Christine Dakin (born August 25, 1949, New Haven [1] ) is an American dancer, teacher and director, a foremost exponent of the Martha Graham repertory and technique.
Dakin is known for her performances of Ms. Graham's roles and for those created for her by Martha Graham and artists such as Robert Wilson, Twyla Tharp and Martha Clarke. Currently creating works for her are Brice Mousset, Alejandro Chávez, and Jaime Blanc. Performing in the principal theaters of the world, partnered by renowned artists such Rudolf Nureyev [2] and filmed in the repertory, she was chosen by Graham for the company in 1976. Dakin became an Associate Artistic Director in 1997 and was named Artistic Director with Terese Capucilli in 2002. [3] Leading the company to its rebirth, they are credited with bringing the artistic excellence and repertory of the Company to a level not seen since Martha Graham’s death and were named Artistic Directors Laureate.
Dakin was honored by the dance community with a “Bessie” Performance Award (2003) and the Dance Magazine Award (1994), was a Fulbright Senior Scholar (1999) and recipient of two Rockefeller-US-Mexico Fund for Culture grants (1998, 2001) for choreography, research and teaching. She was awarded the 14th annual Labat Loano Grand Prix “Giuliana Penzi” 2015 Career Award. At Harvard University she was the Evelyn Green Fellow at the Radcliffe Institute for Advanced Study (2007/08), [4] Visiting Lecturer for the Faculty of Arts and Sciences (2006, 2009), offering the university’s first credit course in dance, and was the “Learning from Performers” guest artist (2001). Educated at the University of Michigan, Ms. Dakin is the recipient of the University of Michigan Alumni Award (2001), an Honorary Doctor of Arts from Shenandoah University (2001), and an Honorary Doctorate from the Universidad de Colima, Mexico (2007).
On the faculty of The Juilliard School since 1993, she is currently faculty at The Neighborhood Playhouse School of the Theater, the Alvin Ailey American Dance Theater School in New York, guest teacher at Alvin Ailey American Dance Theater, and is known internationally as a teacher and guest artist; since 1981 maintaining a special relationship with the Mexican dance community as teacher, choreographer with the Ballet Nacional de México, Universidad de Colima’s Ballet Folklórico de México (Dir. Rafael Zamarripa) and contemporary company Univerdanza, [5] Universidad de Veracruz, Xalapa, Centro de las Artes Sn. Luis Potosí, Compañía de Danza Contemporánea de Yucatán, and Invernadero Danza Oaxaca. Guest performer with Compañía Ciudad Interior, ‘choreographic guide’ at Encuentro de Creación Coreográfica EnTiempoReal2017. Her choreography in collaboration with Mexican composers and scenic designers has premiered in Mexico City and the International Festival St. Luis Potosí.
Dakin has written and directed a film and interactive DVD, La Voz del Cuerpo/The Body Speaks, her personal poetic of Martha Graham's dance; with an international collaboration of dancers and musicians. The film explores the work and creative life of a dancer and was official selection in 2013 of New York City Independent Film Festival and Golden Door International Film Festivals, NewFilmmakers New York 2014, and has been shown at the 92Y in New York, the Museum of Contemporary Art in Oaxaca, Mexico and for International Day of Dance UNESCO in Barcelona.
She is dancer and founding member of Buglisi Dance Theatre [6] (1993), of danz.fest (Italy 2008) and Invernadero Danza (Mexico 2009). With Radcliffe Institute colleague, physicist Z. Jane Wang, Dakin has investigated with artists and scientists of the "dancing leaf group": "Locomotion/Emotion; perception of complex movement and the dynamics of beauty" in a 2009 Radcliffe Seminar; and "The Dynamics of Beauty: Human Perception of Complex Movement" [7] in a Radcliffe seminar in 2011.
Alvin Ailey Jr. was an American dancer, director, choreographer, and activist who founded the Alvin Ailey American Dance Theater (AAADT). He created AAADT and its affiliated Alvin Ailey American Dance Center as havens for nurturing Black artists and expressing the universality of the African-American experience through dance.
Anna Sokolow was an American dancer and choreographer. Sokolow's work is known for its social justice focus and theatricality. Throughout her career, Sokolow supported of the development of modern dance around the world, including in Mexico and Israel.
Karole Armitage is an American dancer and choreographer currently based in New York City. She is artistic director of Armitage Gone! Dance, a contemporary dance company that performs several times annually in New York City as well as touring internationally. She was dubbed the “punk ballerina” in the 1980s. She earned a Tony nomination for her choreography of the Broadway musical Hair.
Pearl Lang was an American dancer, choreographer and teacher renowned as an interpreter and propagator of the choreography style of Martha Graham, and also for her own longtime dance company, the Pearl Lang Dance Theater. She is known for Appalachian Spring (1944), American Masters (1985) and Driven (2001)
Judith Ann Jamison is an American dancer and choreographer. She is the artistic director emerita of Alvin Ailey American Dance Theater.
The Alvin Ailey American Dance Theater (AAADT) is a modern dance company based in New York City. It was founded in 1958 by choreographer and dancer Alvin Ailey. It is made up of 32 dancers, led by artistic director Robert Battle and associate artistic director Matthew Rushing.
Terese Capucilli is an American modern dancer, interpreter of the roles originally performed by Martha Graham. She is one of the last generation of dancers to be coached and directed by Graham herself. A principal dancer with the Martha Graham Dance Company for twenty-six years, she became associate artistic director in 1997 and from 2002 to 2005 served as artistic director, with Christine Dakin, seeing the organization and its dancers through the rebirth of the company. A driving force of Graham's work for nearly three decades, she is now Artistic Director Laureate.
Juan Ignacio Duato Barcia, also known as Nacho Duato is a Spanish modern ballet dancer and choreographer. Since 2014, Duato has been artistic director of the Berlin State Ballet. He is openly gay.
Modern dance is a broad genre of western concert or theatrical dance which includes dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors.
James William Evans or Bill Evans is an American choreographer, performer, teacher, administrator, writer and movement analyst. More than 250 of Evans' works have been performed by professional and pre-professional ballet, modern dance and tap dance companies throughout the United States, including his own Bill Evans Dance Company, Ruth Page Chicago Ballet, Pacific Northwest Ballet, North Carolina Dance Theater, and many other companies. He has also created works for companies in Canada, Mexico and New Zealand.
Daniela Malusardi is an Italian choreographer, teacher and dancer.
Henning Rübsam is a choreographer and dancer based in New York City. He is the artistic director of SENSEDANCE, a faculty member of The Juilliard School and Fordham University, and a visiting guest professor at Texas Academy of Ballet. He is the dance curator for Arts at Work and a resident choreographer for Hartford City Ballet.
La Cebra Danza Gay is a dance troupe founded in 1996 by José Rivera Moya in Mexico City. It is the first in Mexico to focus nearly exclusively on gay community and the issues it faces. The groups as a repertoire of over ten major works including Danza del mal amor o mejor me voy, which has been performed over 100 times. La Cebra has appeared in various locations in Mexico and has had appearances in the United States and France.
Antonio Salinas is a Mexican dancer, choreographer and stage actor. He has studied and collaborated with Mexican and international artists and has taught in a number of universities at home and abroad. In 1999, he was named one of the best dancers in Mexico by Zona de Danza.
Jacqulyn Buglisi is an American choreographer, artistic director, dancer, educator, and founder/co-founder of multiple dance institutions. Buglisi, with Terese Capucilli, Christine Dakin and Donlin Foreman, founded Buglisi Dance Theatre in 1993/94.
Rafael Zamarripa Castañeda is a Mexican painter, sculptor, designer, dancer and choreographer.
Kathryn Posin is an American choreographer known for her musical and sculptural fusing of ballet and modern dance genres. In addition to choreographing, she has also taught technique and composition at several American universities. Her most recent season with The Kathryn Posin Dance Company commissioned by 92nd Street Y in February 2016 received an award from the Lower Manhattan Cultural Council and an Arts Works Grant from the NEA in 2017.
Blakeley White-McGuire born in Baton Rouge, Louisiana, is a dancer, choreographer, répétiteur, and educator. She is a Principal Guest Artist and former Principal Dancer of Martha Graham Dance Company. Described by Gia Kourlas of the New York Times as having a "powerful technique and dramatic instinct with an appealing modern spunk", White-McGuire has received widespread critical acclaim as a Graham dancer.
Miriam Pandor was a German dancer, director, choreographer, teacher and writer. She is well-known for her works which address racism, antisemitism and social injustice.
Virginie Mécène is a French and American dancer, choreographer, director and educator. She was a principal dancer with the Martha Graham Dance Company from 1994 to 2006, the director of the Martha Graham School from 2007 to 2015, and is the current director of Graham 2. Mécène was a soloist with Pearl Lang Dance Theater from 1991 to 2002, and Battery Dance Company, from 1995 to 2000. She joined Buglisi Dance Theater as a principal dancer in 1994. Mécène has trained dancers in the Martha Graham Dance Company and educated dance teachers in the Graham Technique, contributing to the worldwide proliferation and approachability of the technique.