Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works streamed online, distributed as video tapes, or DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds.
The University of Central Lancashire is a public university based in the city of Preston, Lancashire, England. It has its roots in The Institution For The Diffusion Of Useful Knowledge, founded in 1828. Previously known as Harris Art College, Preston Polytechnic and Lancashire Polytechnic, in 1992 it was granted university status by the Privy Council. The university is the 19th largest in the UK in terms of student numbers.
London Video Arts (LVA) was founded for the promotion, distribution and exhibition of video art.
Peter Campus, often styled as peter campus, is an American artist and a pioneer of new media and video art, known for his interactive video installations, single-channel video works, and photography. His work is held in the collections of numerous public institutions, including The Museum of Modern Art, Whitney Museum of American Art, Solomon R. Guggenheim Museum, Hamburger Bahnhof - Museum für Gegenwart, Tate Modern, Museo Reina Sofía, Albright-Knox Art Gallery, Walker Art Center, and the Centre Georges Pompidou. The artist works on the south shore of Long Island.
Keith Piper is a British artist, curator, critic and academic. He was a founder member of the groundbreaking BLK Art Group, an association of black British art students, mostly based in the West Midlands region of the UK.
Adam Chodzko is a contemporary British artist, exhibiting internationally. His practice uses a wide range of media, including video, installation, photography, drawing, and performance.
Dryden Goodwin based in London, is a British artist known for his intricate drawings, often in combination with photography and live action video; he creates films, gallery installations, projects in public space, etchings, works on-line and soundtracks.
Chris Welsby is a Canadian experimental filmmaker, New Media and gallery installation artist. Born in the UK, in the 1970s Welsby was a member of the London Film-Makers' Co-op, and co-founder of the Digital Media Studio at the Slade School of Fine Arts, UCL, London. He immigrated to Canada in 1989. He is considered one of the pioneers of expanded cinema and moving image installation and was one of the first artists to exhibit film installations at the Tate and Hayward galleries London. His expanded cinema works and installations have since continued to break new conceptual ground and attract critical attention. A. L. Reece, in British Film Institute's A History of Experimental Film and Video, wrote: "Twenty-five years ago, when he made his first projections for large spaces, film and art rarely met in the gallery; now it is common and installation art is a distinct practice."
Lubaina Himid is a British artist and curator. She is a professor of contemporary art at the University of Central Lancashire. Her art focuses on themes of cultural history and reclaiming identities.
Stephen Partridge is an English video artist who studied under David Hall and his career as an artist, academic and researcher, helped to establish video as an art form in the UK.
Hybrid Artworks is an interdisciplinary research and performance art cooperative originally based in Hull, UK. It was established in 1995 and produced pieces of performance art, video installation theatre, texts and essays.
The Minories is a Grade II listed building and gardens situated at the east end of High Street in Colchester, Essex, England, near Hollytrees, Gate House and Colchester Castle. It currently houses The Minories Galleries which are no longer run by Colchester School of Art, part of Colchester Institute.
Judith Goddard is a British video artist. She has lived in London since 1980. Her works include single channel works, large-scale installation, photography, print and drawing.
Catherine Elwes is a British artist, curator and critic working predominantly in the field of video art and a significant figure in the British feminist art movement. She was born in St Maixent, France. She studied at the Slade School of Fine Art and later graduated with an MA in Environmental Media from the Royal College of Art. She began working with video in the late 1970s. In 1979 Elwes performed Menstruation II, a three-day performance at the Slade which lasted for the duration of a menstrual period.
The Lancaster Institute for the Contemporary Arts is an academic institution, art school, and arm of the University of Lancaster, that delivers research and teaching in fields of contemporary art and design; including in the subject areas of Fine Art, Theatre, Design, and Film studies. The institute also houses two research centres: Insight and Imagination. LICA has a close working relationship with the public arts organisation: Lancaster Arts.
Annette Louise Barbier was an American artist and educator. She worked with video art, net art, installation art, interactive performance, and emerging and experimental technologies since the 1970s. Themes in her work address "issues of home, defined locally as domesticity and more broadly as the ways in which we relate to our environment." An early work, "Home Invasion [1995]," incorporating critical dialogue and audio, is accessible from Leonardo. "Domestic space—formerly inviolable—is increasingly disrupted by electronic communication of all sorts, including radio, TV, email and the telephone." She was Chicago-based.
Chiara Passa is a visual artist working in media art since the second half of the 1990s.
Frank Gillette is an American video and installation artist. Interested in the empirical observation of natural phenomena, his early work integrated the viewer's image with prerecorded information. He has been described as a "pioneer in video research [...] with an almost scientific attention for taxonomies and descriptions of ecological systems and environments". His seminal work Wipe Cycle –co-produced with Ira Schneider in 1968– is considered one of the first video installations in art history. Gillette and Schneider exhibited this early "sculptural video installation" in TV as a Creative Medium, the first show in the United States devoted to Video Art. In October 1969, Frank Gillette and Michael Shamberg founded the Raindance Corporation, a "media think-tank [...] that embraced video as an alternative form of cultural communication.
Sylvia Grace Borda is a Canadian artist working in photography, video and emergent technologies. Borda has worked as a curator, a lecturer, a multimedia framework architect with a specialization in content arrangement (GUI) and production. Born and raised in Vancouver, Borda is currently based in Vancouver, Helsinki, and Scotland. Her work has been exhibited locally, nationally, and internationally.
Peter Callas is an Australian artist, curator and writer, particularly known for his pioneering video art using computer graphics made with the Fairlight CVI.
