Claudia Lindsey (born 1936 or 1937 [1] ) is an American operatic soprano.
Born in Harlem, she is a graduate of Brandeis University and studied singing in New York City with Anna Hamlin and Otto Guth. [2] In 1965 she won the Metropolitan Opera National Council Auditions and a grant from the John Hay Whitney Foundation. That same year she made her professional opera debut with the New York City Opera as Clara in George Gershwin's Porgy and Bess . [3]
In 1969 Lindsey made her debut at the San Francisco Opera as Bianca in Giacomo Puccini's La rondine . She was also heard in San Francisco that year as Anna Gomez in Gian Carlo Menotti's The Consul . [4] In 1970 she sang the role of Palmyra in the United States premiere of Frederick Delius' Koanga with the Opera Society of Washington. She also sang the work in London two years later at the Camden Festival where she recorded the opera with the London Symphony Orchestra. [5] In 1972 she performed Saint Teresa in Virgil Thomson's Four Saints in Three Acts at the American Shakespeare Theatre. [6] In 1979 she was a soloist in the premiere of George Walker's Mass with the Baltimore Symphony Orchestra. [7]
Finding it difficult to get work with opera companies in the United States, Lindsey went to Europe where she portrayed such roles as Countess Almaviva in The Marriage of Figaro , the Female Chorus in The Rape of Lucretia , Fiordiligi in Così fan tutte , Mimì in La bohème , and the title heroine in Aida among other parts during the 1970s. In 1978 she portrayed the title role in Puccini's Tosca with the Opera Company of Boston with Sarah Caldwell conducting. [8] She recorded the role of Bess to the Porgy of Benjamin Matthews with the Slovak Philharmonic in 1980, an album of selections from the opera only. [9]
Porgy and Bess is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play Porgy, itself an adaptation of DuBose Heyward's 1925 novel Porgy.
Mary Violet Leontyne Price is an American spinto soprano who was the first African American soprano to receive international acclaim. From 1961 she began a long association with the Metropolitan Opera, where she was the first African American to be a leading performer. She regularly appeared at the world's major opera houses, including the Royal Opera House, San Francisco Opera, Lyric Opera of Chicago, and La Scala; at La Scala, she was also the first African American to sing a leading role. She was particularly renowned for her performances of the title role in Verdi's Aida.
Adele Addison is an American lyric soprano who was a figure in the classical music world during the 1950s and 1960s. Although she did appear in several operas, Addison spent most of her career performing in recital and concert. Her performances spanned a wide array of literature from the Baroque period to contemporary compositions. She is best remembered today as the singing voice for Bess in the 1959 movie, Porgy and Bess. Known for her polished and fluent tone, Addison made a desirable Baroque vocal artist. She can be heard on numerous recordings, of which her Baroque performances are perhaps her best work. Many of her recordings were made with the New York Philharmonic under the baton of Leonard Bernstein.
Angela M. Brown is an American dramatic soprano particularly admired for her portrayal of Verdi heroines.
Lawrence Winters(néLawrence Lafayette Whisonant; 15 November 1915 King's Creek, South Carolina – 24 September 1965 Hamburg, Germany), bass-baritone, was an American opera singer who had an active international career from the mid-1940s through the mid-1960s. He was part of the first generation of black opera singers to achieve wide success and is viewed as part of an instrumental group of performers who helped break down the barriers of racial prejudice in the opera world. He began his opera career at the New York City Opera in 1946 during a time when the NYCO was one of the few American opera companies hiring black artists. He sang a varied repertoire there through 1955, after which his career was largely based in Europe until his death at the age of fifty.
Frances Yeend was an American classical soprano who had an active international career as a concert and opera singer during the 1940s through the 1960s. She had a long and fruitful association with the New York City Opera (NYCO) between 1948 and 1958, after which she joined the roster of principal sopranos at the Metropolitan Opera where she sang between 1961 and 1963. She also had an extensive concert career, particularly in the United States. By 1963 she had sung in more than 200 orchestral concerts in North American with major symphonies like the New York Philharmonic, the Boston Symphony Orchestra, the Philadelphia Orchestra, the Cleveland Orchestra, and the Chicago Symphony Orchestra among others.
Karen Williams is an American concert and opera soprano. In 1985 she won the Metropolitan Opera National Council Auditions; making her stage debut at the Metropolitan Opera later that year as Serena in George Gershwin's Porgy and Bess. She sang that role at the Met again in 1989–1990. She has also performed Serena at Symphony Hall, Springfield with the Boston Concert Opera (1986), the Milwaukee Symphony Orchestra (1998), the Buffalo Philharmonic Orchestra (1999), the Utah Symphony Orchestra (1999), and the Philadelphia Orchestra (2000) among others. In 1986 she made her debut with the Opera Company of Philadelphia as Amelia in Verdi's Un ballo in maschera.
Florence Quivar is an American operatic mezzo-soprano who is considered to be "one of the most prominent singers of her generation." She has variously been described as having a "rich, earthy sound and communicative presence" as "always reliable" and as "a distinguished singer, with a warm, rich voice and a dignified performing presence." From 1977-1997 she was a regular performer at the Metropolitan Opera where she gave more than 100 performances.
"I Loves You, Porgy" is a duet from the 1935 opera Porgy and Bess with music by George Gershwin and lyrics by Ira Gershwin. It was performed in the opera's premiere in 1935 and on Broadway the same year by Anne Brown and Todd Duncan. They recorded the song on volume 2 of the album Selections from George Gershwin's Folk Opera Porgy and Bess in 1942. The duet occurs in act 2, scene 3, Catfish Row, where Porgy promises Bess that he will protect her. Bess has a lover, Crown, who is abusive and continually seduces her.
Gloria Davy was a Swiss soprano of American birth who had an active international career in operas and concerts from the 1950s through the 1980s. A talented spinto soprano, she was widely acclaimed for her portrayal of the title role in Giuseppe Verdi's Aida; a role she performed in many of the world's top opera houses. She was notably the first black artist to perform the role of Aida at the Metropolitan Opera in New York City in 1958. While she performed a broad repertoire, she was particularly admired for her interpretations of 20th-century music, including the works of Richard Strauss, Benjamin Britten and Paul Hindemith.
Eric Owens is an American operatic bass-baritone. He has performed both in new works and reinterpreted classic repertoire. In 1996 he won the Metropolitan Opera National Council Auditions.
Clamma Churita Dale is an American operatic soprano. She portrayed "Bess" in the highly successful 1976 Houston Grand Opera production of Porgy and Bess. The show was transferred from Houston to Broadway and Dale was awarded a 1977 Drama Desk Award for Best Actress in a musical and received a Tony Award nomination. She won a Grammy award in 1978 for Best Opera Recording of the Porgy & Bess soundtrack.
Donnie Ray Albert is an American operatic baritone who has had an active international career since 1976.
Marquita Lister is an American operatic soprano. She has sung with major companies in the U.S. and abroad, specializing in the lirico-spinto repertoire. Lister is considered one of the leading interpreters of Bess in Porgy and Bess, having performed the role hundreds of times in companies across the globe, and she is also renowned for her portrayals of Aida and Salome, two signature roles.
Geraldine McMillian is an American soprano who has had an active career in concerts and operas since the mid-1980s.
Robert Mosley was an American operatic bass-baritone. Part of the first generation of African-American opera singers to achieve wide success, he performed in numerous opera productions, recitals, and in concerts from the 1950s through the 1990s. In 1957 he won the Metropolitan Opera National Council Auditions. He drew particular acclaim for his portrayal of Porgy in George Gershwin's Porgy and Bess, a role which he portrayed in the landmark 1976 Houston Grand Opera production, on Broadway, and at the Metropolitan Opera among other opera companies both in the United States and in Europe.
Roberta Alexander is an American operatic soprano. She began her career as a lyric soprano in 1975 and spent the next three decades performing principal roles with opera houses internationally. Particularly celebrated for her performances of Mozart heroines, she was a leading soprano at the Metropolitan Opera from 1983 to 1991. In addition to principal Mozart roles like Countess Almaviva, Elettra, Fiordiligi, and Donna Elvira, she had particular success with the parts of Mimì in Puccini's La bohème and the title role in Janáček's Jenůfa. More recently she has performed secondary character roles on stage, including performances at the Grand Théâtre de Provence in 2013, La Scala in 2014, and La Monnaie in 2015. She performed the Fifth Maid in Strauss's Elektra at the Met in 2016 and Curra in Verdi's La forza del destino at the Royal Opera House, Covent Garden, in 2019.
Camellia Johnson was an American concert and opera singer. She began her career performing works from the mezzo-soprano repertoire, but after encouragement from the staff at the Metropolitan Opera retrained her voice as a soprano. She successfully made that transition after winning the Young Concert Artists competition in 1993. She went on to perform as a leading soprano with orchestras and opera companies internationally.
Isabelle Kabatu is a Belgian operatic soprano with a father from Belgian Congo and a Belgian mother. She has appeared internationally, with a focus on the Italian repertoire such as Verdi's La traviata and Aida, and Puccini's Manon Lescaut and Tosca. She appeared as Bess in Gershwin's Porgy and Bess beginning at the Houston Grand Opera and touring the world. In 2012, she appeared in the world premiere of Franck's early work Stradella.
Gordon Hawkins is an American baritone known for his work on both the operatic and concert stage, particularly as one of the foremost interpreters of the roles of Porgy and Crown in Porgy and Bess. His music career began in the 1980s with him singing major concert repertoire and opera roles in his native Maryland. Since then, Hawkins has performed for national and international opera houses and venues, including the Metropolitan Opera, Deutsche Oper Berlin, Lyric Opera of Chicago, Seattle Opera, Houston Grand Opera, and more. In addition to performing, he is currently on the voice faculty at Arizona State University.