Clarinet Concerto (Piston)

Last updated

Walter Piston's Concerto for Clarinet and Orchestra, was written in 1967. It was commissioned for the Hopkins Center Congregation of the Arts at Dartmouth College by its music director, Mario di Bonaventura, who conducted the world premiere on August 6, 1967, at the Congregation of Arts Festival, with clarinetist Donald Wendlant and the Dartmouth Symphony Orchestra. [1]

Contents

Structure

It consists of a single movement composed by Piston in four variations without theme:

  1. Variation I Con moto-
  2. Variation II Poco piu mosso-
  3. Variation III Assai lento-
  4. Variation IV AllegroVivo

The unusual structure was inspired by the success of the composer's earlier Variations for Cello and Orchestra (1966). The average performance time is around 12 minutes. [2]

Analysis

The Concerto is characterized by consistency and formal balance, which produces a satisfying sense of unity. Another prominent feature is the syncopated energetic rhythm that is typical of Piston's music. This is particularly prominent in the scherzo, which employs delicate percussion tapping also typical of the composer. The three fast movements are in each in an A-B-A ternary form with a more lyrical B section providing contrast to the more vigorous outer parts. The last movement begins with a stately introductory Allegro in duple meter followed by the finale proper, a Vivo in changing meters (7/8, 5/8, 3/4, etc.). Instead of a cadenza there are short unaccompanied solos serving as transitions between the movements. [3]

Related Research Articles

<span class="mw-page-title-main">Walter Piston</span> American composer (1894–1976)

Walter Hamor Piston, Jr., was an American composer of classical music, music theorist, and professor of music at Harvard University.

<span class="mw-page-title-main">Piano Concerto No. 3 (Rachmaninoff)</span> Work by Sergei Rachmaninoff

Sergei Rachmaninoff's Piano Concerto No. 3 in D minor, Op. 30, was composed in the summer of 1909. The piece was premiered on November 28 of that year in New York City with the composer as soloist, accompanied by the New York Symphony Society under Walter Damrosch. The work has the reputation of being one of the most technically challenging piano concertos in the standard classical piano repertoire.

<span class="mw-page-title-main">Symphony No. 8 (Dvořák)</span>

The Symphony No. 8 in G major, Op. 88, B. 163, is a symphony by Antonín Dvořák, composed in 1889 at Vysoká u Příbramě, Bohemia, on the occasion of his election to the Bohemian Academy of Science, Literature and Arts. Dvořák conducted the premiere in Prague on 2 February 1890. In contrast to other symphonies of both the composer and the period, the music is cheerful and optimistic. It was originally published as Symphony No. 4.

<span class="mw-page-title-main">Ulvi Cemal Erkin</span>

Ulvi Cemal Erkin was a member of the pioneer group of symphonic composers in Turkey, born in the period 1904–1910, who later came to be called The Turkish Five. These composers set out the direction of music in the newly established Turkish Republic. These composers distinguished themselves with their use of Turkish folk music and modal elements in an entirely Western symphonic style.

Robert Muczynski was a Polish-American composer.

<span class="mw-page-title-main">Piano Concerto No. 1 (Liszt)</span>

Franz Liszt composed his Piano Concerto No. 1 in E major, S.124 over a 26-year period; the main themes date from 1830, while the final version is dated 1849. The concerto consists of four movements and lasts approximately 20 minutes. It premiered in Weimar on February 17, 1855, with Liszt at the piano and Hector Berlioz conducting.

Ross Lee Finney Junior was an American composer who taught for many years at the University of Michigan.

Carl Maria von Weber wrote his Clarinet Concerto No. 1 in F minor, Op. 73 for the clarinettist Heinrich Bärmann in 1811. The piece is highly regarded in the instrument's repertoire. It is written for clarinet in B. The work consists of three movements in the form of fast, slow, fast. It was premiered in Munich on 5 April 1811, with Maximilian I Joseph of Bavaria in attendance.

<span class="mw-page-title-main">Yoshirō Irino</span> Japanese composer

Yoshirō Vladimir Irino was a Japanese composer.

Erich Urbanner is an Austrian composer and teacher.

Symphony No. 2 by Walter Piston is a symphony composed in 1943.

The Symphony No. 6 by Walter Piston was completed in 1955.

Walter Piston's Concerto No. 1 for Violin and Orchestra was written in 1939 and dedicated to violinist Ruth Posselt. Posselt, backed by the National Orchestral Association under Léon Barzin, gave the first performance at Carnegie Hall on 18 March 1940.

The Symphony No. 5 by Walter Piston was composed in 1954.

The Symphony No. 7 by Walter Piston is a symphony dating from 1960.

The Symphony No. 8 by Walter Piston is a symphony dating from 1965.

Walter Piston's Fantasia for Violin and Orchestra was commissioned in 1970 by Mario di Bonaventura, music director of the Hopkins Center Congregation of the Arts at Dartmouth College, who conducted the world premiere on March 11, 1973, performed by the Dartmouth Symphony Orchestra with Salvatore Accardo as the soloist. The commission had been made specifically for Accardo.

The Concerto for Viola and Orchestra is a viola concerto by the American composer John Harbison. The work was commissioned by the Saint Paul Chamber Orchestra, the Los Angeles Chamber Orchestra, and the New Jersey Symphony Orchestra with contributions from Meet The Composer and Reader's Digest. It was first performed by Jaime Laredo and the New Jersey Symphony Orchestra under the direction of Hugh Wolff on May 18, 1990.

The Concerto for Viola and Orchestra is a musical composition for viola and orchestra by the American composer Walter Piston. The work was written in 1957 for the violist Joseph de Pasquale, who first performed the piece with the Boston Symphony Orchestra on March 7, 1958.

References

  1. Bruce Archibald, "Walter Piston: Variations for Cello and Orchestra (1966); Concerto for Clarinet and Orchestra (1967); Ricercare for Orchestra (1967)", Notes, second series, 25, no. 4 (June 1969): 824–26, here 824.
  2. Nina Appolonov. Liner notes to ABC CD4566782 Ariels Music. ABC Classics (1999).
  3. Bruce Archibald, "Walter Piston: Variations for Cello and Orchestra (1966); Concerto for Clarinet and Orchestra (1967); Ricercare for Orchestra (1967)", Notes, second series, 25, no. 4 (June 1969): 824–26, here 825.