Christian Rathgeber | |
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Education | Hochschule für Musik Mainz |
Occupation | Classical tenor |
Website | www |
Christian Rathgeber is a German classical tenor with a focus on concerts. He made many recordings, both as a soloist as a member of vocal ensembles and choirs.
Rathgeber was born in Frankfurt am Main Germany. As a boy he was a member of the Windsbacher Knabenchor. He studied voice privately with Hans Peter Blochwitz and Martin Hummel, and then completed studies at the Hochschule für Musik Mainz with Andreas Karasiak. [1]
With a focus on concert music, especially by Johann Sebastian Bach, he toured Europe. [1] He made many recordings, both as a soloist as a member of vocal ensembles and choirs. In 2018 he recorded at the Mainz Cathedral Gounod's St. Cecilia Mass with the Mainzer Domchor and orchestra, conducted by Karsten Storck. [2] He recorded Bach's Ascension Oratorio with the Gutenberg-Kammerchor and the Neumeyer Consort, conducted by Felix Koch. [3]
Limburger Domsingknaben is the name of the boys' choir at the Limburg Cathedral in Limburg, Hesse, Germany. The choir was founded in 1967 by the then bishop of Limburg, Wilhelm Kempf. Its conductors were Hans Bernhard, Mathias Breitschaft, Klaus Knubben and, since 2014, Andreas Bollendorf.
Charles Daniels is an English tenor, particularly noted for his performances of baroque music. He is a frequent soloist with The King's Consort, and has made over 25 recordings with the ensemble on the Hyperion label.
Klaus Mertens is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach for bass voice.
The listing shows recordings of the Mass in B minor, BWV 232, by Johann Sebastian Bach. The selection is taken from the 281 recordings listed on the Bach Cantatas Website as of 2018, beginning with the first recording by a symphony orchestra and choir to match, conducted by Albert Coates. Beginning in the late 1960s, historically informed performances paved the way for recordings with smaller groups, boys choirs and ensembles playing period instruments, and eventually to recordings using the one-voice-on-a-vocal-part scoring first argued for by Joshua Rifkin in 1982.
Kurt Equiluz was an Austrian classical tenor in opera and concert. He was a member of the Vienna State Opera as a tenor buffo from 1957 until 1983, remembered for roles such as Pedrillo in Mozart's Die Entführung aus dem Serail. He appeared regularly at the Salzburg Festival, including world premieres such as Rolf Liebermann's Penelope in 1954. He recorded works by Johann Sebastian Bach with conductors such as Michel Corboz, Helmuth Rilling and Charles de Wolff, and prominently as the Evangelist in the first recording of Bach's St John Passion on period instruments with the Concentus Musicus Wien in 1965, conducted by Nikolaus Harnoncourt.
Christa Bonhoff is a German contralto and mezzo-soprano singer.
Dantes Diwiak is a classical tenor, who grew up and has worked mostly in Germany.
L'arpa festante is a German chamber orchestra, specializing in the revival and performance of unknown works, especially from the Baroque era. It was established in Munich in 1983 by Michi Gaigg, who also led the ensemble as concertmaster until 1995. The ensemble takes its name from Giovanni Battista Maccioni's dramatic cantata L'arpa festante which was first performed in 1653, inaugurating what was to become the Bavarian State Opera.
Rogers Henry Lewis Covey-Crump is an English tenor noted for his performances in both early music and contemporary classical music. He has sometimes been identified as an haute-contre tenor. He has performed for over 50 years in choirs and ensembles such as the Hilliard Ensemble, and as a soloist. He has been especially in demand for the part of the Evangelist in Bach's St Matthew Passion and St John Passion. He also specialises in vocal tuning, and has written articles on the subject.
Max Ciolek is a German tenor, conductor and composer. He is the founder of VokalEnsemble Köln. As a singer, he is noted for his recordings of Bach works, particularly the Evangelist in his Passions, but he has recorded music from all periods of classical music and has appeared internationally.
Georg Poplutz is a German tenor, a soloist in Baroque music, opera and oratorio, and a Lied singer. He has been a member of vocal ensembles such as Johann Rosenmüller Ensemble and Cantus Cölln, and has participated in a project to record the complete works of Heinrich Schütz.
St. Cecilia Mass is the common name of a solemn mass in G major by Charles Gounod, composed in 1855 and scored for three soloists, mixed choir, orchestra and organ. The official name is Messe solennelle en l’honneur de Sainte-Cécile, in homage of St. Cecilia, the patron saint of music. The work was assigned CG 56 in the catalogue of the composer's works.
Rosa Lamoreaux is an American soprano, appearing mostly in concert, both as a soloist and in vocal ensembles. She has appeared at festivals such as the Carmel Bach Festival and the Rheingau Musik Festival, and has recorded works by Johann Sebastian Bach with different conductors.
The EuropaChorAkademie is a German mixed choir, founded by Joshard Daus in 1997 as a group formed by students of two music universities, the University of Mainz and the University of the Arts Bremen. They have performed internationally and recorded choral works including Mahler's Second Symphony and Schönberg's Moses und Aron.
Johannes Hill is a German baritone in concert and in oratorios, who has performed internationally. Singing in choirs from age 10, he has performed major roles in oratorios, such as both Jesus and Pilate in Bach's Passions, and Pope Francis in the premiere of Laudato si'. He has also performed in vocal ensembles such as Kammerchor Stuttgart and Collegium Vocale Gent.
Kurt Widmer was a Swiss baritone and voice teacher, who appeared and recorded internationally. He focused on concert singing, especially of oratorios from the Romantic period. His recordings cover a repertoire from medieval mass to world premieres, such as song cycles by György Kurtág, and received international awards. He taught at the City of Basel Music Academy from 1968, influencing notable soloists including Nuria Rial and his son, Oliver Widmer.
Ralf Otto is a German conductor, especially known as a choral conductor and academic teacher. He founded the Vokalensemble Frankfurt, focused on contemporary music and winning competitions including Let the Peoples Sing. Since 1986, he has been director of the Bachchor Mainz, with a tradition of performing Bach cantatas in broadcast church services. He added late romantic and contemporary works to their repertoire and made international tours with them. They made world premiere recordings of some cantatas by Bach's oldest son, Wilhelm Friedemann Bach, among other recordings. Otto was professor of choral conducting at the Folkwang Hochschule from 1990 to 2006, when he took the same position at the Hochschule für Musik Mainz.
Mirko Ludwig is a German tenor who is mostly active in concert, especially in historically informed performance. He is a member of the vocal quartet Quartonal.
Figuralchor Frankfurt is a mixed choir in Frankfurt, Hesse, Germany. It was founded in 1966 as a youth choir for the broadcaster Hessischer Rundfunk by Alois Ickstadt, who conducted it for 45 years. From 1977 to the 1990s, the choir was known as Figuralchor des Hessischen Rundfunks. It performs in concerts, radio productions and recordings, with a focus on a cappella music, but has also participated in joint symphonic productions such as Mahler's Symphony of a Thousand for the opening of the Alte Oper concert hall in 1981. The choir has been conducted by Paul Leonard Schäffer since 2016.
Fabian Kelly is a German tenor and choral conductor. As a singer, he is most active in concert, including historically informed performances in works such as Monteverdi's Vespro della Beata Vergine and Handel's Messiah. He recorded a revival of Franz Ignaz Beck's opera L'isle déserte and Mozart's Requiem.