Clever Lara | |
---|---|
Born | Rivera, Uruguay | 26 November 1952
Alma mater | Edgardo Ribeiro workshop |
Occupation | Plastic artist, painter |
Awards | Figari Award (2001) |
Clever Lara (born 26 November 1952 [1] ) is a Uruguayan plastic artist, teacher, and curator. [2]
He made his first studies of painting in his hometown of Rivera with the master Osmar Santos. From 1964 to 1968 he attended the Edgardo Ribeiro workshop in Montevideo. [2] Between 1975 and 1979 he taught at the Institute of Fine Arts San Francisco de Asís. He then set up his own teaching workshop in Montevideo, where he has trained many artists, a task that he continues with today.
In 1983 he received a Guggenheim Fellowship, [3] with which he studied metal engraving in New York and Valdottavo-Luca, Italy, with Luis Camnitzer. [1] He represented his country at the Venice Biennale in 1986 and at the São Paulo Biennial in 1981 and 1994 and received numerous national and international awards. [2] [4]
In 1988, Lara was distinguished by the Fund for Artists Colonies, United States, and in 2001 he received the Figari Award in recognition of his career. [5]
Lara's work is in a naturalist style – large canvases in which the paint drips and fades into the margins, creating an aura of dreamlike unreality. He composes still lifes in which he integrates various recovered objects such as broken dolls, cardboard, wool balls, belts of pre-Columbian fabrics, boards, and brooms. He configures his creations with abandoned trivial objects, generating a reflective look at human waste. [6]
Joaquín Torres-García was an Uruguayan-Spanish artist born in Montevideo, Uruguay. As an adolescent, Torres-García emigrated to Catalunya, Spain, where he began his career as an artist in 1891. For the next three decades, Torres-García embraced the Catalan identity and led the cultural scene in Barcelona and Europe. As a painter, sculptor, muralist, novelist, writer, teacher and theorist, Torres-García was considered to be a "renaissance" or "universal man." He used a simple metaphor to deal with the eternal struggles he faced between the old and the modern, between the classical and the avant-garde, between reason and feeling, and between figuration and abstraction: there is no contradiction or incompatibility. Like Goethe, Torres-García sought integration between classicism and modernity. Although he lived and worked primarily in Spain, Torres-García was also active in the United States, Italy, France and Uruguay, where his influence encompassed a personal presence in European, North American and South American modern art.
Luis Camnitzer is a German-born Uruguayan artist, curator, art critic, and academic who was at the forefront of 1960s Conceptual Art. Camnitzer works primarily in sculpture, printmaking, and installation, exploring topics such as repression, institutional critique, and social justice. For over five decades, his practice has explored the psychological and political dimensions of language.
Antonio Frasconi was an Uruguayan - American visual artist, best known for his woodcuts. He was raised in Montevideo, Uruguay, and lived in the United States since 1945.
Pablo Serrano Aguilar, was a Spanish abstract sculptor.
Janaina Tschäpe is a German artist.
María Freire was a Uruguayan painter, sculptor, and art critic. She was one of the leading figures in the development of concrete art and non-figurative art in Uruguay. She was a co-founder the Grupo de Arte No Figurativo.
Elvira Lacy Duarte Cardoso was a Uruguayan visual artist.
Amalia Nieto was a Uruguayan painter, engraver, and sculptor with a long career. She was a member of the Constructive Art Association led by Joaquín Torres-García and creator of her own style that stands out in Uruguayan art of the 20th century.
Eloísa Ibarra is a Uruguayan visual artist who has been recognized for her graphic works.
Cecilia Vignolo is a Uruguayan visual artist, teacher, and communicator.
Gladys Afamado is a Uruguayan visual artist, engraver, and poet. A member of the Montevideo Engraving Club since 1954, she has contributed to many of its monthly editions and almanacs. She later ventured into different plastic artforms, and in recent years has been recognized for her work in digital art.
Leonilda González was a Uruguayan painter and engraver, founder of the Montevideo Engraving Club. Her work is represented in the Juan Manuel Blanes Museum and the National Museum of Visual Arts, as well as in private collections in Uruguay and other countries. In 2006 she was recognized with the Figari Award for her career.
Alejandra González Soca is a Uruguayan visual artist, psychologist, and teacher.
Agó Páez is a Uruguayan plastic artist. Her work focuses on mandalas and the philosophy that supports them.
Hilda López was a Uruguayan artist of outstanding pictorial production and strong personality, committed to the culture and artistic expression of her country.
Nelbia Romero Cabrera was a Uruguayan visual artist. She began her career in drawing and engraving and later incorporated other artistic languages, such as photography, installation, and performance. Her work was marked by themes of politics and protest. She was an active participant in the Montevideo Engraving Club. She received a Guggenheim Fellowship in 1994 and was granted the Figari Award in 2006 for her artistic career.
Rimer Cardillo is a Uruguayan visual artist and engraver of extensive international experience who has lived in the United States since 1979.
Anhelo Hernández Ríos was a Uruguayan plastic artist and teacher.
Dumas Oroño was a Uruguayan artist, cultural manager, and teacher. His artistic work spanned several disciplines, including painting, engraving, ceramics, murals, and jewelry design.
Margaret Whyte is a Uruguayan visual artist.