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Salsa music is a style of Caribbean music, combining elements of Cuban, Puerto Rican, and American influences. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin. Most songs considered as salsa are primarily based on son montuno and son Cubano, with elements of cha-cha-chá, bolero, rumba, mambo, jazz, R&B, rock, bomba, and plena. All of these elements are adapted to fit the basic Son montuno template when performed within the context of salsa.
Henry Roeland "Roy" Byrd, better known as Professor Longhair or "Fess" for short, was an American singer and pianist who performed New Orleans blues. He was active in two distinct periods, first in the heyday of early rhythm and blues and later in the resurgence of interest in traditional jazz after the founding of the New Orleans Jazz and Heritage Festival in 1970. His piano style has been described as "instantly recognizable, combining rumba, mambo, and calypso".
Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band. Another defining characteristic of the style is the use of unconventional chords in some cases with complex progressions and "ambiguous" harmonies. A common misconception is that these complex chords and harmonies were derived from jazz, but samba guitar players have been using similar arrangement structures since the early 1920s, indicating a case of parallel evolution of styles rather than a simple transference from jazz to bossa nova. Nevertheless, bossa nova was influenced by jazz, both in the harmonies used and also by the instrumentation of songs, and today many bossa nova songs are considered jazz standards. The popularity of bossa nova has helped to renew samba and contributed to the modernization of Brazilian music in general.
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Son montuno is a subgenre of son cubano developed by Arsenio Rodríguez in the 1940s. Although son montuno had previously referred to the sones played in the mountains of eastern Cuba, Arsenio repurposed the term to denote a highly sophisticated approach to the genre in which the montuno section contained complex horn arrangements. He also incorporated piano solos and often subverted the structure of songs by starting with the montuno in a cyclic fashion. For his approach, Arsenio had to expand the existing septeto ensemble into the conjunto format which became the norm in the 1940s alongside big bands. Arsenio's developments eventually served as the template for the development of genres such as salsa, songo and timba.
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Jazz drumming is the art of playing percussion in jazz styles ranging from 1910s-style Dixieland jazz to 1970s-era jazz fusion and 1980s-era Latin jazz. The techniques and instrumentation of this type of performance have evolved over several periods, influenced by jazz at large and the individual drummers within it. Stylistically, this aspect of performance was shaped by its starting place, New Orleans, as well as numerous other regions of the world, including other parts of the United States, the Caribbean, and Africa.
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MIRA is a 39-story, 422-foot (129 m) residential skyscraper at 280 Spear Street in San Francisco, California.
Olie Brice is a British double bassist, improviser and composer. He is bandleader of the Olie Brice Quintet, the Olie Brice Trio, and the Olie Brice Octet. Brice has been a member of the Nick Malcolm Quartet, Mike Fletcher Trio, Alex Ward Quintet, Paul Dunmall Brass Project, Loz Speyer's Inner Space, as well as collaborated with Dee Byrne, Tobias Delius, and Binker Golding.
Loz Speyer is a trumpet and flugelhorn player, composer and bandleader. His free jazz quintet Inner Space, and his fusion of Cuban music and jazz 6-piece Time Zone, have both been running since 2002.
Life on the Edge is an album by Loz Speyer's Inner Space, released on Leo Records in 2017. The five-piece band consists of Speyer, Chris Biscoe, Olie Brice, Rachel Musson, and Gary Willcox (drums).
References
- ↑ "Loz Speyer's Time Zone: Clave Sin Embargo". Jazzwise. Retrieved November 1, 2024.
- ↑ Adcock, John (October 18, 2019). "Loz Speyer's Time Zone: Clave Sin Embargo". Jazz Journal. Retrieved November 1, 2024.
- ↑ Bacon, Peter (October 8, 2019). "Loz Speyer's Time Zone – Clave Sin Embargo". London Jazz News. Retrieved November 1, 2024.
