Christ Crowned with Thorns or Ecce Homo is a 1647 oil on canvas painting by Guercino, commissioned by Marchese Tanari and for which a preparatory drawing survives in the Morgan Library. [1] The painting was bought by Maximilian I Joseph of Bavaria in 1819 or 1820 and is now in the Alte Pinakothek in Munich. [2]
Blackwall frigate was the colloquial name for a type of three-masted full-rigged ship built between the late 1830s and the mid-1870s.
Scenes from the Massacre at Chios is the second major oil painting by the French artist Eugène Delacroix. The work is more than four meters tall, and shows some of the horror of the wartime destruction visited on the Island of Chios in the Chios massacre. A frieze-like display of suffering characters, military might, ornate and colourful costumes, terror, disease and death is shown in front of a scene of widespread desolation.
Lucretia and her Husband Lucius Tarquinius Collatinus or Tarquin and Lucretia is an oil painting attributed to Titian, dated to around 1515 and now in the Kunsthistorisches Museum in Vienna. The attribution to this artist is traditional but uncertain - the brightened palette suggests it could instead be by Palma Vecchio. However, others identify the painting as part of Titian's series of half-length female figures from 1514 to 1515, which also includes the Flora at the Uffizi, the Woman with a Mirror at the Louvre, the Violante and the Young woman in a black dress in Vienna, Vanity in Munich and the Salome at the Galleria Doria Pamphilj. There is an early copy in the Royal Collection.
House in Provence is an oil painting by French artist Paul Cézanne. Created between 1886 and 1890, as of 2012 it is part of the permanent collection in the Indianapolis Museum of Art.
The Fall of Man, Adam and Eve or Adam and Eve in the earthly paradise is a 1628–1629 painting by Rubens, now in the Prado in Madrid. Once attributed to the minor Dutch artist Karel van Mander, it is now recognised as a work by Rubens.
The Tiger Hunt is a large painting by Peter Paul Rubens, featuring a hunt for a tiger. It dates to between 1615 and 1616 and is one of the four hunting paintings, commissioned by Maximilian I, Elector of Bavaria to decorate the old Schleissheim Palace. The cycle was seized during the Napoleonic Wars and this painting is now in Musée des Beaux-Arts de Rennes.
The Ray of Light, also known as Le Coup de Soleil, is an oil on canvas painting by the Dutch painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in the collection of the Louvre Museum.
Saint Matthew and the Angel is an oil painting on canvas by the Dutch master Rembrandt. It is an example of Dutch Golden Age painting and is now in the collection of the Louvre.
The following is the list of 222 paintings indexed as autograph by Frans Hals, written by the art historian and Hals specialist Seymour Slive in 1974. The list is by catalogue number and is more or less in order of creation, starting from around 1610 when Hals began painting on his own. Most of these works are still considered autograph, but in the intervening half-century since Slive's work began, several others have been added to the list, including a few from Slive's "L" list of 20 lost paintings and a few from his "D" list of 81 doubtful attributions. In addition to these 101 rejections, Slive occasionally mentions other engravings and paintings in various catalogue entries, including as much provenance as possible, which has enabled scholars to make a few attributions based on those as well. The full number of paintings referenced in the Slive 1974 catalogue, whether by catalogue entry, illustration, or publication reference, is over 400. The autograph catalogue entries are as follows:
The following is the list of 145 paintings indexed as autograph by Frans Hals, written by the art historian and Hals specialist Claus Grimm in 1989. The list is by catalogue number and is more or less in order of creation, starting from around 1610 when Hals began painting on his own. Most of these works are still considered autograph, though one has since been reattributed to Judith Leyster. In addition to this list, Grimm added comments and additional entries to Seymour Slive's lists of lost and doubtful paintings. He also rejected several Slive attributions, making his list is considerably shorter. The autograph catalogue entries are as follows:
The Assassination of Saint Peter Martyr is an oil-and-tempera painting on wood executed ca. 1507 by the Italian Renaissance master Giovanni Bellini. The painting measures 67 by 100 cm and is now in the National Gallery, London. A workshop version of around 1509 is now in the Courtauld Gallery. Both paintings show the murder of saint Peter Martyr.
Perseus Freeing Andromeda is a 1611 oil-on-canvas painting by the Dutch Mannerist painter Joachim Wtewael. Since 1982 it has been in the collection of the Louvre in Paris. A preparatory drawing for it also survives in the Albertina in Vienna, reprising the pose in the same artist's St Sebastian Bound to a Tree for Andromeda. In the final painting he used a less curving and more supple pose for Andromeda.
Blonde Woman with Bare Breasts is a painting by Édouard Manet, executed c. 1878, now in the Musée d'Orsay in Paris. Contrary to its title, it shows a brunette.
Regatta at Argenteuil is a c. 1872 painting by Claude Monet, now in the Musée d'Orsay. It was left to the French state in 1894 by the painter and collector Gustave Caillebotte.
Lion Devouring a Rabbit is a c.1855 painting by the French artist Eugène Delacroix, now in the Louvre in Paris.
The Roverella Altarpiece was a religious painting by Cosmè Tura completed during 1470–1474 using oil and egg-tempera on poplar panel work, commissioned by abbot and cardinal Bartolomeo Roverella for San Giorgio fuori le mura in Ferrara in memory of his brother bishop Lorenzo Roverella. It was one of the most significant works of the artist and of the Ferrara Renaissance in general. It was damaged in an explosion in 1709 and moved out of the church. It is now dismembered and their panels split up between several museums.
The Small Holy Family is an oil-on-panel painting by Raphael and assistants, now in the Louvre in Paris. Its name distinguishes it from his Great Holy Family, also in the Louvre. It is signed and dated "RAPHAEL VRBINAS S[anti] PINGEBAT MDXVIII" on the hem of the Madonna's garment.
The Death of Saint Francis is the probable subject of two lost paintings by Annibale Carracci, both possibly dating to 1597-1598. One is known solely through a print and the other through a series of painted copies.
Lilac Bush is a May 1889 oil on canvas painting by Vincent van Gogh, produced during his stay in Saint-Rémy. It is now in the Hermitage Museum.
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