"Come O'er the Stream Charlie" | |
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Song | |
Published | 18th-century [1] |
Genre | Revolutionary song |
"Come O'er the Stream Charlie" (aka "MacLean's Welcome") is a Scottish song whose theme is the welcome the Young Pretender would receive prior to the Jacobite rising of 1745. The words are attributed to James Hogg, [2] who said he adapted it from a Gaelic song. [3] It appears in Hogg's 1821 Jacobite Relics . [4]
Written well after the events it commemorates, it is not a genuine Jacobite song, as is the case with many others now considered in the "classic canon of Jacobite songs," [5] most of which were songs "composed in the late eighteenth and nineteenth centuries, but were passed off as contemporary products of the Jacobite risings." [6]
Jacobitism was a political ideology advocating the restoration of the Catholic House of Stuart to the British throne. When James II of England chose exile after the November 1688 Glorious Revolution, the Parliament of England ruled he had "abandoned" the English throne, which was given to his Protestant daughter Mary II of England, and her husband William III. On the same basis, in April the Scottish Convention awarded Mary and William the throne of Scotland.
A Jacobite is a follower of someone named Jacob or James, from the Latin Jācōbus. Jacobite or Jacobitism may refer to:
James Hogg was a Scottish poet, novelist and essayist who wrote in both Scots and English. As a young man he worked as a shepherd and farmhand, and was largely self-educated through reading. He was a friend of many of the great writers of his day, including Sir Walter Scott, of whom he later wrote an unauthorised biography. He became widely known as the "Ettrick Shepherd", a nickname under which some of his works were published, and the character name he was given in the widely read series Noctes Ambrosianae, published in Blackwood's Magazine. He is best known today for his novel The Private Memoirs and Confessions of a Justified Sinner. His other works include the long poem The Queen's Wake (1813), his collection of songs Jacobite Relics (1819), and his two novels The Three Perils of Man (1822), and The Three Perils of Woman (1823).
Jacobite Relics is a two volume collection of songs related to the Jacobite risings, compiled by the Scottish poet and novelist James Hogg on commission from the Highland Society of London in 1817. Most of the songs in the collection are Jacobite, and a minority are Whig. A number of the songs were written or adapted by Robert Burns and scholars speculate as to how many of them were authored or at least substantially altered by Hogg himself.
The Battle of Cromdale took place at the Haughs of Cromdale on 30 April and 1 May 1690. The site is on a hillside near the village of Cromdale, Strathspey, historically within the county of Inverness-shire. The battlefield has been included in the Inventory of Historic Battlefields in Scotland and protected by Historic Scotland under the Scottish Historical Environment Policy of 2009.
The Battle of Sheriffmuir was an engagement in 1715 at the height of the Jacobite rising in England and Scotland. The battlefield has been included in the Inventory of Historic Battlefields in Scotland and protected by Historic Scotland under the Scottish Historical Environment Policy of 2009. Sheriffmuir is a remote elevated plateau of heathland lying between Stirling and Auchterarder on the north fringe of the Ochil Hills.
"The Hundred Pipers" is a Scottish song and jig attributed to Carolina Nairne, Lady Nairne and popularised from 1852 onwards. It takes as its themes events during and after the Jacobite Rising of 1745.
"Both sides the Tweed" is a song about the Treaty of Union between Scotland and England. Dick Gaughan made minor changes to the words and added his own tune. The song was written in 1979 and first appeared on Gaughan's 1981 album Handful of Earth. Though Gaughan's recording was embraced by music critics at the time, the song achieved wide popularity only later when it was recorded by the Scottish group Capercaillie on their album Sidewaulk.
The Badnerlied is the unofficial hymn of the former state of Baden, now part of Baden-Württemberg.
Braes o' Killiecrankie is the name of four distinct folk songs, all originally from Scotland.
"Ye Jacobites by Name" is a traditional Scottish folk song which goes back to the Jacobite risings in Scotland (1688–1746). While the original version simply attacked the Jacobites from a contemporaneous Whig point of view, Robert Burns rewrote it in around 1791 to give a version with a more general, humanist anti-war, but nonetheless anti-Jacobite outlook. This is the version that most people know today and has been performed and recorded by Scottish folk groups such as The Corries and The McCalmans.
Cock Up Your Beaver is a song and poem by Robert Burns, written in 1792. It is written in Scottish dialect and the beaver refers to a gentleman's hat in an era when all high quality men's hats were made of felted beaver fur.
"Such a Parcel of Rogues in a Nation" is a Scottish folk song whose lyrics are taken from a poem written by Robert Burns in 1791, listed as number 5516 in the Roud Folk Song Index. It has continued to be associated with Scottish nationalism and also been referenced in other situations where politicians' actions have gone against popular opinion.
"Bonnie Charlie", also commonly known as "Will ye no come back again?", is a Scots poem by Carolina Oliphant, set to a traditional Scottish folk tune. As in several of the author's poems, its theme is the aftermath of the Jacobite Rising of 1745, which ended at the Battle of Culloden. Written well after the events it commemorates, it is not a genuine Jacobite song, like many other songs that were "composed in the late eighteenth and nineteenth centuries, but ... passed off as contemporary products of the Jacobite risings."
"Wae's me for Prince Chairlie" is a Scottish song whose theme is the aftermath of the Jacobite Rising of 1745. Written well after the events it commemorates, it is not a genuine Jacobite song, as is the case with many others now considered in the "classic canon of Jacobite songs," most of which were songs "composed in the late eighteenth and nineteenth centuries but were passed off as contemporary products of the Jacobite risings." The "Prince Chairlie" of the title is "Bonnie Prince Charlie," Charles Edward Stuart.
"Awa Whigs Awa" is a Scottish song whose theme is the aftermath of the Jacobite Rising of 1745. Written well after the events it commemorates, it is not a genuine Jacobite song, as is the case with many others now considered in the "classic canon of Jacobite songs," most of which were songs "composed in the late eighteenth and nineteenth centuries, but were passed off as contemporary products of the Jacobite risings." A version was published in 1789 by Robert Burns.
Otto Holzapfel is a German folklorist and researcher of traditional German folk song. He is a retired professor at the University of Freiburg. His mother tongue is Danish. He studied in Frankfurt am Main; among his subjects were Scandinavian languages and literature with Klaus von See. In 1970 he was appointed curator (archivist) at the German Folk Song Archives in Freiburg, now Center for Popular Culture and Music, University of Freiburg. He led this institute until 1996. He was co-editor of the journal Jahrbuch für Volksliedforschung from 1984 to 1998 and editor of the Studien zur Volksliedforschung. Special topics of Holzapfel are the traditional German folk ballad and the tradition of the German folk song, European mythology and German-Danish genealogy. He has edited several volumes of the standard edition of the traditional German folk ballads Deutsche Volkslieder mit ihren Melodien: Balladen, and he created a system for analyzing German quatrains. Since 2006 he supervises the German song index (Liedverzeichnis')', now online.
"The Wee German Lairdie" is a Scottish folk song that is probably about George I of Great Britain. The king, ridiculed in this song, assumed power to the discontent of the Jacobite rebels, who instead recognised James Francis Edward Stuart as king, from the formerly ruling House of Stuart. Though taking place around 1715, the song first appears in writing in 1810, in Robert Cromek and Allan Cunningham's Remains of Nithsdale and Galloway Song, recalling a song of several versions that was allegedly sung prior. James Hogg, however, mentions "an older collection" in the first volume of his 1819 compilation The Jacobite Relics of Scotland.
"Cam' Ye by Atholl" is a Scottish Jacobite folk song. The words were written by James Hogg and it is traditionally sung to a tune by Neil Gow, Junior, the son of Nathaniel Gow. The song, which celebrates the Jacobite rising of 1745, takes the form of a "gathering song" to recruit Jacobites and makes reference to many of the places and people associated with the rebellion.