Clay nail

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One of the oldest diplomatic documents known, by King Entemena, c 2400 BC. Foundation nail Entemena Louvre AO22934.jpg
One of the oldest diplomatic documents known, by King Entemena, c 2400 BC.

Used by Sumerians and other Mesopotamian cultures beginning in the third millennium BC, clay nails, also referred to as dedication or foundation pegs, cones, or nails, were cone-shaped nails made of clay, inscribed with cuneiform, baked, and stuck into the mud-brick walls to serve as evidence that the temple or building was the divine property of the god to whom it was dedicated. [1] Versions were also made of metal, including castings with figurative designs, [2] such as the Hurrian foundation pegs (Syria, c. 2300 – c. 2159 BCE).

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Additionally, uninscribed clay cones painted in different colors were used by Sumerians to create decorative mosaic patterns on walls and pillars of buildings, which also offered some protection against weathering. [3]

The similar funerary cones of ancient Egypt used the cone base as the major writing surface.

Foundation nail examples

Foundation nail of the E-ninnu. Foundation nail IMG 0073-black.jpg
Foundation nail of the E-ninnu.

As some of the oldest 'documents' in history, the sponsor, responsible for the construction, or dedication of a work, some of the oldest histories, and/or intrigues are recorded. (Boasting sometimes led to historical inaccuracies, or misstatements of facts.)

King Entemena

King Entemena's nail is a prime example of a clay nail in excellent condition, as well as a detailed story. He was king of Lagash towards the late-middle of the 3rd millennium BC.

King Hammurabi

One of King Hammurabi's clay nails was acquired in March 1938 from an antique dealer. The nail, although fully preserved, is missing almost the entire shaft. The head has a diameter of 187 millimeters. In comparison, the shaft at the base is 110 millimeters in diameter. Both the head and shaft are inscribed with cuneiform writing in Akkadian. There are three columns of text on the head of the nail; the first column on the upper half having dulled over the course of centuries, and the lower half of the third column broken off. The clay nail bears the number A 24645 at the Oriental Institute, the University of Chicago's archaeology museum. [4]

There are two replicas of the clay nail with the same inscription located at the University of Pennsylvania Museum and the Oxford Museum. However, each were transliterated and translated differently. [5] The Philadelphia version is filled with missing text, although the complication was solved with the help of the Chicago version. Simultaneously, the Oxford text gives the Sumerian version. All three clay nails are now preserved in each of their respected locations. They are easily recognized to be from the Hammurabi period due to their distinct style of having a mushroom shape, broad heads, and short shafts.

See also

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Sumer Ancient civilization and historical region in Southern Mesopotamia

Sumer is the earliest known civilization in the historical region of southern Mesopotamia, emerging during the Chalcolithic and early Bronze Ages between the sixth and fifth millennium BC. It is also one of the first civilizations in the world, along with Ancient Egypt, Norte Chico, Minoan civilization, Ancient China and the Indus Valley. Living along the valleys of the Tigris and Euphrates, Sumerian farmers grew an abundance of grain and other crops, the surplus from which enabled them to form urban settlements. Prehistoric proto-writing dates back before 3000 BC. The earliest texts come from the cities of Uruk and Jemdet Nasr, and date to between c. 3500 and c. 3000 BC.

Sumerian King List Cuneiform list of Sumerian kings

The Sumerian King List is an ancient text in the Sumerian language, listing kings of Sumer from Sumerian and neighboring dynasties, their supposed reign lengths, and the locations of the kingship. This text is preserved in several recensions. The list of kings is sequential, although modern research indicates many were contemporaries, reflecting the belief that kingship was handed down by the gods and could be transferred from one city to another, asserting to a hegemony in the region.

Uruk Ancient city of Sumer and Babylonia

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Clay tablet Writing medium, especially for writing in cuneiform

In the Ancient Near East, clay tablets were used as a writing medium, especially for writing in cuneiform, throughout the Bronze Age and well into the Iron Age.

Cuneiform Ancient Sumerian writing system used by many extinct Middle Eastern languages

Cuneiform was one of the earliest systems of writing, invented by Sumerians in ancient Mesopotamia. It is distinguished by its wedge-shaped marks on clay tablets, made by means of a blunt reed for a stylus. The term cuneiform comes from cuneus, Latin for "wedge".

Adab (city) city in Sumer

Adab or Udab was an ancient Sumerian city between Telloh and Nippur. It was located at the site of modern Bismaya or Bismya in the Wasit Province of Iraq.

Ur-Nanshe King of Lagash

Ur-Nanshe also Ur-Nina, was the first king of the First Dynasty of Lagash in the Sumerian Early Dynastic Period III. He is known through inscriptions to have commissioned many buildings projects, including canals and temples, in the state of Lagash, and defending Lagash from its rival state Umma. He was probably not from royal lineage, being the son of Gunidu who was recorded without an accompanying royal title. He was the father of Akurgal, who succeeded him, and grandfather of Eanatum. Eanatum expanded the kingdom of Lagash by defeating Umma as illustrated in the Stele of the Vultures and continue building and renovation of Ur-Nanshe's original buildings.

Shulgi Sumerian King

Shulgi of Ur was the second king of the Third Dynasty of Ur during the Sumerian Renaissance. He reigned for 48 years, from c. 2094–c. 2047 BC or possibly c. 2029 – 1982 BC. His accomplishments include the completion of construction of the Great Ziggurat of Ur, begun by his father Ur-Nammu. On his inscriptions, he took the titles "King of Ur", "King of Sumer and Akkad" and "King of the four corners of the universe". He used the symbol for divinity before his name, marking his apotheosis, from the 23rd year of his reign.

Bad-tibira Place

Bad-tibira(Sumerian: 𒂦𒁾𒉄𒆠, bad3-tibiraki), "Wall of the Copper Worker(s)", or "Fortress of the Smiths", identified as modern Tell al-Madineh, between Ash Shatrah and Tell as-Senkereh in southern Iraq, was an ancient Sumerian city, which appears among antediluvian cities in the Sumerian King List. Its Akkadian name was Dûr-gurgurri. It was also called Παντιβίβλος (Pantibiblos) by Greek authors such as Berossus, transmitted by Abydenus and Apollodorus. This may reflect another version of the city's name, Patibira, "Canal of the Smiths".

Cylinder seal form of seals

A cylinder seal is a small round cylinder, typically about one inch in length, engraved with written characters or figurative scenes or both, used in ancient times to roll an impression onto a two-dimensional surface, generally wet clay. According to some sources, cylinder seals were invented around 3500 BC in the Near East, at the contemporary sites of Uruk in southern Mesopotamia and slightly later at Susa in south-western Iran during the Proto-Elamite period, and they follow the development of stamp seals in the Halaf culture or slightly earlier. They are linked to the invention of the latter’s cuneiform writing on clay tablets. Other sources, however, date the earliest cylinder seals to a much earlier time, to the Late Neolithic period, hundreds of years before the invention of writing. (They were used as an administrative tool, a form of signature, as well as jewelry and as magical amulets; later versions would employ notations with Mesopotamian cuneiform. In later periods, they were used to notarize or attest to multiple impressions of clay documents. Graves and other sites housing precious items such as gold, silver, beads, and gemstones often included one or two cylinder seals, as honorific grave goods.

Entemena King of Lagash

Entemena, also called Enmetena, flourished 2400 BC, was a son of En-anna-tum I, and he reestablished Lagash as a power in Sumer. He defeated Il, king of Umma in a territorial conflict, through an alliance with Lugal-kinishe-dudu of Uruk, successor to Enshakushanna, who is in the king list. The tutelary deity Shul-utula was his personal deity. His rule lasted 29 years.

Enshakushanna King of Uruk

Enshakushanna, or Enshagsagana, En-shag-kush-ana, Enukduanna, En-Shakansha-Ana, was a king of Uruk around the mid-3rd millennium BC who is named on the Sumerian King List, which states his reign to have been 60 years. He conquered Hamazi, Akkad, Kish, and Nippur, claiming hegemony over all of Sumer.

Art of Mesopotamia art

The art of Mesopotamia has survived in the archaeological record from early hunter-gatherer societies on to the Bronze Age cultures of the Sumerian, Akkadian, Babylonian and Assyrian empires. These empires were later replaced in the Iron Age by the Neo-Assyrian and Neo-Babylonian empires. Widely considered to be the cradle of civilization, Mesopotamia brought significant cultural developments, including the oldest examples of writing.

Sîn-kāšid King of Uruk

Sîn-kāšid was the king of the ancient Mesopotamian city of Uruk during the first half of the 18th century BC. His precise dating is uncertain, perhaps ca. 1803–1770 BC corresponding to ca.1865–1833 BC, but likely to have been fairly long due to the voluminous building inscriptions extant for which he is best known and contemporary with Nur-Adad of Larsa and Enlil-bāni of Isin. His apparent lack of relationship with any of the preceding rulers of Uruk and his omission of mentioning his father in any of his inscriptions has led to the belief that he was the founder of a dynasty. He participated in a diplomatic marriage with Šallurtum, the daughter of Sūmû-la-Il, the second king of the First Babylonian Dynasty, as her name and epithets appear in the seal impressions of three clay bullae recovered from the remains of his palace.

Hurrian foundation pegs pair of twin Hurrian foundation documents, one on display in the Louvre and the other in New York

The Hurrian foundation pegs, also known as the Urkish lions, are twin copper foundation pegs each in the shape of a lion that probably came from the ancient city of Urkesh in Syria. The pegs were placed at the foundation of the temple of Nergal in the city of Urkesh as mentioned in the cuneiform inscriptions on them. The inscription on the two pegs and the associated stone tablet is the oldest known text in the Hurrian language. One of the lions is now housed, along with its limestone tablet, in the Musée du Louvre in Paris. The second lion is on display at the Metropolitan Museum of Art in New York.

Foundation figures

Foundation figures were ritualistic works of art from the Early Dynastic period that were used in the construction of ancient Mesopotamian temples. Foundation pegs first appeared in ancient Sumer around the third millennium BCE. Stylized as anthropomorphic nails, foundation figures were symbolically used to mark the grounds of a temple. These nails/pegs were either hammered around the foundation of the temple, along with an inscribed tablet, or they were buried in clay boxes under the foundation of the temple. Typically, the pegs were created to represent either the deity that the temple was honoring, or the king that orchestrated the construction of the temple. Many of the pegs discovered stand about a foot tall and show a clear attention to detail. It is believed that foundation figures were used for solely ritualistic purposes. This is because they were not meant to be seen by the public, yet still show a high level of detail and aesthetic thought.

Art of Uruk

The art of Uruk encompasses the sculptures, seals, pottery, architecture, and other arts produced in Uruk, an ancient city in southern Mesopotamia that thrived during the Uruk period around 4200-3000 BCE. The city continued to develop into the Early Dynastic Period (Mesopotamia) around 2900-2350 BCE. Considered one of the first cities, the site of Uruk – modern-day Warka in Iraq – shows evidence of social stratification, institutionalized religion, a centralized administration, and what art historians would categorize as high art and architecture, the first in the long history of the art of Mesopotamia. Much of the art of Uruk shows a high technical skill and was often made using precious materials.

Lugal-kinishe-dudu

Lugal-kinishe-dudu also Lugal-kiginne-dudu , was a King and (ensi) of Uruk and Ur who lived towards the end of the 25th century BCE, succeeding his father Enshakushana, founder of the second dynasty of Uruk, according to the Sumerian King List. This last text mentions Lugal-kinishe-dudu as the second king of the dynasty after En-cakanca-ana, attributing him a fanciful reign of 120 years.

References

  1. Edward Chiera (1938). George G. Cameron (ed.). They Wrote on Clay. Babylonian Tablets Speak Today. University of Chicago Press. p.  93. ISBN   978-0-226-10425-6.
  2. Muscarella, Oscar White, Bronze and Iron: Ancient Near Eastern Artifacts in the Metropolitan Museum of Art, pp. 303-312, 1988, Metropolitan Museum of Art, ISBN   0870995251, 9780870995255, Google books
  3. "Cone mosaic excavated at the "Columned Hall," Uruk, Mesopotamia". Heilbrunn Timeline of Art History. The Metropolitan Museum of Art . Retrieved March 30, 2014.
  4. Gelb, I. J. (1948). "Journal of Near Eastern Studies". Chicago Journals. 7 (4): 267–271. JSTOR   542219.
  5. Clay, A. T. (1916). "The American Journal of Theology". Chicago Journals. 20 (3): 427–430. JSTOR   3155663.