The Incredible Flutist is a ballet composed by Walter Piston in 1938, his only composition for the stage. [1] The ballet received its premiere by the Boston Pops under Arthur Fiedler [2] on May 30 of that year. The libretto, written by Piston and Hans Wiener, describes a marketplace teeming with activity and enlivened by a circus. A flutist acts as a snake charmer and also charms women. A rich widow flirts with a merchant, is discovered by her lover, faints, and is revived by the flutist's music. The circus then leaves the square.
Piston extracted an orchestral suite from the ballet, which was premiered on November 22, 1940, by the Pittsburgh Symphony under Fritz Reiner. The suite is in thirteen movements:
Elliott Carter commented on how Piston avoided the use of a particular musical geographic "pastiche" style in the music, which could have made the setting specific to one geography, and noted that the village can be "any village" in this setting. [3]
Elliott Cook Carter Jr. was an American modernist composer. One of the most respected composers of the second half of the 20th century, he combined elements of European modernism and American "ultra-modernism" into a distinctive style with a personal harmonic and rhythmic language, after an early neoclassical phase. His compositions are performed throughout the world, and include orchestral, chamber music, solo instrumental, and vocal works. The recipient of many awards, Carter was twice awarded the Pulitzer Prize.
Walter Hamor Piston, Jr., was an American composer of classical music, music theorist, and professor of music at Harvard University.
Claude Monteux was an American flutist and conductor. Born in Brookline, Massachusetts, the son of conductor Pierre Monteux, Monteux studied flute with Georges Laurent, then the principal flutist of the Boston Symphony Orchestra. He studied conducting with his father, both privately and at the Monteux School for conductors.
Leroy Anderson was an American composer of short, light concert pieces, many of which were introduced by the Boston Pops Orchestra under the direction of Arthur Fiedler. John Williams described him as "one of the great American masters of light orchestral music."
Appalachian Spring is a musical composition by Aaron Copland that was premiered in 1944 and has achieved widespread and enduring popularity as an orchestral suite. The music, scored for a thirteen-member chamber orchestra, was created upon commission of the choreographer and dancer Martha Graham with funds from the Coolidge Foundation. It was premiered on Monday, October 30, 1944, at the Library of Congress in Washington D.C., with Martha Graham dancing the lead role. The set was designed by the American sculptor Isamu Noguchi. Copland was awarded the 1945 Pulitzer Prize for Music for his achievement.
William Quincy Porter was an American composer and teacher of classical music.
Sir Eugene Aynsley Goossens was an English conductor and composer.
The Celebrity Series of Boston is a non-profit performing arts presenter established in Boston, Massachusetts by Boston impresario Aaron Richmond in 1938 as Aaron Richmond's Celebrity Series. Since its founding the Celebrity Series has evolved into one of New England's major presenting organizations with over 100 performance and outreach activities annually.
Aaron Richmond was an American performing arts manager, pianist, impresario, and educator, based in Boston, Massachusetts, who managed the careers of numerous classical musicians and founded Celebrity Series of Boston, a performing arts presenting organization that still operates today.
William P. Perry is an American composer and producer of television and film. His music has been performed by the Chicago Symphony, the Saint Louis Symphony, the Detroit Symphony and the symphonic orchestras of Cincinnati, Minnesota, Montreal, Calgary and Hartford as well as the Vienna Symphony, the Rome Philharmonic, the Slovak Philharmonic, the RTÉ National Symphony of Ireland and other orchestras in Europe.
Edward Burlingame Hill was an American composer.
La Boutique fantasque, also known as The Magic Toyshop or The Fantastic Toyshop, is a ballet in one act conceived by Léonide Massine, who devised the choreography for a libretto written with the artist André Derain, a pioneer of Fauvism. Derain also designed the décor and costumes for the ballet. Ottorino Respighi wrote the music based on piano pieces by Gioachino Rossini. Its world premiere was at the Alhambra Theatre in London on 5 June 1919, performed by Sergei Diaghilev's Ballets Russes.
Doriot Anthony Dwyer was an American flutist. She was one of the first women to be awarded principal chair for a major U.S. orchestra. She was the principal flute for the Boston Symphony Orchestra from 1952 until 1990. She was second flute for the National Symphony Orchestra and the Los Angeles Philharmonic. She was an Adjunct Professor of Music at Boston University.
Symphony No. 2 by Walter Piston is a symphony composed in 1943.
The Symphony No. 5 by Walter Piston was composed in 1954.
The Symphony No. 7 by Walter Piston is a symphony dating from 1960.
The Symphony No. 8 by Walter Piston is a symphony dating from 1965.
The Symphony No. 3 by Walter Piston was composed in 1946–47.
The Symphony No. 1 by Walter Piston was completed in 1937.
Spirit of the American Range is a classical music album by the Oregon Symphony under the artistic direction of Carlos Kalmar, released by Dutch record label Pentatone on February 10, 2015. The album was recorded at the Arlene Schnitzer Concert Hall in Portland, Oregon in April 2013 and January 2014. It contains works by three American 20th-century composers: Walter Piston's ballet suite from The Incredible Flutist, George Antheil's "A Jazz Symphony", and Aaron Copland's Symphony No. 3. The recording was the third by the orchestra under Kalmar's leadership, following the highly successful Music for a Time of War (2011) and This England (2012). Spirit of the American Range received a Grammy Award nomination for Best Orchestral Performance, and its producer, Blanton Alspaugh, was nominated for Producer of the Year, Classical.