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Gian Domenico Romagnosi was an Italian philosopher, economist and jurist.
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The Macchiaioli were a group of Italian painters active in Tuscany in the second half of the nineteenth century. They strayed from antiquated conventions taught by the Italian art academies, and did much of their painting outdoors in order to capture natural light, shade, and colour. This practice relates the Macchiaioli to the French Impressionists who came to prominence a few years later, although the Macchiaioli pursued somewhat different purposes. The most notable artists of this movement were Giuseppe Abbati, Cristiano Banti, Odoardo Borrani, Vincenzo Cabianca, Adriano Cecioni, Vito D'Ancona, Serafino De Tivoli, Giovanni Fattori, Raffaello Sernesi, Silvestro Lega, and Telemaco Signorini.
Giovanni Fattori was an Italian artist, one of the leaders of the group known as the Macchiaioli. He was initially a painter of historical themes and military subjects. In his middle years, inspired by the Barbizon school, he became one of the leading Italian plein-airists, painting landscapes, rural scenes, and scenes of military life. After 1884, he devoted much energy to etching.
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Global administrative law is an emerging field that is based upon a dual insight: that much of what is usually termed “global governance” can be accurately characterized as administrative action; and that increasingly such action is itself being regulated by administrative law-type principles, rules and mechanisms – in particular those relating to participation, transparency, accountability and review. GAL, then, refers to the structures, procedures and normative standards for regulatory decision-making including transparency, participation, and review, and the rule-governed mechanisms for implementing these standards, that are applicable to formal intergovernmental regulatory bodies; to informal intergovernmental regulatory networks; to regulatory decisions of national governments where these are part of or constrained by an international intergovernmental regime; and to hybrid public-private or private transnational bodies. The focus of this field is not the specific content of substantive rules, but rather the operation of existing or possible principles, procedural rules and reviewing and other mechanisms relating to accountability, transparency, participation, and assurance of legality in global governance.
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References
- 1 2 3 scienzaevergognaunito (2018-10-30). "CINO VITTA (1873-1956)". Scienza e vergogna (in Italian).
- 1 2 ""Comitato Nazionale per le celebrazioni del centenario dell'opera "Giustizia Amministrativa" di Cino Vitta MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI". 2023-01-15. Archived from the original (PDF) on 2023-01-15. Retrieved 2023-01-15.
- ↑ Giovanni Miele, Cino Vitta, in Rivista trimestrale di diritto pubblico, 1956, pp. 191
- ↑ "Italy Seizes New Zealand Paintings". AP NEWS. Retrieved 2023-01-15.
New Zealand's Public Art Gallery bought all the paintings and two others from a local resident in 1994 for just $11,000. The gallery's curator, Peter Entwisle, described them as the most important historical find in New Zealand in 30 years and their purchase as a major coup. The New Zealand Herald reported Saturday that the works, loaned to Italy for an exhibition, were recently confiscated by the superintendent of art in Florence after Vitta's brothers claimed they were stolen and sought their return.
- ↑ "RESOLVED STOLEN ART CLAIMS CLAIMS FOR ART STOLEN DURING THE NAZI ERA AND WORLD WAR II, INCLUDING NAZI-LOOTED ART AND TROPHY ART*" (PDF).
- ↑ "The stolen art that found its way home". The Independent. 1999-11-13. Retrieved 2023-01-15.
- ↑ "ARBITRATING CULTURAL PROPERTY DISPUTES" (PDF).
In the heirs of Cino Vitta's claim against the New Zealand Public Gallery of Art for five paintings from the Macchiaioli school in 1999, a compromise was reached where the museum retained three works and two works were auctioned for the benefit of the claimants.
