In traditional animation, the first drawings are called "roughs" or "rough animation" because they are often done in a very loose fashion. If the animation is successfully pencil tested and approved by the director, clean versions of the drawings have to be done. In larger studios, this task is given to the animator's assistant, or, in a more specialised setting, to a clean-up-artist. The artist doing the clean-ups is responsible for the final line and finished look of the drawn character or object.
Clean-up animation is the process of creating the final drawings you see in the finished film. It does not necessarily mean a "clean" fine line. The artist, usually a team of artists, uses key drawings and animation charts from the animator, making it appear as though one artist has created the whole film. The clean-up artists will follow the intentions of the animators and stay true to performance and movement.
Clean-up is generally done on a new sheet of paper. They can be done on the same sheet as the rough animation if this was done with a "non-copy blue" pencil. This certain tone of blue will be invisible to photocopying machines, and can be filtered out by scanners. The finished animation will be copied on cels or transferred into a computer for further processing.
On average, clean-up usually takes twice as long as the rough animation because of the precision and extra drawings that are required to complete a shot.
Nowadays, clean-up animation can be done digitally via graphics tablet and software.
Animation is the method that encompasses myriad filmmaking techniques, by which still images are manipulated to create moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets (cels) to be photographed and exhibited on film. Animation has been recognized as an artistic medium, specifically within the entertainment industry. Many animations are computer animations made with computer-generated imagery (CGI). Stop motion animation, in particular claymation, has continued to exist alongside these other forms.
Computer animation is the process used for digitally generating animations. The more general term computer-generated imagery (CGI) encompasses both static scenes and dynamic images, while computer animation only refers to moving images. Modern computer animation usually uses 3D computer graphics. The animation's target is sometimes the computer itself, while other times it is film.
Drawing is a visual art that uses an instrument to mark paper or another two-dimensional surface. The instrument might be pencils, crayons, pens with inks, brushes with paints, or combinations of these, and in more modern times, computer styluses with graphics tablets.
A storyboard is a graphic organizer that consists of illustrations or images displayed in sequence for the purpose of pre-visualizing a motion picture, animation, motion graphic or interactive media sequence. The storyboarding process, in the form it is known today, was developed at Walt Disney Productions during the early 1930s, after several years of similar processes being in use at Walt Disney and other animation studios.
Inbetweening, also known as tweening, is a process in animation that involves creating intermediate frames, called inbetweens, between two keyframes. The intended result is to create the illusion of movement by smoothly transitioning one image into another.
An animator is an artist who creates multiple images, known as frames, which give an illusion of movement called animation when displayed in rapid sequence. Animators can work in a variety of fields including film, television, and video games. Animation is closely related to filmmaking and like filmmaking is extremely labor-intensive, which means that most significant works require the collaboration of several animators. The methods of creating the images or frames for an animation piece depend on the animators' artistic styles and their field.
An engineering drawing is a type of technical drawing that is used to convey information about an object. A common use is to specify the geometry necessary for the construction of a component and is called a detail drawing. Usually, a number of drawings are necessary to completely specify even a simple component. The drawings are linked together by a master drawing or assembly drawing which gives the drawing numbers of the subsequent detailed components, quantities required, construction materials and possibly 3D images that can be used to locate individual items. Although mostly consisting of pictographic representations, abbreviations and symbols are used for brevity and additional textual explanations may also be provided to convey the necessary information.
Drawn-on-film animation, also known as direct animation or animation without camera, is an animation technique where footage is produced by creating the images directly on film stock, as opposed to any other form of animation where the images or objects are photographed frame by frame with an animation camera.
Visual effects is the process by which imagery is created or manipulated outside the context of a live-action shot in filmmaking and video production. The integration of live-action footage and other live-action footage or CGI elements to create realistic imagery is called VFX.
Traditional animation is an animation technique in which each frame is drawn by hand. The technique was the dominant form of animation in cinema until the end of the 20th century, when there was a shift to computer animation in the industry, specifically 3D computer animation.
A penciller is an artist who works on the creation of comic books, graphic novels, and similar visual art forms, with a focus on the initial pencil illustrations, usually in collaboration with other artists, who provide inks, colors and lettering in the book, under the supervision of an editor.
The inker is one of the two line artists in traditional comic book production.
In visual arts, a model sheet, also known as a character board, character sheet, character study or simply a study, is a document used to help standardize the appearance, poses, and gestures of a character in arts such as animation, comics, and video games.
Doodlez is a Canadian animated shorts series produced for television by Cellar Door Productions, animated by Trapeze Animation Studios, which started airing on Teletoon in 2002. It was seen on Nicktoons and was one of the final programs shown on BBC Kids.
Previsualization is the visualizing of scenes or sequences in a movie before filming. It is a concept used in other creative arts, including animation, performing arts, video game design, and still photography. Previsualization typically describes techniques like storyboarding, which uses hand-drawn or digitally-assisted sketches to plan or conceptualize movie scenes.
A storyboard artist creates storyboards for advertising agencies and film productions.
The second wave of Walt Disney Treasures was released December 3, 2002. This was the final wave with the tin's individual number embossed on the tin.
Disney's twelve basic principles of animation were introduced by the Disney animators Ollie Johnston and Frank Thomas in their 1981 book The Illusion of Life: Disney Animation. The principles are based on the work of Disney animators from the 1930s onwards, in their quest to produce more realistic animation. The main purpose of these principles was to produce an illusion that cartoon characters adhered to the basic laws of physics, but they also dealt with more abstract issues, such as emotional timing and character appeal.
An architectural drawing or architect's drawing is a technical drawing of a building that falls within the definition of architecture. Architectural drawings are used by architects and others for a number of purposes: to develop a design idea into a coherent proposal, to communicate ideas and concepts, to convince clients of the merits of a design, to assist a building contractor to construct it based on design intent, as a record of the design and planned development, or to make a record of a building that already exists.
Drafting tools may be used for measurement and layout of drawings, or to improve the consistency and speed of creation of standard drawing elements. Tools such as pens and pencils mark the drawing medium. Other tools such as straight edges, assist the operator in drawing straight lines, or assist the operator in drawing complicated shapes repeatedly. Various scales and the protractor are used to measure the lengths of lines and angles, allowing accurate scale drawing to be carried out. The compass is used to draw arcs and circles. A drawing board was used to hold the drawing media in place; later boards included drafting machines that sped the layout of straight lines and angles. Tools such as templates and lettering guides assisted in the drawing of repetitive elements such as circles, ellipses, schematic symbols and text. Other auxiliary tools were used for special drawing purposes or for functions related to the preparation and revision of drawings. The tools used for manual technical drawing have been displaced by the advent of computer-aided drawing, drafting and design (CADD).
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
