Comets on Fire | ||||
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Studio album by Comets on Fire | ||||
Released | 2001 | |||
Genre | Psychedelic rock, noise rock, garage rock | |||
Length | 60:20 | |||
Label | Alternative Tentacles [1] | |||
Comets on Fire chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
Pitchfork Media | (8.2/10) [3] |
Comets on Fire is the debut album from Santa Cruz psychedelic rock band Comets on Fire. [4] It was released in 2001 by Alternative Tentacles.
Alternative Tentacles is an independent record label established in 1979 in San Francisco, California. It was used by Dead Kennedys for the self-produced single "California Über Alles". After realizing the potential for an independent label, they released records for other bands as well. Dead Kennedys guitarist East Bay Ray and vocalist Jello Biafra formed Alternative Tentacles, but Biafra became the sole owner in the mid-1980s. Alternative Tentacles no longer owns the rights to Dead Kennedys recordings after a 2000 lawsuit.
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The Globe Sessions is the third studio album by American singer-songwriter Sheryl Crow, released on September 21, 1998, in the United Kingdom and September 29, 1998, in the United States, then re-released in 1999. It was nominated for Album of the Year, Best Rock Album and Best Engineered Non-Classical Album at the 1999 Grammys, winning the latter two awards. The Globe Sessions reached No. 2 on the UK Albums Chart, while peaking at No. 5 on the Billboard 200 chart, achieving US sales of two million as of January 2008. The album was recorded at and named for the sessions recorded at Globe Recording Studio in New York owned by Robert FitzSimons and Tracey Loggia.
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Everytime We Touch is the first album by German Eurodance trio Cascada. It was released on 21 February 2006. Recording sessions for the album took place from 2004 to 2006, most of which was recorded after the third single from the album "Everytime We Touch" rose to popularity. The entire album was produced by Yanou and DJ Manian, containing heavily of up-tempo Eurodance tracks, many of which are covers of hit songs from the 1980s and 1990s of the synthpop, Eurodance, and rock genres. Musically, the album is composed of dance tracks with thick Euro synths, trance beats that clock in at over 140 beats per minute and Europop lyrics. Lyrically, the album is composed of songs about love and dance floor euphoria.
Fleshies is an American punk rock band from Oakland, California, United States, that released three albums on Jello Biafra's Alternative Tentacles, Kill the Dreamer's Dream, The Sicilian, and Scrape the Walls. Fleshies have also released albums on Recess Records, Adeline Records, Life is Abuse Records, Thrillhouse Records and S.P.A.M. Records, as well as singles, 7" records and splits on a variety of labels. They are known for their outlandish stage presence, their left-wing politics and their non-stop world touring schedule from 1999 to 2006. From their inception, they were an influential presence at events such as Geekfest, held in the late 1990s, The Fest in Gainesville, Florida, and Wantage Records' Total Fest. As of May 2019, the band released Introducing The Fleshies on Portland's Dirt Cult Records, its first album in ten years.
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The Bellrays is an American rock group that combines garage rock and punk with soul music, founded in Riverside, California in 1990 by vocalist Lisa Kekaula and guitarist Bob Vennum. They have been with several independent labels, including Upper Cut, Poptones, Alternative Tentacles, Bittersweet, Shock, Cheap Lullaby, Vicious Circle, Vital Gesture and Anodyne.
Avatar is a studio album by the indie rock band Comets on Fire. It was released in 2006 on Sub Pop.
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Why Do They Call Me Mr. Happy? is the sixth full-length album by Vancouver punk rock group Nomeansno. Released in 1993, it is their second album recorded by the original two-piece lineup of brothers Rob and John Wright following Mama (1982), and first after the departure of longtime guitarist Andy Kerr. Here the band mostly replaced its hardcore punk sound with slower songs influenced by heavy metal and progressive rock. The album was well-received by critics and praised for its balance of heaviness and subtlety, showcasing the dynamics of the band in its original incarnation.
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