Claire Van Vliet | |
---|---|
Born | 1933 Ottawa, Ontario |
Education | B.A., San Diego State College (1952), M.F.A., Claremont Graduate School (1954) |
Occupation(s) | Artist, illustrator, typographer |
Claire Van Vliet (born 1933 in Ottawa, Ontario) [1] is an artist, illustrator, printmaker, and typographer who founded Janus Press in San Diego, California in 1955. She received a MacArthur Genius Grant in 1989. She is known for her innovative use of dyed paper pulp to create illustrations. She is also known for her long career in artist's books. She was teaching at the museum school in Philadelphia in 1961
Born in Canada, Van Vliet emigrated to the United States after the death of her parents. [2] She arrived in California where she was raised by her aunt. [3] Van Vliet graduated from San Diego High School in 1949, [4] in 1952 she graduated from San Diego State College with a Bachelor of Arts, and in 1954 from Claremont Graduate School with a Master of Fine Arts. [5] In 1955 she moved to Europe, shortly after her first publications, then returned to the United States in 1957. She worked for John Anderson of Lanston Monotype Company in Philadelphia before moving to Madison, Wisconsin. She made several trips back to Europe and continued her education in hand typesetting and compositing. She taught drawing and printmaking classes at the Philadelphia Museum School of Art and Philadelphia Museum College of Art from 1965 to 1966. In 1967 she established a typographic workshop in Madison, Wisconsin. The Janus Press has been based in Newark, Vermont since Van Vliet settled there in 1966. [6] Van Vliet "pioneered a technique of using the colored-paper pulp to create illustrations." [7]
Van Vliet's work is in the collection of the Fleming Museum of Art, [8] the National Gallery of Art, [9] the National Museum of Women in the Arts, [2] the Nelson-Atkins Museum of Art, [10] the Philadelphia Museum of Art, [11] the Smithsonian American Art Museum, [12] and the Walker Art Center. [13]
The Janus Press was founded in 1955. [14] It was named by Van Vliet for the Roman god Janus. [15] The press publishes collaborative works by contemporary writers, papermakers, printmakers and artists, including Raymond Carver, Tess Gallagher, Seamus Heaney, Ted Hughes, W. R. Johnson, Galway Kinnell, John le Carré, Denise Levertov, Sandra McPherson, W. D. Snodgrass, Ruth Fine, Lois K. Johnson, Susan Johanknecht, Jerome Kaplan, Ray Metzker, Peter Schumann, Helen Siegl, Kathryn Clark (Twinrocker), Amanda Degener, Mary Lyn Nutting, Katie MacGregor, and Bernie Vinzani. [16] In 2005 the 50th anniversary of the press was celebrated by an exhibition entitled Beauty in Use: 50 Years of the Janus Press at the Rauner Special Collections Library at Dartmouth College. The 60th anniversary was celebrated with an exhibition at the San Francisco Center for the Book. [17]
June Claire Wayne was an American painter, printmaker, tapestry innovator, educator, and activist. She founded Tamarind Lithography Workshop (1960–1970), a then California-based nonprofit print shop dedicated to lithography.
Marie Weaver is an American artist who specializes in ceramic sculpture, printmaking, book arts, and graphic design. Weaver earned a B. A. from the University of Vermont and a Master of Fine Arts degree from Syracuse University. Weaver lives and works in Philadelphia, Pennsylvania. Weaver's career began as an apprentice to Vermont printmaker Sabra Field and evolved into graphic design. From 1990 through 2002 she was head of the graphic design program in the Department of Art and Art History at The University of Alabama at Birmingham. In 2003, Weaver returned full-time to the practice of fine art. She is married to Stephen Harvey, a professor at the University of Pennsylvania.
Pat Steir is an American painter and printmaker. Her early work was loosely associated with conceptual art and minimalism, however, she is best known for her abstract dripped, splashed and poured "Waterfall" paintings, which she started in the 1980s, and for her later site-specific wall drawings.
Vitreography is a fine art printmaking technique that uses a 3⁄8-inch-thick (9.5 mm) float glass matrix instead of the traditional matrices of metal, wood or stone. A print created using the technique is called a vitreograph. Unlike a monotype, in which ink is painted onto a smooth glass plate and transferred to paper to produce a unique work, the vitreograph technique involves fixing the imagery in, or on, the glass plate. This allows the production of an edition of prints.
Ella Sophonisba Hergesheimer was an American illustrator, painter, and printmaker who painted and illustrated Tennessee society, including the state's women and children. As a printmaker, she pioneered the white-line woodcut.
Squeak Carnwath is an American contemporary painter and arts educator. She is a professor emerita of art at the University of California, Berkeley. She has a studio in Oakland, California, where she has lived and worked since 1970.
Pat Adams is an American modernist painter and mixed-media artist. She is a member of the National Academy of Design.
Richard Erdman is an American artist living and working in Williston, Vermont, and Carrara, Italy. Primarily working in marble and bronze abstract sculpture, Erdman's prolific body of work ranges from intimately sized maquettes to the largest sculpture ever carved from a single block of travertine. His works belong to collections in 52 countries across 6 continents, including the United Nations, Museum of Fine Arts, Boston, Princeton University, the Rockefeller Collection, and many others. Erdman specializes in collaborating with esteemed architectural firms for custom commissions, and has partnered with Antonio Citterio, Richard Meier & Partners, Enzo Enea, and Whipple Russell, among others.
Hilda Belcher was an American artist known for her paintings, watercolors, portraits, and illustrations depicting individuals and landscapes, both in formal portraiture and in casual scenes of children and daily life. She was the second woman to be accepted into the National Academy of Design. In 1935, Anne Miller Downes, a reviewer for The New York Times, called Belcher was "one of the most distinguished women artists in America".
Judith E. Stein is a Philadelphia-based art historian and curator, whose academic career has focused on the postwar New York art world. She has written a biography of the art dealer Richard Bellamy, as well as feature articles regarding artists including Jo Baer, Red Grooms, Lester Johnson, Alfred Leslie and Jay Milder.
James Edward Brewton was an American painter and printmaker who synthesized expressionism, graffiti and Pataphysics.
The Fleming Museum of Art is a museum of art and anthropology at the University of Vermont in Burlington, Vermont. The museum's collection includes around 24,000 objects from a wide variety of eras and places.
The Frederic W. Goudy Award & Lecture were established in 1969 by funds donated to Rochester Institute of Technology (RIT) by the Mary Flagler Cary Charitable Trust in memory of her late husband, Melbert B. Cary, Jr., a typographer, type importer, fine printer, book collector, and president of AIGA. The award was named after illustrious American type designer Frederic W. Goudy, a friend and business associate of Melbert Cary.
David Brewster is an American painter active in the Mid-Atlantic and Northeastern United States.
Sanford Ross was an American realist painter and printmaker. His urban and rural scenes of the 1930s bore the influence of Charles Burchfield and Edward Hopper. His later work focused on the landscape and rural life of Vermont where he lived at the time of his death.
Beth Van Hoesen, sometimes known as Beth Van Hoesen Adams, was an American artist who was best known for her prints and drawings of animals and botanical subjects.
Margo Humphrey is an American printmaker, illustrator and art teacher. She earned a Master of Fine Arts degree from Stanford after earning a Bachelor of Fine Arts degree at the California College of Arts and Crafts in printmaking. She has traveled in Africa, Brazil, the Caribbean, and Europe and has taught in Fiji, Nigeria, Uganda, and the University of Maryland. As a printmaker, she is known for her "bold, expressive use of color and freedom of form", creating works that are "engaging, exuberant and alive." Her work is considered to be "in the forefront of contemporary printmaking."
Ynez Johnston was an American painter, sculptor, printmaker, and educator. Known for her work in painting, printmaking, and mixed media, Johnston was particularly inspired by Byzantine art, as well as Tibetan, Indian, Mexican, and Nepalese art from her extensive travels. Johnston was based in the San Francisco Bay Area in early life, and moved to Los Angeles in 1949.
Hugh Mesibov was an American abstract expressionist artist who began his career as a federal artist for the Works Progress Administration during the Great Depression and later became a member of the 10th Street galleries and part of the New York School during the 1940s-60s. His work has elements of the mid-20th-century New York artistic experience such as Surrealist and Abstract Expressionist and figurative aspects across several media such as watercolor, oil, and acrylic as well as etchings, lithographs and monoprints. His work has received a global reputation and is included in many collections in the United States and worldwide.
Marguerite Redman Dorgeloh (1890–1944) was an American printmaker. She took part in the Works Progress Administration's Federal Art Project.