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In architecture, a cupola is a relatively small, most often dome-like, tall structure on top of a building. Often used to provide a lookout or to admit light and air, it usually crowns a larger roof or dome.
The Renaissance was a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages.
Renaissance architecture is the European architecture of the period between the early 14th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact.
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above.
In classical architecture, a pilaster is an architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above.
The Italian Renaissance, a period in Italian history that covered the 15th and 16th centuries, developed a culture that spread across Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it began in the 14th century and lasted until the 17th century. The French word renaissance means "rebirth" and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries which Renaissance humanists labeled the "Dark Ages". The Renaissance author Giorgio Vasari used the term "Rebirth" in his Lives of the Most Excellent Painters, Sculptors, and Architects in 1550, but the concept became widespread only in the 19th century, after the work of scholars such as Jules Michelet and Jacob Burckhardt.
The English Renaissance was a cultural and artistic movement in England from the early 16th century to the early 17th century. It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late 14th century. As in most of the rest of northern Europe, England saw little of these developments until more than a century later. Renaissance style and ideas, however, were slow to penetrate England, and the Elizabethan era in the second half of the 16th century is usually regarded as the height of the English Renaissance. However, many scholars see its beginnings in the early 1500s during the reign of Henry VIII.
Since ancient times, Greeks, Etruscans and Celts have inhabited the south, centre and north of the Italian peninsula respectively. The very numerous rock drawings in Valcamonica are as old as 8,000 BC, and there are rich remains of Etruscan art from thousands of tombs, as well as rich remains from the Greek colonies at Paestum, Agrigento and elsewhere. Ancient Rome finally emerged as the dominant Italian and European power. The Roman remains in Italy are of extraordinary richness, from the grand Imperial monuments of Rome itself to the survival of exceptionally preserved ordinary buildings in Pompeii and neighbouring sites. Following the fall of the Roman Empire, in the Middle Ages Italy, especially the north, remained an important centre, not only of the Carolingian art and Ottonian art of the Holy Roman Emperors, but for the Byzantine art of Ravenna and other sites.
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality.
Renaissance Revival architecture is a group of 19th century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes. Under the broad designation Renaissance architecture nineteenth-century architects and critics went beyond the architectural style which began in Florence and central Italy in the early 15th century as an expression of Renaissance humanism; they also included styles we would identify as Mannerist or Baroque. Self-applied style designations were rife in the mid- and later nineteenth century: "Neo-Renaissance" might be applied by contemporaries to structures that others called "Italianate", or when many French Baroque features are present.
Diego Siloe (anglicized) or Diego de Siloé was a Spanish Renaissance architect and sculptor, progenitor of the Granadan school of sculpture. He developed the majority of his work in Andalusia.
Venetian Gothic is the local variant architectural style for Venice of Italian Gothic architecture, with a confluence of influences from local building requirements, some influence from Byzantine architecture, and some from Islamic architecture, reflecting Venice's trading network. Very unusually for medieval architecture, the style is both at its most characteristic in secular buildings, and the great majority of survivals are secular.
The Renaissance Papacy was a period of papal history between the Western Schism and the Protestant Reformation. From the election of Pope Martin V of the Council of Constance in 1417 to the Reformation in the 16th century, Western Christianity was largely free from schism as well as significant disputed papal claimants. There were many important divisions over the direction of the religion, but these were resolved through the then-settled procedures of the papal conclave.
San Giorgio Maggiore is a 16th-century Benedictine church on the island of the same name in Venice, northern Italy, designed by Andrea Palladio, and built between 1566 and 1610. The church is a basilica in the classical Renaissance style and its brilliant white marble gleams above the blue water of the lagoon opposite the Piazzetta di San Marco and forms the focal point of the view from every part of the Riva degli Schiavoni.
French Renaissance architecture is a style which was prominent between the late 15th and early 17th centuries in the Kingdom of France. It succeeded French Gothic architecture. The style was originally imported from Italy next after the Hundred Years' War by the French kings Charles VII, Louis XI, Charles VIII, Louis XII, and François I. Several notable royal châteaux in this style were built in the Loire Valley, notably the Chateau de Montsoreau, the Chateau de Langeais, the Chateau d'Amboise, the Chateau of Blois, the Chateau of Gaillon, and the Chateau of Chambord, and, closer to Paris, the Château de Fontainebleau.
Renaissance architecture was that style of architecture which evolved firstly in Florence and then Rome and other parts of Italy as the result of Renaissance humanism and a revived interest in Classical architecture. It was part of the general movement known as the Italian Renaissance, which spread outwards from Italy and effected many aspects of scholarship and the arts. When the Renaissance spirit was exported into Eastern Europe, it had to compromise with local traditions and climates. The Renaissance style differs from place to place throughout the region with many local characteristics making themselves apparent.
The architecture of Rome over the centuries has greatly developed from Ancient Roman architecture to Italian modern and contemporary architecture. Rome was once the world's main epicentres of Classical architecture, developing new forms such as the arch, the dome and the vault. The Romanesque style in the 11th, 12th and 13th centuries was also widely used in Roman architecture, and later the city became one of the main centres of Renaissance and Baroque architecture. Rome's cityscape is also widely Neoclassical and Fascist in style.
This timeline shows the periods of various architectural styles in the architecture of Italy. Italy's architecture spans almost 3,500 years, from Etruscan and Ancient Roman architecture to Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, Art Nouveau, Fascist, and Italian modern and contemporary architecture.
Venetian Renaissance architecture began rather later than in Florence, not really before the 1480s, and throughout the period mostly relied on architects imported from elsewhere in Italy. The city was very rich during the period, and prone to fires, so there was a large amount of building going on most of the time, and at least the facades of Venetian buildings were often particularly luxuriantly ornamented.
Czech Renaissance architecture refers to the architectural period of the early modern era in Bohemia, Moravia and Czech Silesia, which then comprised the Crown of Bohemia and today constitute the Czech Republic. The Renaissance style flourished in the Czech lands from the late 15th century to the first half of the 17th century.
References
- ↑ The Architecture of the Italian Renaissance, Jacob Burckhardt, Peter Murray, James C. Palmes, University of Chicago Press, 1986, p. 81