Christy Rupp (born 1949) is an American artist and activist. [1]
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Christy Rupp (born 1949) is an American artist and activist. [1]
Rupp attended Colgate University (BA, 1974), Rhode Island School of Design - RISD (MAT 1974), and the Maryland Institute College of Art, Rinehart School of Sculpture (MFA 1977). [2] As a resident of lower Manhattan in the late 1970s, Rupp exhibited in early artist-run spaces including Exit Art, 3 Mercer Street Store (a precursor to Fashion Moda, [3] Franklin Furnace, the Kitchen, Artists Space, The Clocktower and PS1 International Studio Program, and ABC No Rio. [4]
As a member of Collaborative Projects, she also participated in the illegal occupation of an abandoned city-owned building for the groundbreaking The Real Estate Show and also The Times Square Show. [5] She also participated in the explosion of late-1970s artist generated activity which included Group Material, [6] Artists Call Against US Intervention in Central America, [7] (a nationwide mobilization of writers, artists, activists, artists organizations, and solidarity groups that began in New York in 1983), P.A.D.D.( Political Artists Documentation and Distribution), Artmakers, Ventana ( a collective of artists in Support of the Artists threatened by US aggression in the Contra wars of the 1980s in Central America). Her work appeared in early publications of The Soho News, East Village Eye, Heresies: A Feminist Publication on Art and Politics, [8] [9] [10] World War 3 Illustrated [11]
The first publicly visible work was "The Rat Patrol," which was an outdoor poster project of a life-size rat pasted where garbage accumulated, pointing out the fact the city is a living ecosystem with a delicate balance. Art critic Douglas Crimp reflected on this work by writing, "Surely a photograph of a rat borrowed from Health Department files and mechanically reproduced is not a creation of artistic imagination; it has no claim to universality; it would be unthinkable to see the picture on exhibition in a museum." [12]
In the mid-1980s, Rupp turned her attention to global ecological struggles, such as agribusiness and water contamination. One example being the Watershed Glassware, a set of glasses for drinking tap water, featuring printed images of "perfectly harmless" organisms like Giardia, Cryptosporidium, and Fluoride. She began to make public art works including Social Progress, a commission for the Public Art Fund. Recent works include sculptures of fake ivory and its association with commercial arms trade and oil extraction. In a statement, the artist explains that her work is less about animals than it is concerned with our attitudes towards habitat. Other recent works include the series "Extinct Birds Previously Consumed by Humans (From the Brink of Extinction to the Supermarket)," that was shown at the Museum of Art and Design's exhibition, Dead or Alive. [13]
Colab is the commonly used abbreviation of the New York City artists' group Collaborative Projects, which was formed after a series of open meetings between artists of various disciplines.
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The Times Square Show was an influential collaborative, self-curated, and self-generated art exhibition held by New York artists' group Colab in Times Square in a shuttered massage parlor at 201 W. 41st and 7th Avenue during the entire month of June in 1980. The Times Square Show was largely inspired by the more radical Colab show The Real Estate Show, but unlike it, was open 24 hours a day, 7 days a week, in what was then a Times Square full of porno theaters, peep shows, and red light establishments. In addition to experimental painting and sculpture, the exhibition incorporated music, fashion, and an ambitious program of performance and video. For many artists the exhibition served as a forum for the exchange of ideas, a testing-ground for social-directed figurative work in progress, and a catalyst for exploring new political-artistic directions.
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