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Christopher Willcock (born 1947) is an Australian Jesuit priest and composer of liturgical music.
Willcock studied music at the Sydney Conservatorium of Music (graduated 1974) and was ordained to the priesthood in 1977. He then pursued doctoral studies in sacramental and liturgical theology at the Institut Catholique de Paris. In 1998, he won the University of Melbourne's Albert H. Maggs Composition Award.
Collaborating with cartoonist and artist Michael Leunig, Willcock won the 2006 Classical Music Award for Choral or Vocal Work of the Year with excerpts from his work titled Southern Star (his cycle of nine Christmas carols composed in collaboration with Leunig). The carols are composed for 4-part adult voices, or 3-part children's voices and are accompanied by harp - reminiscent of Benjamin Britten's A Ceremony of Carols . Other major works have been performed by the Tallis Scholars (May 2000) and the Tasmanian Symphony Orchestra (December 1998).
In 2006 he was the St Thomas More Chair of Jesuit Studies at the University of Western Australia. He also gave the annual Slattery Lecture for the School of Philosophy and Theology at the University of Notre Dame Australia.
In 2004 he was appointed by the Melbourne Chorale as their first composer-in-residence and that year they performed two new a cappella pieces, Etiquette with Angels (a setting of a poem by another Australian Jesuit, Andrew Bullen) and his Latin setting of Psalm 50, Miserere (considered Psalm 51 in some versions of the Bible). The Melbourne Chorale also performed his John Shaw Neilson Triptych in late July 2004.
Miserere is a setting of Psalm 51 by Italian composer Gregorio Allegri. It was composed during the reign of Pope Urban VIII, probably during the 1630s, for the exclusive use of the Sistine Chapel during the Tenebrae services of Holy Week, and its mystique was increased by unwritten performance traditions and ornamentation. It is written for two choirs, of five and four voices respectively, singing alternately and joining to sing the ending in 9-part polyphony.
Anglican church music is music that is written for Christian worship in Anglican religious services, forming part of the liturgy. It mostly consists of pieces written to be sung by a church choir, which may sing a cappella or accompanied by an organ.
Ivan Moody is a composer born in London, England, in 1964. He studied composition with at London University, York University and privately with John Tavener. He also studied Eastern Orthodox theology at the University of Joensuu in Finland. Moody is active as a conductor, having directed ensembles such as Voces Angelicae, the Kastalsky Chamber Choir, Capilla Peña Florida (Spain), Cappella Romana, the Choir of the Cathedral of St George, Novi Sad, (Serbia) the KotorArt Festival Choir (Montenegro), the Orthodox Choir of the University of Joensuu (Finland) and Ensemble Alpha (Portugal); and as a widely published musicologist. His research interests include the music of Eastern Europe, especially 20th century and contemporary music from Russia and the Balkans, the music of the Orthodox Church in the modern era, music and spirituality, music as theology, Serbian church music, the aesthetics of Modernism and Postmodernism and their intersection with Orthodox church music and the musical culture of the Mediterranean.
Sir David Valentine Willcocks, was a British choral conductor, organist, composer and music administrator. He was particularly well known for his association with the Choir of King's College, Cambridge, which he directed from 1957 to 1974, making frequent broadcasts and recordings. Several of the descants and carol arrangements he wrote for the annual service of Nine Lessons and Carols were published in the series of books Carols for Choirs which he edited along with Reginald Jacques and John Rutter. He was also director of the Royal College of Music in London.
Chichester Psalms is an extended choral composition in three movements by Leonard Bernstein for boy treble or countertenor, choir and orchestra. The text was arranged by the composer from the Book of Psalms in the original Hebrew. Part 1 uses Psalms 100 and 108, Part 2 uses 2 and 23, and Part 3 uses 131 and 133. Bernstein scored the work for a reduced orchestra, but also made a version for an even smaller ensemble of organ, one harp, and percussion.
Psalm 137 is the 137th psalm of the Book of Psalms, and as such it is included in the Hebrew Bible. In English it is generally known as "By the rivers of Babylon", which is how its first words are translated in the King James Version. It is Psalm 136 in the slightly different numbering system of the Greek Septuagint and the Latin Vulgate versions of the Bible. Its Latin title is "Super flumina Babylonis".
Raymond Wilding-White ; was an American composer of contemporary classical music and electronic music, and a photographer/digital artist.
Colin James Brumby was an Australian composer and conductor.
Psalm 126 is the 126th psalm of the Book of Psalms, beginning in English in the King James Version: "When the Lord turned again the captivity of Zion, we were like them that dream", and in Hebrew by its opening words, "Shir HaMaalot". It is one of the fifteen Songs of Ascent in the Book of Psalms, from the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the Greek Septuagint version of the Bible, and in its Latin translation in the Vulgate, this psalm is Psalm 125 in a slightly different numbering system. In Latin, it is known as In convertendo Dominus.
Jonathan Alfred Clawson Redford is an American composer, arranger, orchestrator, and conductor. He is also the author of Welcome All Wonders: A Composer's Journey.
"Ach Gott, vom Himmel sieh darein" is a Lutheran chorale of 1524, with words written by Martin Luther paraphrasing Psalm 12. It was published as one of eight songs in 1524 in the first Lutheran hymnal, the Achtliederbuch, which contained four songs by Luther, three by Speratus, and one by Justus Jonas. It was contained in 1524 in the Erfurt Enchiridion. It is part of many hymnals, also in translations. The text inspired vocal and organ music by composers such as Heinrich Schütz, who set it as part of his Becker Psalter, and Johann Sebastian Bach, who based a chorale cantata on it. Mozart used one of its tunes in his opera The Magic Flute.
Psalm 138 is the 138th psalm of the Book of Psalms, beginning in English in the King James Version: "I will praise thee with my whole heart". The Book of Psalms is found in the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the Greek Septuagint version of the bible, and in its Latin translation in the Vulgate, this psalm is Psalm 137 in a slightly different numbering system. In Latin, it is known as "Confitebor tibi Domine in toto corde meo". The psalm is a hymn psalm.
Andrew Perkins is a New Zealand composer, choral conductor and teacher. He has had a number of works recorded and performed internationally.
Iris Szeghy is a Slovak composer living in Switzerland.
The Mass No. 1 in D minor, WAB 26 by Anton Bruckner, is a setting of the Mass ordinary for soloists, mixed choir and orchestra, and organ.
Peter Planyavsky is an Austrian organist and composer. He attended the Schottengymnasium. After graduating from the Vienna Academy of Music in 1966 he spent a year in an organ workshop, and has been instrumental in organ-building projects, notably the construction of the Rieger organ in the Great Hall of the Wiener Musikverein. In 1968 he was appointed organist in the Upper Austrian Stift Schlägl, and the following year organist at Vienna's St. Stephen's Cathedral. From 1983 until 1990 Planyavsky was their director of music, with overall responsibility for church music at the cathedral.
O clap your hands is a motet by Ralph Vaughan Williams. He composed the anthem, a setting of verses from Psalm 47, in 1920 for a four-part choir, organ, brass, and percussion. He later also made versions for orchestra and for organ. The motet was often recorded.
Psalm 150 is a psalm setting by César Franck. He wrote the composition, setting Psalm 150 for four-part choir, orchestra and organ, in 1883. It was published in 1896 by Breitkopf & Härtel. Carus-Verlag published an arrangement for choir, strings and organ. The incipit in French is "Halleluiah! Louez le Dieu, caché dans ses saints tabernacles".
Igor Jankowski – Polish-Belarusian composer, teacher and music activist.
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