Christine E. Morris | |
---|---|
Nationality | Irish |
Occupation(s) | Archaeologist, classical scholar |
Academic background | |
Education | University of Cambridge University College London |
Academic work | |
Institutions | Trinity College Dublin |
Christine E. Morris is an Irish classical scholar,who is the Andrew A. David Professor in Greek Archaeology and History at Trinity College Dublin. An expert on religion in the Aegean Bronze Age,her work uses archaeological evidence to examine the practice and experience of belief. She is a member of the Standing Committee for Archaeology for the Royal Irish Academy.
Educated at Churchill College at the University of Cambridge,and at University College London,Morris worked for the British School at Athens prior to her first appointment at Trinity College Dublin in 1994. She is the Andrew A. David Professor in Greek Archaeology and History and an expert on the Aegean Bronze Age,with a particular focus on material cultures,including ceramics and figural sculpture,as well as inter-cultural relationships and religious practice. [1] In collaboration with Alan Peatfield,Morris has argued that Minoan religion should be viewed as experiential and shamanistic, [2] and that perhaps the Minoan figurines represent altered states of consciousness. [3] Morris has also argued for greater emphasis to be played on the role of the individual in figural craft practice. [4]
The most widely cited of Morris' works is Ancient Goddesses:the Myths and Evidence,co-edited with Lucy Goodison. [5] In it they establish a theoretical framework for the consideration of the ancient goddess,as well as questioning how goddess figurines were used. [6] [7] It was described by Christine Gudorf as a "critical survey of existing archaeological evidence of prehistoric goddesses in Europe and the ancient Near East". [8]
She is a member of the Standing Committee for Archaeology for the Royal Irish Academy. [9]
In 2014 she was elected a fellow of Trinity College Dublin. [10]
The Minoan civilization was a Bronze Age culture which was centered on the island of Crete. Known for its monumental architecture and energetic art, it is often regarded as the first civilization in Europe. The ruins of the Minoan palaces at Knossos and Phaistos are popular tourist attractions.
The Triple Goddess is a deity or deity archetype revered in many Neopagan religious and spiritual traditions. In common Neopagan usage, the Triple Goddess is viewed as a triunity of three distinct aspects or figures united in one being. These three figures are often described as the Maiden, the Mother, and the Crone, each of which symbolizes both a separate stage in the female life cycle and a phase of the Moon, and often rules one of the realms of heavens, earth, and underworld. In various forms of Wicca, her masculine consort is the Horned God.
The Potnia Theron or Mistress of Animals is a widespread motif in ancient art from the Mediterranean world and the ancient Near East, showing a central human, or human-like, female figure who grasps two animals, one to each side. Although the connections between images and concepts in the various ancient cultures concerned remain very unclear, such images are often referred to by the Greek term Potnia Theron regardless of culture of origin.
In the localised Celtic polytheism practised in Great Britain, Sulis was a deity worshiped at the thermal spring of Bath. She was worshiped by the Romano-British as Sulis Minerva, whose votive objects and inscribed lead tablets suggest that she was conceived of both as a nourishing, life-giving mother goddess and as an effective agent of curses invoked by her votaries.
Mycenaean Greece was the last phase of the Bronze Age in ancient Greece, spanning the period from approximately 1750 to 1050 BC. It represents the first advanced and distinctively Greek civilization in mainland Greece with its palatial states, urban organization, works of art, and writing system. The Mycenaeans were mainland Greek peoples who were likely stimulated by their contact with insular Minoan Crete and other Mediterranean cultures to develop a more sophisticated sociopolitical culture of their own. The most prominent site was Mycenae, after which the culture of this era is named. Other centers of power that emerged included Pylos, Tiryns, and Midea in the Peloponnese, Orchomenos, Thebes, and Athens in Central Greece, and Iolcos in Thessaly. Mycenaean settlements also appeared in Epirus, Macedonia, on islands in the Aegean Sea, on the south-west coast of Asia Minor, and on Cyprus, while Mycenaean-influenced settlements appeared in the Levant and Italy.
The Goddess movement is a revivalistic Neopagan religious movement which includes spiritual beliefs and practices that emerged primarily in the United States in the late 1960s and predominantly in the Western world during the 1970s. The movement grew as a reaction both against Abrahamic religions, which exclusively have gods who are referred to using masculine grammatical articles and pronouns, and secularism. It revolves around Goddess worship and the veneration for the divine feminine, and may include a focus on women or on one or more understandings of gender or femininity.
Atsipades is an archaeological site of a Minoan peak sanctuary in western Crete. It is an open-air peak sanctuary, situated on a mountain and open to the elements. It was discovered by K. Nowicki in 1985.
The Minoan eruption was a catastrophic volcanic eruption that devastated the Aegean island of Thera circa 1600 BCE. It destroyed the Minoan settlement at Akrotiri, as well as communities and agricultural areas on nearby islands and the coast of Crete with subsequent earthquakes and paleotsunamis. With a Volcanic Explosivity Index (VEI) of 7, it resulted in the ejection of approximately 28–41 km3 (6.7–9.8 cu mi) of dense-rock equivalent (DRE), the eruption was one of the largest volcanic events in human history. Since tephra from the Minoan eruption serves as a marker horizon in nearly all archaeological sites in the Eastern Mediterranean, its precise date is of high importance and has been fiercely debated among archaeologists and volcanologists for decades, without coming to a definite conclusion.
Prinias is an archaeological site in Crete that has revealed a seventh-century BCE temple with striking similarities to ancient Egyptian architecture, including an Egyptianised seated goddess. It is 35 kilometres (22 mi) southwest of Iraklion, about halfway between Gortyn and Knossos. Above the site is a peak sanctuary, a sub-Minoan survival.
Minoan religion was the religion of the Bronze Age Minoan civilization of Crete. In the absence of readable texts from most of the period, modern scholars have reconstructed it almost totally on the basis of archaeological evidence such as Minoan paintings, statuettes, vessels for rituals and seals and rings. Minoan religion is considered to have been closely related to Near Eastern ancient religions, and its central deity is generally agreed to have been a goddess, although a number of deities are now generally thought to have been worshipped. Prominent Minoan sacred symbols include the bull and the horns of consecration, the labrys double-headed axe, and possibly the serpent.
Despoina or Despoena was the epithet of a goddess worshipped by the Eleusinian Mysteries in Ancient Greece as the daughter of Demeter and Poseidon and the sister of Arion. Surviving sources refer to her exclusively under the title Despoina alongside her mother Demeter, as her real name could not be revealed to anyone except those initiated into her mysteries and was consequently lost with the extinction of the Eleusinian religion. Writing during the second century A.D., Pausanias spoke of Demeter as having two daughters; Kore being born first, before Despoina was born, with Zeus being the father of Kore and Poseidon as the father of Despoina. Pausanias made it clear that Kore is Persephone, although he did not reveal Despoina's proper name.
Lucy Goodison is a British writer who has combined work as an archaeologist of the prehistoric Aegean, with involvement in the practice and teaching of body psychotherapy and engagement with issues of social justice. She has focused on actively challenging the mind/body split and bridging the divide between thinking and feeling that is basic to the western world view. Her books include: Death, Women and the Sun: Symbolism of Regeneration in Early Aegean Religion; Moving Heaven and Earth: Sexuality, Spirituality and Social Change; and Holy Trees and Other Ecological Surprises.
A matriarchal religion is a religion that emphasizes a goddess or multiple goddesses as central figures of worship and spiritual authority. The term is most often used to refer to theories of prehistoric matriarchal religions that were proposed by scholars such as Johann Jakob Bachofen, Jane Ellen Harrison, and Marija Gimbutas, and later popularized by second-wave feminism. These scholars speculated that early human societies may have been organized around female deities and matrilineal social structures. In the 20th century, a movement to revive these practices resulted in the Goddess movement.
The Great Goddess hypothesis theorizes that, in Palaeolithic, Mesolithic, and/or Neolithic Europe and Western Asia and North Africa, a singular, monotheistic female deity was worshipped.
The Minoan Genius is a legendary creature that was common in the Minoan art of the Bronze Age Minoan civilization in ancient Crete. It is portrayed sometimes with the head of a lion, or of a hippopotamus, or of other animals. It is mostly seen on Minoan seals, often in pairs as supporters of deities. It is also sometimes called a "demon", though it seems generally to be a benign figure in Minoan religion; the meaning is that of a daemon in later classical religions.
The religious element is difficult to identify in Mycenaean Greece, especially as regards archaeological sites, where it remains very problematic to pick out a place of worship with certainty. John Chadwick points out that at least six centuries lie between the earliest presence of Proto-Greek speakers in Hellas and the earliest inscriptions in the Mycenaean script known as Linear B, during which concepts and practices will have fused with indigenous Pre-Greek beliefs, and—if cultural influences in material culture reflect influences in religious beliefs—with Minoan religion. As for these texts, the few lists of offerings that give names of gods as recipients of goods reveal little about religious practices, and there is no other surviving literature.
Shams, also called or Shamsum or Dhat-Ba' dhanum, is a sun goddess of Arabian mythology. She was the patron goddess of the Himyarite Kingdom. Her name meant 'shining', 'Sun', or 'brilliant'. She was the South Arabian equivalent of the North Arabian sun goddess Nuha.
The Sanctuary of Artemis Orthia, an Archaic site devoted in Classical times to Artemis, was one of the most important religious sites in the Greek city-state of Sparta, and continued to be used into the fourth century CE, when all non-Christian worship was banned during the persecution of pagans in the late Roman Empire. The sanctuary was destroyed and rebuilt a few times over many centuries and has today produced many artefacts that allow historians to better understand exactly what went on in the sanctuary during that period of time. This sanctuary held many rituals, that included cult-like behaviour by both young boys and girls in varying ways and has also since revealed many artefacts due to multiple excavations that have helped to deliver new information on acts and behaviours that have occurred in at the temple in Orthia.
Nanno (Ourania) Marinatos is Professor Emerita of Classics and Ancient Mediterranean Studies at the University of Illinois Chicago, whose research focuses on the Minoan civilisation, especially Minoan religion.
Minoan snake tubes are cylindrical ceramic tubes with a closed, splayed out bottom. Sir Arthur Evans interpreted them as "snake tubes", that is vessels for carrying or housing snakes used in Minoan religion. They are now usually interpreted as "offering stands", on which kalathoi, or offering bowls, were placed in shrines. They are described as varying in material and construction despite sharing a common purpose. In the context of domestic shrines snake tubes are believed to have sat on top of or adjacent to a cult bench. In between the tubes would have been a goddess figurine and plaque which featured animal depictions.