Lynne Dawson | |
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Born | York, England | 3 June 1953
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Lynne Dawson (born 3 June 1953) is an English soprano. She came to great prominence through her performance as a soloist in Libera me from Verdi's Requiem with the BBC Singers at Princess Diana's funeral in September 1997. Lynne Dawson has recorded over seventy-five CDs and has a varied concert and operatic repertoire. [1]
Born in York and growing up in Yorkshire, Dawson fully expected to continue the farming tradition of her family, and indeed singing was not her first career; she first worked in industry as a translator. [2] However, later she studied at both the Guildhall School of Music and Britten–Pears School in Suffolk, where her teachers included Rae Woodland, Gerald Moore and Peter Pears. [2] Her time as a music student, however, was limited as she soon obtained enough professional work to embark upon a career and made her operatic debut in 1986 as the Countess in Le Nozze di Figaro (Kent Opera). [3] Dawson's position as one of England's most versatile and popular sopranos was confirmed by her performance as a soloist in "Libera me" from Verdi's Requiem with the BBC Singers at the Funeral of Diana, Princess of Wales in September 1997. She still continues a busy musical schedule, is head of vocal and opera studies at the Royal Northern College of Music (RNCM) as well as the University of York and is a Professor of Leeds College of Music. [1]
Dawson has two children, and was married during the 1980s, but the couple separated. She continues to sing often, however her main focus is her role as Head of Vocal Studies and Opera at RNCM.
Dawson has had an extensive and varied music career. Much of her early work was in early music groups, in particular the Hilliard Ensemble[check: Tallis Scholars?] and the Deller Consort [4] and her work in early music, in particular the works of George Frideric Handel, are regarded as being notable contributions to the field. [5] However, in spite of her reputation as a Handel specialist, her repertoire is far more varied – she created the role of 'Mama' in Elliott Carter's opera What Next? and played Ann Truelove in The Rake's Progress , for instance. [6] Her concert repertoire, oratorio roles and recording catalogue are no less impressive having appeared alongside acclaimed singers and conductors alike. She has released three highly acclaimed solo recital discs – My Personal Handel Collection, On This Island and Voyage à Paris.
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