Related Research Articles
Jean-Luc Godard was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include Breathless (1960), Vivre sa vie (1962), Contempt (1963), Band of Outsiders (1964), Alphaville (1965), Pierrot le Fou (1965), Masculin Féminin (1966), Weekend (1967) and Goodbye to Language (2014).
Paul Biya is a Cameroonian politician who has served as the second president of Cameroon since 1982, having previously been the fifth prime minister of Cameroon from 1975 to 1982. As of 2024, he is the second-longest-ruling president in Africa and the longest consecutively serving current non-royal national leader in the world and the oldest head of state in the world.
Jean Rouch was a French filmmaker and anthropologist.
Cinema of Africa covers both the history and present of the making or screening of films on the African continent, and also refers to the persons involved in this form of audiovisual culture. It dates back to the early 20th century, when film reels were the primary cinematic technology in use. As there are more than 50 countries with audiovisual traditions, there is no one single 'African cinema'. Both historically and culturally, there are major regional differences between North African and sub-Saharan cinemas, and between the cinemas of different countries.
Jean-Pierre Bekolo is a Cameroon film director.
Amos Gitai is an artist and an Israeli filmmaker, born 11 October 1950 in Haifa, Israel.
Martin Belinga Eboutou was a Cameroonian political figure and diplomat who was the Director of the Civil Cabinet of the Presidency of Cameroon from 2009 to March 2018. He previously held the same post from 1996 to 1997 and was Cameroon's Permanent Representative to the United Nations from March 1998 to December 2007. Belinga died on 8 May 2019 in Switzerland, aged 79.
Adamou Ndam Njoya was a Cameroonian politician, lawyer, author, and professor. He was Minister of National Education from 1977 to 1980, and the President of the Cameroon Democratic Union until his death on 7 March 2020. He was replaced by his wife Patricia Tomaïno Ndam Njoya as Mayor of Foumban, a position he held since 1996. From 1997 to 2007, he was a Deputy in the National Assembly. He unsuccessfully ran as a presidential candidate in the 1992, 2004, 2011 and 2018 elections.
Marie-Thérèse Assiga Ahanda was a Cameroonian novelist, chemist, and paramount chief of the Ewondo and Bene people. Early in life, Ahanda worked for the Chemistry Department of the University of Yaoundé. She later moved to the Republic of the Congo with her husband, Jean Baptiste Assiga Ahanda, and took to writing. When they returned to Cameroon, Ahanda became an elected delegate in the National Assembly of Cameroon, a position she held from 1983 to 1988. Ahanda became the Ewondo paramount chief in 1999. In December 2000, she began renovating her father's palace at Efoulan, Yaoundé, a project that cost an estimated 150,000,000 francs CFA. Ahanda is the daughter of Charles Atangana—paramount chief of the Ewondo and Bene peoples under the German and French colonial regimes—by his second wife, Julienne Ngonoa.
The Mother and the Whore is a 1973 French film directed by Jean Eustache and starring Jean-Pierre Léaud, Bernadette Lafont and Françoise Lebrun. An examination of the relationships between three characters in a love triangle, it was Eustache's first feature film and is considered his masterpiece. Eustache wrote the screenplay drawing inspiration from his own relationships, and shot the film from May to July 1972.
Jean-Paul Ngassa is a Cameroonian filmmaker. He made the films Adventure en France (1962) and La Grande Case Bamiléké (1965) after French Cameroun's independence in 1960. He co-directed the former with Philippe Brunet.
Charles-Marie Vanel was a French actor and director. During his 65-year film career, which began in 1923, he appeared in more than 200 films and worked with many prominent directors, including Alfred Hitchcock, Luis Buñuel, Jacques Feyder, and Henri-Georges Clouzot. He is perhaps best remembered for his role as a desperate truck driver in Clouzot's The Wages of Fear for which he received a Special Mention at the Cannes Film Festival in 1953.
The Chamba are a significant ethnic group in the north eastern Nigeria. The Chamba are located between present day Nigeria and Cameroon. The closest Chamba neighbours are the Mumuye, the Jukun and Kutep people. In Cameroon, the successors of Leko and chamba speakers are divided into several states: Bali Nyonga, Bali Kumbat, Bali-Gham, Bali-Gangsin, and Bali-Gashu. They are two ethnic groups in Ghana and Togo also called Chamba, but they are ethnically distinct. The Chamba are identified through their own language, beliefs, culture, and art.
La Maternelle is a 1933 French film directed and written by Jean Benoît-Lévy and Marie Epstein. It was adapted from Léon Frapié's Prix Goncourt winning novel La Maternelle (1904). This film was a remake of a less successful, silent version made in 1925 by Gaston Roudès. In 1935, it was ranked as the 6th best foreign film by the National Board of Review of Motion Pictures, and has received a 7.3 ranking by 127 reviewers at the Internet Movie Database.
Joséphine Ndagnou is a Cameroonian film director and television actress.
Jean-Marie Teno is a Cameroonian film director and filmmaker, "one of Africa's most prolific filmmakers". His films address censorship, human rights violations, globalization, and the effects of colonialism. Teno has made films in many different forms but favors making documentaries. In an interview when asked about his favor style of film to make he responded, "documentary because when you do fiction, people think it's not true. When it's the documentary, they are embarrassed, embarrassed".
Antoinette Tidjani Alou is a Jamaican-Nigerien academic, film-maker and writer, whose work focuses on the constructions of Sahelian identity in written and oral literature, as well as women in Sahelian identities. She published a novel On m'appelle Nina in 2016 and a collection of poems with a memoir Tina shot me between the eyes and other stories in 2017. She is a lecturer in Comparative Literature and in 2016 was appointed Coordinator of the Arts and Culture Department at Abdou Moumouni University in Niger.
African Federation of Film Critics is a panafricanist federation of film critics associations from Africa and the diaspora, as well as individuals. It was founded in 2004 and as of 2023, is composed of 43 associations and 456 editors. Its headquarters are in Senegal.
Ernestine Ouandié was a Cameroonian journalist. The daughter of political exile Ernest Ouandié who she never met, Ouandié had a difficult childhood in Ghana. After becoming a journalist she moved to Cameroon to learn more about her father. She was featured in a documentary directed by Jean-Marie Teno, titled Une feuille dans le vent, about her life and her feelings about her father's 1971 execution. The documentary footage was filmed in 2004 but the film was released in 2013 after she committed suicide.
References
- 1 2 "CLANDO (1996)". British Film Institute. Archived from the original on July 17, 2018. Retrieved 17 July 2018.
- ↑ "Clando". California Newsreel. Retrieved 17 July 2018.
- ↑ Henry, Freeman G. (2003). GEO/GRAPHIES: Mapping the Imagination in French and Francophone Literature and Film. French Literature. Vol. 30. Rodopi. pp. 167–177. ISBN 978-9042011540.
- ↑ Cham, Mbye (1998). "African Cinema in the Nineties". African Studies Quarterly. 2 (1): 47–51. ISSN 2152-2448.
- ↑ "Showing of Clando by Jean-Marie Teno, a Cameroonian filmmaker". University of Rochester. 21 March 2005. Retrieved 17 July 2018.
- ↑ Harrow, Kenneth W. (Spring 2011). "Toward a New Paradigm of African Cinema". Critical Interventions: Journal of African Art History and Visual Culture. 5 (8): 221. doi: 10.1080/19301944.2011.10781411 . ISSN 2326-411X.
