Clemens Bosselmann | |
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Born | 1985 (age 37–38) |
Education | Hochschule für Musik Freiburg |
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Organizations |
Clemens Bosselmann (born 1985) is a German conductor and church musician, working since 2018 as director of music (Kantor) at the Christophoruskirche in Wiesbaden-Schierstein, Hesse. He is the choral conductor of the concert choir Schiersteiner Kantorei where he expanded the concert choir's repertoire with 20th-century music and rarely performed choral works.
Bosselmann was born in 1985. [1] He was a member of the Dresdner Kreuzchor boys' choir from 1994 until his Abitur at the Kreuzschule in 2003. [2] He studied church music at the Hochschule für Musik Freiburg, organ with Martin Schmeding, improvisation with Klemens Schnorr and Karl-Ludwig Kreutz, and voice with Bernd Göpfert. He graduated in 2011 with an A diploma. He studied choral conducting simultaneously from 2006 to 2010, first with Hans Michael Beuerle, then from 2008 Morten Schuldt-Jensen. He sang in the choir and the chamber choir of the Hochschule, led by Schuldt-Jensen and also assisted him. Bosselmann also studied music theory with Otfried Büsing. His studies were supported by the Studienstiftung and from 2007 a Rudolf Mauersberger scholarship. He completed studies in 2012 and attended master classes by Rudolf Lutz, Daniel Reuss, Zsigmond Szathmáry, and David Timm. [2]
During his studies, he was director of the German-French choir in Freiburg, performing major choral works such as Mozart's Great Mass in C minor and Bach's St John Passion , and also a cappella music such as Spem in alium by Thomas Tallis, for 40 voices. [2]
On 1 January 2012, Bosselmann became Kantor (director of church music) at the Protestant parish of Zeitz, also district Kantor for Naumburg-Zeitz. He conducted major works such as Bach's Magnificat and St Matthew Passion , and Ein deutsches Requiem by Brahms. He founded a chamber choir to perform a cappella music by composers such as Heinrich Schütz, Max Reger, and Hugo Distler. He founded children's and youth choirs, performing their own projects such as singspiel and musicals, but also as part of major choral projects. He also focused on concerts of organ improvisations. [2]
Bosselmann has been active since 1 January 2018 as Kantor of the Christophoruskirche in Wiesbaden-Schierstein, leading the Schiersteiner Kantorei, one of the largest concert choirs in Hesse. [1] [2] He succeeded Martin Lutz, and continued his traditions of Schiersteiner Vespermusiken and the series of all Bach's church cantatas in collaboration, at the Marktkirche Wiesbaden and the Katharinenkirche Frankfurt, [2] begun in 2004. [3] He is also the district cantor for Wiesbaden West. [2]
Bosselmann has expanded the choir's repertoire with works from the 20th century and rarely performed music. On 11 March 2023, he revived the St Matthew Passion by Gottfried August Homilius, an extended oratorio passion following Bach's models which had been neglected until it was first revived by the Dresdner Kreuzchor which Homilius had directed from 1755 to 1785. [4] Bosselmann knew excerpts of the work from singing with the Kreuzchor as a boy, but had to track down handwritten sheet music from the conductor of a previous recording, Christoph Schoener , as the work had been planned to be published but was not ready. [5] The Passion was performed at the Marktkirche Wiesbaden, [6] [5] [7] with soloists Helena Bickel, Jean-Max Lattemann, Gabriel Sin and Klaus Mertens, Georg Poplutz as the Evangelist, Frederic Mörth as the voice of Christ, and the Barockorchester La Vivezza. [7]
Bosselmann is married; the couple has two children. [1] He is known for walking barefoot [1] [5] and using the bicycle for transportation. [1]
The Dresdner Kreuzchor is the boys' choir of the Kreuzkirche in Dresden, Germany. It has a seven-century history and a world-wide reputation. Today, the choir has about 150 members between the ages of 9 and 19, from Dresden and the surrounding region. The boys attend the Kreuzschule in Dresden. They are also called "Kruzianer".
Kurt Georg Hugo Thomas was a German composer, conductor and music educator.
Schierstein is a southwestern borough of Wiesbaden, capital of state of Hesse, Germany. First mentioned in historical records in 860, Schierstein was incorporated into Wiesbaden in 1926. Today the borough has about 10,000 residents. Situated on the Rhine River, Schierstein is known as the "Gateway to the Rheingau."
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Marktkirche is the main Protestant church in Wiesbaden, the state capital of Hesse, Germany. The neo-Gothic church on the central Schlossplatz was designed by Carl Boos and built between 1853 and 1862. At the time it was the largest brick building of the Duchy of Nassau. It is also called Nassauer Landesdom.
Schiersteiner Kantorei is a German concert choir, founded in 1962 at the Christophoruskirche in Wiesbaden-Schierstein. The choir performs regularly in the Marktkirche, Wiesbaden, and in Eberbach Abbey. It is known internationally through its tours and recordings. The choir was awarded the Culture Prize of the City of Wiesbaden in 1990.
Martin Lutz is a German musicologist, conductor and harpsichordist. He was the musical director of the concert choir Schiersteiner Kantorei in Wiesbaden from 1972 to 2017, and founded the biennial festival Wiesbadener Bachwochen in 1975.
The Christophoruskirche is a Protestant church in the borough of Schierstein, Wiesbaden, Germany. It was built in 1752 to 1754 in the style of the late Baroque and Rococo.
Roderich Kreile is a Lutheran church musician, choir director and university teacher. Since 1997, he has been the director of the Dresdner Kreuzchor at the Kreuzkirche, Dresden, as the 28th Kreuzkantor since the Reformation.
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Erhard Egidi was a German cantor, organist and composer of sacred music. He was Kantor at the Neustädter Kirche, Hannover, from 1972 to 1991, where he focused on music in church services, but also conducted concerts, with a preference for works of Johann Sebastian Bach and his own teacher Ernst Pepping. He was appointed Kirchenmusikdirektor, responsible for the church music of Hanover.
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Gottfried August Homilius composed Passions for Good Friday services at the Kreuzkirche in Dresden where he was music director (Kreuzkantor) from 1755 to 1785, including oratorios based on the gospels of Matthew and John, Luke and Mark in German. While these works were neglected, their revival began at the Kreuzkirche and led to publications, performances and recordings. Reviewers agree that the compositions in the style of Empfindsamkeit deserve attention.