The xylophone is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel, the xylophone essentially consists of a set of tuned wooden keys arranged in the fashion of the keyboard of a piano. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use.
Mbira are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs, the right forefinger, and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020.
Zimbabwean music is heavily reliant on the use of instruments such as the mbira, Ngoma drums and hosho. Their music symbolizes much more than a simple rhythm, as the folk and pop style styled music was used as a symbol of hope for Zimbabweans looking to gain independence from Rhodesia. Music has played a significant role in the history of Zimbabwe, from a vital role in the traditional Bira ceremony used to call on ancestral spirits, to protest songs during the struggle for independence. The community in Zimbabwe used music to voice their resistance to their oppression, as one of the only weapons they had available to fight back with. In the eighties, the Music of Zimbabwe was at the center of the African Music scene thanks to genres such as Sungura and Jit. However, several performers were banned by state TV and radio leading to the closing of several music venues.
Thomas Tafirenyika Mapfumo is a musician nicknamed "The Lion of Zimbabwe" and "Mukanya" for his immense popularity and for the political influence he wields through his music, including his sharp criticism of the government of former Zimbabwean president Robert Mugabe. He both created and made popular Chimurenga music, and his slow-moving style and distinctive voice is instantly recognisable to Zimbabweans.
The hosho are Zimbabwean musical instruments consisting of a pair of maranka (mapudzi) gourds with seeds. They are used as major instruments in many traditional Shona music genres, such as in mbira ensembles and in mhande. They typically contain hota seeds inside them. Before the hota seeds are added, the hosho is boiled in salted water and the inside is scraped out with a corncob, newspaper plug, or woven wire. Removing the debris inside the hosho allows for a more sharp and percussive tone.
Shona music is the music of the Shona people of Zimbabwe. There are several different types of traditional Shona music including mbira, singing, hosho and drumming. Very often, this music will be accompanied by dancing, and participation by the audience. In Shona music, there is little distinction between the performer and the audience, both are often actively involved in the music-making, and both are important in the religious ceremonies where Shona music is often heard.
Ephat Mujuru (1950–2001), was a Zimbabwean musician, one of the 20th century's finest players of the mbira, a traditional instrument of the Shona ethnic group of Zimbabwe.
The Shona people are a Bantu ethnic group native to Southern Africa, primarily living in Zimbabwe where they form the majority of the population, as well as Mozambique, South Africa, and a worldwide diaspora. There are five major Shona language/dialect clusters: Manyika, Karanga, Zezuru, Korekore, and Ndau.
Vusamazulu Credo Mutwa was a Zulu sangoma from South Africa. He was known as an author of books that draw upon African mythology, traditional Zulu folklore, extraterrestrial encounters and his own personal encounters. His last work was a graphic novel called the Tree of Life Trilogy based on his writings of his most famous book, Indaba my Children. In 2018 he was honoured with an USIBA award presented by the South African Department of Arts and Culture, for his work in Indigenous Wisdom.
In Zimbabwean Shona music, a deze is a halved calabash gourd that an mbira is placed into to amplify its sound. It is typically round and has bottle caps, shells or other objects strung around its perimeter to vibrate with the mbira, creating a buzzing sound. Cracked deze frequently are repaired by wire stitching. Because of the size of the deze, audience members cannot see the mbira players' hands. Because of this, it is not uncommon for those who want to learn the mbira to play the hosho first, so that they can stand behind the players to see into deze and learn by observation. Modern deze are often constructed out of fiberglass and epoxy for increased durability. However, some mbira players, like Chartwell Dutiro, critique the use of fiberglass dezes in live performance. Dutiro says it compromises the resonance of the mbira and thus hinders communication with dza vadzimu.
Hugh Travers Tracey was an English ethnomusicologist. He and his wife collected and archived music from Southern and Central Africa. From the 1920s through the 1970s, Tracey made over 35,000 recordings of African folk music. He popularized the mbira internationally under the name kalimba.
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. The beats and sounds of the drum are used in communication as well as in cultural expression.
Andrew Tracey was a South African ethnomusicologist, promoter of African music, composer, folk singer, band leader, and actor. His father, Hugh Tracey (1903–1977), pioneered the study of traditional African music in the 1920s–1970s, created the International Library of African Music (ILAM) in 1954, and started the company African Musical Instruments (AMI) which manufactured the first commercial kalimbas in the 1950s.
Forward Kwenda is a mbira performer from Zimbabwe. He was born in the rural Buhera area of Manicaland. As a young boy, Forward was interested in traditional dance and the recitation of ancient poetry. At the age of 10, he began to play ngoma (drums) and hosho for his mother's 'gombwe (rain-making) spirit'. He was given the name "Forward" for his involvement in many activities and his performances for guerrilla forces during the Rhodesian Bush War.
Chris Berry is an American singer, songwriter, and musician. He plays the mbira and the ngoma drum, from the Shona people of Southern Africa. His records with the band Panjea have gone platinum in Zimbabwe and Mozambique. He has released over a dozen albums; scored the soundtrack for three films; and collaborated and performed with many other artists.
Dancing in Zimbabwe is an important aspect of the Zimbabwean culture, tradition, spirituality and history. There are many dances that reflect the culture of the people, although the dances may have changed throughout the years. Ethnic diversity is also a key factor in influencing the dances of the Zimbabwean culture. These dances are self-reflective, for the entire community because all music and dance are communal events. Dance to Zimbabweans is a very spiritual, powerful tool that carries on traditions, and chronicles the important events of their history and culture.
The endongo is a musical instrument, considered the national instrument of the Baganda people of Uganda. It is a member of a family of lyres which can be found, with variations, in many areas throughout East Africa. The endongo is specifically a Kiganda bowl lyre, with the face of the bowl covered with the skin of either a monitor lizard or ant lizard.
Queen Marimba is a folk hero whose accomplishments have become part of the folklore of Africa. As is customary in most African cultures she is considered to be a god and was one of the immortals. She led the Akamba tribe in East Africa in very ancient times across the Ukambani plains in present day Kenya, stretching across the Kilimanjaro plains in present day Tanzania. There has been scant research done on her and presently the most notable source for information on her life comes from the writings of Vusa'mazulu Credo Mutwa. He asserts in his book; Indaba My Children, that she was the mother of the Akamba people at the time when they were getting to know their Maasai neighbours. Various renditions of his book have been published since the late 60's, including "My People, My Africa", "Indaba My Children" and "Africa Is My Witness."
Ikembe, is a type of musical instrument of the lamellaphone group, common amongst the people of Rwanda, Burundi and the Congo. The instrument consists of several iron lamellae, fixed to a rectangular wooden soundbox.
Engalabi aka Engoma ensajja is an Membranophone percussion instrument that is used in Central Africa especially in Uganda by tribes which include the Baganda, Banyankole, Buzimba, and Tagwenda. It is also known as omugalabi, engaija, egaabi, omugudu, omugwabe, long drum, Engaabe, emiidiri.
