllMusic as "virtually the father of the jazz French horn", Watkins won the Down Beat critics poll in 1960 and 1961 for Miscellaneous Instrument.
George Duvivier was an American jazz double-bassist.
Sahib Shihab was an American jazz and hard bop saxophonist and flautist. He variously worked with Luther Henderson, Thelonious Monk, Fletcher Henderson, Tadd Dameron, Dizzy Gillespie, Kenny Clarke, John Coltrane and Quincy Jones among others.
James Milton Cleveland was an American jazz trombonist born in Wartrace, Tennessee.
James Lawrence Buffington was an American jazz, studio, and classical hornist.
Nelson Boyd was an American bebop jazz bassist.
Daniel Bernard Bank was an American jazz saxophonist, clarinetist, and flautist. He is credited on some releases as Danny Banks.
Ernie Henry was an American jazz saxophonist.
Leslie Spann Jr. was an American jazz guitarist and flautist. As a sideman he recorded with Nat Adderley, Benny Bailey, Bill Coleman, Eddie "Lockjaw" Davis, Curtis Fuller, Red Garland, Benny Goodman, Sam Jones, Abbey Lincoln, Charles Mingus, Duke Pearson, Jerome Richardson, Charlie Shavers, Sonny Stitt, Billy Taylor, Randy Weston, and Ben Webster. As a leader he recorded only once, the album Gemini in 1961.
Charles Sumner Kennedy was an American big band-era alto saxophonist.
Carlos Vidal Bolado (1914–1996), also known as "Vidal Bolado", was a Cuban conga drummer and an original member of Machito and his Afro-Cubans. Vidal holds the double distinction of being the first to record authentic folkloric Cuban rumba and the first to play congas in Latin jazz.
Afro is a studio album by the jazz trumpeter Dizzy Gillespie. It was released in November 1954 through Norgran Records. Gillespie worked with many Cuban musicians on the album.
Ahmad Khatab Salim or Ahmad Kharab Salim was an American jazz composer, and arranger.