Andreas Karasiak | |
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Born | 1968 (age 55–56) |
Education | |
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Organization | University of Mainz |
Andreas Karasiak (born 1968) is a German classical tenor in opera and concert.
Andreas Karasiak studied voice at the Johannes Gutenberg University of Mainz with Claudia Eder. He studied Baroque music at the Schola Cantorum Basiliensis with René Jacobs in Basel. [1]
Starting in 1999, he sang at the National Theatre Mannheim Mozart parts such as Tamino, Ferrando and Belmonte.
In the field of historically informed performance he has worked with Gustav Leonhardt, Marcus Creed and Philippe Herreweghe, taking part in the project of Ton Koopman and the Amsterdam Baroque Orchestra & Choir Dieterich Buxtehude – Opera Omnia to record the complete works of Dieterich Buxtehude (begun 2005, in progress). [2] He has also performed with Helmuth Rilling and Sylvain Cambreling, among others. [1]
In 1998 and again in 2007, he sang the tenor part of Hermann Suter's Le Laudi in Wiesbaden with the Chor von St. Bonifatius, conducted by Gabriel Dessauer. [3] In 2000, he performed and recorded Bach's St Matthew Passion , scored for double chorus, with two boys choirs, Knabenchor Hannover and Thomanerchor, as a celebration of 50 years Knabenchor Hannover, conducted in Hannover by Heinz Hennig. [4] [5] In 2006, he sang the Evangelist in Bach's Christmas Oratorio in the Kreuzkirche with the Dresdner Kreuzchor and the Dresden Philharmonic. [6] He has appeared as the Evangelist in the St Matthew Passion at the Festspielhaus Baden-Baden on Good Friday 2007, conducted by Martin Haselböck, with Stephen Salters, Lynne Dawson, Robin Blaze and Klaus Mertens. [7] In 2009, he appeared in Handel's Solomon with Andreas Scholl and the Schiersteiner Kantorei in the Marktkirche in Wiesbaden. [8] In 2009, Dorothee Mields and Andreas Karasiak were the soloists in the requiem composition Schwarz vor Augen und es ward Licht of Harald Weiss dedicated to the Knabenchor Hannover, premiered on 31 October 2009 with the NDR Symphony Orchestra. [9] In 2011, he performed the title role in Monteverdi's Il ritorno d'Ulisse in patria in the Theater Münster. Ursula Decker-Bönniger reviewed: "Andreas Karasiak lotet zwischen verhaltener Klage und dramatischen Zornesausbruch die unterschiedlichen Gefühle des Odysseus stimmlich aus" (Andreas Karasiak explores vocally the feelings of Ulisse between restrained lament and dramatic eruption of furor. [10] In 2012, he sang again the role of Jonathan in Handel's Saul, in the final concert celebrating 50 years Schiersteiner Kantorei in Eberbach Abbey, with Christian Immler in the title role. [11]
He has recorded operas that are rarely performed, such as Handel's Lotario , Domenico Cimarosa's Gli Orazi e i Curiazi, Gluck's L'innocenza giustificata , Haydn's Die Feuersbrunst and Franz Schubert's Singspiele Der vierjährige Posten; Die Zwilingsbrüder .
Andreas Karasiak has been teaching voice at the Hochschule für Musik Rheinland-Pfalz [12] and in master classes.
Dieterich Buxtehude was a Danish composer and organist of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as Johann Sebastian Bach and George Frideric Handel. Buxtehude is considered one of the most important composers of the 17th century.
Antonius Gerhardus Michael "Ton" Koopman is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orchestra & Choir.
The Knabenchor Hannover is a boys choir founded in 1950 by Heinz Hennig, who served as conductor until the end of 2001. Since 2002, the conductor has been Jörg Breiding.
The Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam.
Marlis Petersen is a German operatic coloratura soprano.
Klaus Mertens is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach for bass voice.
Johannette Zomer is a Dutch classical concert and opera soprano.
Bogna Bartosz is a Polish classical mezzo-soprano and alto.
Jörg Dürmüller is a Swiss classical tenor in concert and opera.
Dieterich Buxtehude – Opera Omnia is a project to record the complete works of the Danish Baroque composer Dieterich Buxtehude, completed in October 2014 and released on Challenge Records.
Jan Kobow is a German classical tenor in concert, Lied, and Baroque opera.
Siri Karoline Thornhill is a Norwegian classical soprano for concert and opera, known for singing music of Johann Sebastian Bach.
Patrick Van Goethem is a Belgian countertenor, known for performing early music.
Elisabeth Scholl is a German soprano and academic teacher.
Marius van Altena, born Marius Hendrikus Schweppe is a Dutch tenor. He was one of the pioneers of historically informed performance of Baroque and Renaissance music. He has also sung Baroque opera, worked as conductor and as an academic teacher.
Klaus Martin Ziegler was a German choral conductor, organist and Protestant church musician.
Johann Sebastian Bach composed the church cantata Es reißet euch ein schrecklich Ende, BWV 90, in Leipzig for the 25th Sunday after Trinity and first performed it on 14 November 1723.
Es ist ein trotzig und verzagt Ding , BWV 176, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for Trinity Sunday on a text by Christiana Mariana von Ziegler and first performed it on 27 May 1725, concluding his second year of cantata compositions in Leipzig.
The Bach cantatas project of Ton Koopman was the first complete recording of all the cantatas, including the 21 secular cantatas. Koopman conducted the Amsterdam Baroque Orchestra & Choir and guest solo singers. The project began in 1995 and was completed in 2005 on 67 CDs.
Das jüngste Gericht, BuxWV Anh. 3, is an anonymous 17th-century oratorio in three acts, attributed to Dieterich Buxtehude. It is also known by its incipit, "Wacht! Euch zum Streit gefasset macht".