Mbira are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs, the right forefinger, and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020.
Polyrhythm is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic layers may be the basis of an entire piece of music (cross-rhythm), or a momentary section. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm. Concurrently in this context means within the same rhythmic cycle. The underlying pulse, whether explicit or implicit can be considered one of the concurrent rhythms. For example, the son clave is poly-rhythmic because its 3 section suggests a different meter from the pulse of the entire pattern.
Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres amapiano, Jùjú, Fuji, Afrobeat, Highlife, Makossa, Kizomba, and others. African music also uses a large variety of instruments across the continent. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland jazz, blues, jazz, and many Caribbean genres, such as calypso and soca. Latin American music genres such as cumbia, salsa music, son cubano, rumba, conga, bomba, samba and zouk were founded on the music of enslaved Africans, and have in turn influenced African popular music.
Zimbabwean music is heavily reliant on the use of instruments such as the mbira, Ngoma drums and hosho. Their music symbolizes much more than a simple rhythm, as the folk and pop style styled music was used as a symbol of hope for Zimbabweans looking to gain independence from Rhodesia. Music has played a significant role in the history of Zimbabwe, from a vital role in the traditional Bira ceremony used to call on ancestral spirits, to protest songs during the struggle for independence. The community in Zimbabwe used music to voice their resistance to their oppression, as one of the only weapons they had available to fight back with. In the eighties, the Music of Zimbabwe was at the center of the African Music scene thanks to genres such as Sungura and Jit. However, several performers were banned by state TV and radio leading to the closing of several music venues.
Thomas Tafirenyika Mapfumo is a musician nicknamed "The Lion of Zimbabwe" and "Mukanya" for his immense popularity and for the political influence he wields through his music, including his sharp criticism of the government of former Zimbabwean president Robert Mugabe. He both created and made popular Chimurenga music, and his slow-moving style and distinctive voice is instantly recognisable to Zimbabweans.
Osibisa are a Ghanaian-British Afro-rock band founded in London in the late 1960s by four expatriate West African and three London based Caribbean musicians.
Leonard Tazvivinga Dembo, son of Kwangwari Gwaindepi also Musoro We Nyoka, was a Zimbabwean guitar-band musician and member of the bands Barura Express and The Outsiders. Incorporating traditional Shona sayings in his lyrics, his musical style was sungura-based, played on electric guitars tuned to emulate the characteristic sounds of the mbira.
Shona music is the music of the Shona people of Zimbabwe. There are several different types of traditional Shona music including mbira, singing, hosho and drumming. Very often, this music will be accompanied by dancing, and participation by the audience. In Shona music, there is little distinction between the performer and the audience, both are often actively involved in the music-making, and both are important in the religious ceremonies where Shona music is often heard.
Ephat Mujuru (1950–2001), was a Zimbabwean musician, one of the 20th century's finest players of the mbira, a traditional instrument of the Shona ethnic group of Zimbabwe.
James Pugliese is an American percussionist, drummer, composer and international recording artist on over 150 CDs of experimental, jazz and rock music.
Stella Chiweshe was a Zimbabwean musician. She was known internationally for her singing and playing of the mbira dzavadzimu, a traditional instrument of the Shona people of Zimbabwe. She was one of few female players, and learned to play from 1966 to 1969, when other women did not.
Chirikure Chirikure, is a Zimbabwean poet, songwriter, and writer. He is a graduate of the University of Zimbabwe and an Honorary Fellow of University of Iowa, US. He worked with one of Zimbabwe's leading publishing houses as an editor/publisher for 17 years, until 2002. He now runs a literary agency and also works as a performance poet, cultural consultant and translator.
Forward Kwenda is a mbira performer from Zimbabwe. He was born in the rural Buhera area in Manicaland, an area known for its fierce resistance to colonial rulers and respect for Shona tradition. As a young boy, Forward excelled in traditional dance and recitation of ancient poetry. At the age of 10, he began to play ngoma (drums) and hosho for his mother's gombwe (rain-making) spirit. He was given the name "Forward" because of his curiosity about many subjects, enthusiastic involvement in many activities and his performances for guerrilla forces during the Rhodesian Bush War.
The Four Brothers were a pop group from Zimbabwe. The members were not brothers. They played fast-paced guitar-based pop music with songs sung in the Shona language. Their lead guitar string-plucking sound is reminiscent of the sound of the African mbira instrument and is a style known as 'jit'.
Chiwoniso Maraire was a Zimbabwean singer, songwriter, and exponent of Zimbabwean mbira music. She was the daughter of Zimbabwean mbira master and teacher Dumisani Maraire. Describing the mbira, an instrument traditionally used by male musicians, she said, "It is like a large xylophone. It is everywhere in Africa under different names: sanza, kalimba, etc. For us in Zimbabwe it is the name for many string instruments. There are many kinds of mbiras. The one that I play is called the nyunga nyunga, which means sparkle-sparkle."
Jonah Sithole (1952–1997) was a Zimbabwean guitarist, vocalist and composer, known particularly for the mbira-inspired style known as mbira-guitar or chimurenga music.
Kevin Jones is an American jazz percussionist and band leader. Jones's music is influenced by that of Cuba and Congo.
Peter Mujuru, known by his mononym Mashasha, is a Zimbabwean musician, bass guitarist, singer, songwriter and producer based in the UK. He is widely regarded as an original and important new voice in African music. His debut studio album, Mashasha, which was released by Elegwa Music in 2011; it was acclaimed by critics internationally and won a Zimbabwe Music and Arts (ZIMAA) award for Best Album.
Corruption is an album by the Zimbabwean musician Thomas Mapfumo, released in 1989. The album criticized the government of Robert Mugabe. Mugabe's displeasure with the criticism eventually forced Mapfumo into exile, and Mapfumo's music was barred from Zimbabwean radio. The title track was discussed in the Zimbabwean parliament, around the same time as several government officials were indicted as part of a smuggling ring.
Chamunorwa is an album by the Zimbabwean musician Thomas Mapfumo, released in 1991. He is credited with his band, Blacks Unlimited. The title translates to What Are We Fighting For. Chamunorwa was Mapfumo's final album for Mango Records.
