Color Me Blood Red | |
---|---|
Directed by | Herschell Gordon Lewis |
Written by | Herschell Gordon Lewis |
Produced by | David F. Friedman |
Starring | Gordon Oas-Heim (as Don Joseph) Candi Conder Elyn Warner Pat Lee (as Patricia Lee) Jerome Eden |
Cinematography | Herschell Gordon Lewis (as Herschell G. Lewis) |
Edited by | Robert L. Sinise (as Robert Sinise) |
Production company | Box Office Spectaculars |
Distributed by | Box Office Spectaculars |
Release date |
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Running time | 79 minutes |
Country | United States |
Language | English |
Budget | $50,000 (estimated) |
Color Me Blood Red is a 1965 American splatter film written and directed by Herschell Gordon Lewis about a psychotic painter who murders people and uses their blood as paint. It is the third part of what the director's fans have dubbed "The Blood Trilogy," including Blood Feast (1963) and Two Thousand Maniacs! (1964).
Adam Sorg is a struggling artist who lives on a house near to the beach and suffers from anger issues as a result of his critics making fun of his poor use of color. He thus often takes out his frustrations on those around him, chief among them his girlfriend Gigi. Adam's struggles are mainly derived from his inability to find the perfect shade of red.
One day, local gallerist Mr. Farnsworth has a meeting with Adam at Adam's house, which ends after Adam smashes one of his paintings in frustration. After Farnsworth leaves, Gigi accidentally cuts her finger on a nail whilst picking up the broken painting, and stains the painting with her blood. Suddenly, Adam realizes that this is the red tinge he's been looking for, and asks Gigi to spill more of her blood from her wound. She reluctantly does so, and he immediately begins working on an unfinished painting using her blood. As his obsession grows more and more, Adam cuts his fingers with a razorblade to obtain more blood, and continues working feverishly until he collapses from anemia.
The next day, Gigi chastises Adam over his usage of blood for paint, and also gets mad at him for coaxing Farnsworth into giving a positive review of a painting of his that he hasn't even finished. In a fit of rage, Adam stabs Gigi with a painting knife, killing her, before proceeding to use her blood to finish his painting. The next morning, after disposing of Gigi's body, Adam heads to the gallery and unveils his new painting to Farnsworth. Art critic Gregorovich, whom had previously considered Adam unworthy as a painter, offers high praise and declares it to be Adam's masterpiece, and requests Adam to create another painting.
Returning home, Adam prepares to draw blood for his new work of art, when he sees a couple out on the beach riding his own hydrocycles. Adam gets into a motorboat and speeds after the couple, murdering them and using their blood to create a new painting that he exhitbits at the gallery the next mornining.
Some time later, local teenage girl April Carter goes on a trip to the beach with her boyfriend Rolf and her friends Jack and Sydney. Whilst getting changed, April encounters Adam, whom she recognises. She tells him about how her mother has been desperate to purchase one of Adam's paintings, despite his repeated claims that they are "not for sale". Adam tells April that he is "looking for a model", and that he will give her mother a painting of his for free if she poses for his latest work. After some consideration, April agrees. After letting her inside, Adam ties April's wrists to a rope suspended over a ceiling beam, telling her that it will help her hold the desired pose.
Meanwhile, Jack and Sydney end up discovering Gigi's decomposing corpse in the sand, and Rolf goes to the house to call the police. There, he discovers a crazed Adam preparing to kill April with an axe. In the ensuing scuffle, Rolf grabs a shotgun from the mantle, and shoots Adam in the face, killing him. The scene fades to Farnsworth burning one of Adam's paintings, which mysteriously appears to bleed as the movie ends.
During the making of Color Me Blood Red, Lewis and Friedman considered making a fourth "Blood" film to be titled Suburban Roulette. Friedman felt that the "super blood and gore" film market was nearing the saturation point, and decided stop working in the series. [1]
When asked about acting in an interview, Lewis related a brief note about Gordon Oas-Heim, who had appeared in a key role for this film along with Moonshine Mountain (1964) for Lewis. He described him as "a fine acting talent but an impossible personality" when it came to trying to get as much filming done as possible. [2]
Allmovie called the film dull and lacking in comparison to Lewis' two previous efforts; "very little distinguishes Color Me Blood Red from its parent productions except a lack of enthusiasm, brashness, and irreverence, something that can't be said for the remainder of Lewis' oeuvre." [3]
The critical reception of "Color Me Blood Red" was generally mixed to negative upon its release. Critics at the time often criticized the film for its low budget, amateurish acting, and excessive gore, even by the standards of exploitation cinema. Some considered it to be tasteless and gratuitous.
However, it's important to note that Herschell Gordon Lewis's films, including "Color Me Blood Red," have gained a cult following over the years, and their notoriety has grown. They are often seen as significant in the history of horror and exploitation cinema for their pioneering use of explicit violence and gore. Lewis is sometimes referred to as the "Godfather of Gore" for his contributions to the genre.
A splatter film is a subgenre of horror films that deliberately focuses on graphic portrayals of gore and graphic violence. These films, usually through the use of special effects, display a fascination with the vulnerability of the human body and the theatricality of its mutilation. The term "splatter cinema" was coined by George A. Romero to describe his film Dawn of the Dead, though Dawn of the Dead is generally considered by critics to have higher aspirations, such as social commentary, than to be simply exploitative for its own sake.
Blood Feast is a 1963 American splatter film. It was composed, shot, and directed by Herschell Gordon Lewis, written by Allison Louise Downe from an idea by Lewis and David F. Freidman, and stars Mal Arnold, William Kerwin, Connie Mason, and Lyn Bolton. The plot focuses on a psychopathic food caterer named Fuad Ramses (Arnold) who kills women so that he can include their body parts in his meals and perform sacrifices to his "Egyptian goddess" Ishtar.
Monster a Go-Go! is a 1965 American science-fiction horror film directed by Bill Rebane and Herschell Gordon Lewis. The film is considered to be one of the worst films ever made.
Herschell Gordon Lewis was an American filmmaker, best known for creating the "splatter" subgenre of horror films. He is often called the "Godfather of Gore", though his film career included works in a range of exploitation film genres including juvenile delinquent films, nudie-cuties, two children's films and at least one rural comedy. On Lewis' career, AllMovie wrote, "With his better-known gore films, Herschell Gordon Lewis was a pioneer, going further than anyone else dared, probing the depths of disgust and discomfort onscreen with more bad taste and imagination than anyone of his era."
Two Thousand Maniacs! is a 1964 American horror film written and directed by Herschell Gordon Lewis and starring 1963 Playboy Playmate Connie Mason. It follows a group of Northern tourists who are savagely tortured and murdered during a Confederate celebration of a small Southern community's centennial.
Connie Mason is an American model and actress who was Playboy magazine's Playmate of the Month for its June 1963 issue. Mason then acted in the gore movies pioneered by Herschell Gordon Lewis, Blood Feast and Two Thousand Maniacs! Her centerfold was photographed by Pompeo Posar. She was also a Playboy Bunny at the Chicago club.
Goldilocks and The Three Bares is a 1963 nudie-cutie film from the legendary exploitation team of Herschell Gordon Lewis and David F. Friedman. The plot of the film has nothing to do with the famous fable which inspired the title. It was billed as the "first nudist musical".
Blast-Off Girls is a 1967 American exploitation film directed by Herschell Gordon Lewis and starring Dan Conway, Ray Sager, Tom Tyrell, Ron Liace, and Dennis Hickey.
The Wizard of Gore is a 1970 American splatter film directed by Herschell Gordon Lewis and starring Ray Sager, Judy Cler, and Wayne Ratay. The screenplay was written by Allen Kahn.
The Adventures of Lucky Pierre is a 1961 nudie cutie film created by exploitation filmmakers Herschell Gordon Lewis and David F. Friedman. The first of its kind to be filmed in color, the film starred comedian Billy Falbo. It was unique for its time and genre, adding successful comedy to the nudity and sensationalist material.
Jimmy, the Boy Wonder is a 1966 children's musical film about a boy, played by Dennis Jones, who successfully stops time. The film is one of two children's features directed by Herschell Gordon Lewis, the other being The Magic Land of Mother Goose, who is better known for his gory splatter films. It was described as a "glorious bomb" by the Scarecrow Video Movie Guide.
The Gore Gore Girls is a 1972 comedy horror splatter film directed by Herschell Gordon Lewis.
Smash Cut is a 2009 Canadian slasher film directed and edited by Lee Demarbre, and produced by Robert Menzies. Starring David Hess, Sasha Grey, Michael Berryman, Ray Sager and Herschell Gordon Lewis, the plot follows a struggling filmmaker who finds that practical effects are much easier to come by.
FantaCo Enterprises is an American comic book store and publishing company founded and created by Thomas Skulan and based in Albany, New York. As a publisher, FantaCo was known for its idiosyncratic line-up of mostly black-and-white titles, including the humorous Hembeck Series and the horror title Gore Shriek. FantaCo also published "The Chronicles Series", which cataloged top-selling Marvel Comics titles. In its later years, FantaCo published mostly horror comics and a small number of "good girl art".
Blood Freak is a 1972 American horror film directed by Brad F. Grinter and starring Steve Hawkes, Dana Cullivan, Heather Hughes, and Bob Currier.
Scum of the Earth! is a 1963 American exploitation film written and directed by Herschell Gordon Lewis and produced by David F. Friedman. It is credited as being the first film in the "roughie" genre.
Brooke McCarter was an American actor, producer, director, composer and musician. He is known for the role of Paul in the 1987 vampire horror comedy The Lost Boys.
William Kerwin was an American actor and filmmaker. He was most well known for his character roles in the films of Herschell Gordon Lewis.
Daughter of the Sun is a 1962 sexploitation comedy film directed by Herschell Gordon Lewis and produced by David F. Friedman. The film follows a young teacher who may lose her job after she is discovered to be a nudist. Lewis and Friedman produced the film after the success of the 1961 nudie cutie The Adventures of Lucky Pierre.
Living Venus is a 1961 exploitation film loosely based on the life of Playboy magazine founder Hugh Hefner. Marking the directorial debut of Herschell Gordon Lewis, the film stars frequent Lewis collaborators William Kerwin as unscrupulous magazine editor John V. Norwall and Harvey Korman as photographer Ken Carter.