Commando Cody: Sky Marshal of the Universe | |
---|---|
Also known as | Commando Cody |
Genre | Science fiction |
Written by | Ronald Davidson Barry Shipman |
Directed by | Harry Keller Franklin Adreon Fred C. Brannon |
Starring | Judd Holdren Aline Towne Gregory Gaye Craig Kelly |
Composer | Stanley Wilson |
Country of origin | United States |
Original language | English |
No. of seasons | 1 |
No. of episodes | 12 |
Production | |
Cinematography | Bud Thackery |
Editor | Cliff Bell Sr. |
Running time | 25-30 minutes |
Original release | |
Network | NBC |
Release | July 16 – October 8, 1955 |
Related | |
Radar Men from the Moon |
Commando Cody: Sky Marshal of the Universe (or, informally, Commando Cody) is a 1953 twelve-chapter movie serial from Republic Pictures, which began life as a proposed syndicated television series. It consists of twelve 25-minute sequential episodes directed by Harry Keller, Franklin Adreon, and Fred C. Brannon. It stars Judd Holdren, Aline Towne, Gregory Gaye, William Schallert, Richard Crane, and Craig Kelly.
Originally intended to be broadcast on television as a 12-episode weekly series, Sky Marshall was first released theatrically in 1953 as a 12-chapter weekly serial; it was syndicated to television on NBC in 1955. [1] The Commando Cody character was first introduced in Republic's earlier serial Radar Men from the Moon (1952), with actor George Wallace in the title role. Judd Holdren was to play the Commando Cody character in Zombies of the Stratosphere (also 1952), but his character was renamed "Larry Martin" for that serial.
Dangerous weather and climate changes are ravaging the Earth. Masked super-scientist Commando Cody is approached by the U.S. government to investigate. Among the tools at his disposal are a sonic-powered one-man flying suit with an aerodynamic helmet and a new Cody-designed and built rocket ship.
With his colleagues Joan and Ted (later replaced by Dick), he ascertains the disasters are being caused by space-alien forces led by a mysterious "Ruler" of unknown planetary origins, with occasional help from hired, Earth-born criminals. Warding off various dangers, Cody and his associates are able to methodically close in on the culprits and reveal that The Ruler is from our sister world, Venus.
In the final episode, Cody is able to capture The Ruler and his soldiers on Mercury with the help of the persecuted Mercurians and their queen. This brings a quick end to the Ruler's influence on Venus and a peace treaty soon follows, ending the Venus-Earth conflict.
The serial was first released theatrically in 1953 with twelve weekly approximately 30-minute chapters:
The serial was later syndicated to television in 1955 by Republic's TV arm Hollywood Television Service, airing on NBC stations. The original chapters were filmed with a running-time of 25 minutes each, before commercials, requiring no further editing for a half-hour television slot of that era.
While Commando Cody was originally filmed as a twelve-part TV series, [2] [3] union contract issues forced Republic to first exhibit them in theaters as a 12-part weekly movie serial. The TV episodes actually built on each other in chronological order, lacking the traditional cliffhanger endings that characterized theatrical serials, which has resulted in its being omitted altogether from many reference works on film serials.
Sky Marshal was meant as a prequel to Republic's Radar Men from the Moon movie serial. The first chapter has characters Joan and Ted, Commando Cody's established sidekicks in Radar Men, applying for their jobs and meeting Cody for the first time.
There was a substantial break between filming the first three TV episodes and the last nine, during which time Republic set about filming another Cody movie serial called Zombies of the Stratosphere . It starred Judd Holdren as Cody, Aline Towne as Joan, and Wilson Wood as Ted. For reasons unknown, however, the Republic revised the principal characters' names, and "Commando Cody" became "Larry Martin".
The third TV episode ends with the apparent death of The Ruler, suggesting that Republic may have reconsidered filming the remaining nine and just edit the three it had already completed into a 75-minute science fiction feature film.
By the time filming finally resumed on the Sky Marshal TV series, Republic had lost actor William Schallert as Cody's male colleague "Ted Richards" (played by William Bakewell in Radar Men). A replacement was found in Richard Crane, a year before his best-remembered role starring as the title character on the science fiction TV series Rocky Jones, Space Ranger . The Ruler also gained a female sidekick, played by Gloria Pall, though she had almost no dialog or action scenes.
Commando Cody reuses the "rocket man" flying jacket and helmet costume, first seen in Republic's serial King of the Rocket Men (1949), to which the other Cody serials are not related. [3] Stock footage was also reused from their other serials, including The Purple Monster Strikes . [4] The Sky Marshal series also recycles characters, sets, props, and concepts from the Radar Men serial. Two streamlined, bullet-shaped prop helmets were reused again with the "rocket man" costume. The first was made of lighter weight materials and worn only during the various stunt action scenes; during filming, the single-hinged visors on both frequently warped and would stick open or closed.
When not in his flying jacket and helmet, Cody wears a black military tunic with many insignia and a cap, instead of the regular business suit seen in Radar Men. Cody also wears a black domino mask to hide his real identity. Holdren always suspected this was due to the producers not wanting to take a chance that he might walk out if any future demands for a higher salary were not met, as Clayton Moore had done on the popular The Lone Ranger TV series. The mask presumably served to conceal any change of actor, should the part ever need recasting, although disguising the change of lead with a domino mask had not worked well in the case of the Lone Ranger series. [2]
As the story opens, it is the near future as seen from the perspective of the early 1950s. Earth is in radio contact with civilizations on planets in our solar system, as well as planets in other, distant solar systems, and Commando Cody has just built the world's first spaceship. The rest of the world appears unchanged by these galactic developments. (The exterior of Cody's headquarters building is actually a Republic Pictures office building.) [2] A mysterious despot, known only as "The Ruler", his base planet even being unknown, is trying to take over the Earth with various disastrous devices. Cody is enlisted by the American government to put an end to the trouble, which takes him into the stratosphere, into outer space, and even to other worlds. The Ruler is finally brought down on Mercury, with the aid of the Mercurian Queen and her soldiers.
For the series, a number of new outer space scenes were filmed that had not been seen before in the Republic serials, including "space walks" for several exterior spaceship repairs; aerial raygun duels between "hero" and "enemy" spaceships and black star fields (rather than daylight and cloud-spotted skies) for backgrounds, when Cody's or the Ruler's spaceships were shown outside the Earth's atmosphere.
Cody and his associates use special badges that conceal radios to communicate with one another, prefiguring similar communication badges used more than 30 years later in Star Trek: The Next Generation . There were futuristic props and sets, as well as shots of the intricate model-rocket special effects work of Republic's Howard and Theodore Lydecker; the spaceships of Cody and The Ruler were the same basic shooting miniature with different attachments and markings added to make them appear different. [2]
The release of Commando Cody as a weekly theatrical serial, because it had been originally filmed as a TV series, led to controversy among serial purists: Should it be included in Republic's canon of film serials, or should it be considered as a different animal, a TV series? The resolution to this question was historically resolved on the basis that the episodes did not end with traditional film-serial cliffhanger endings, but rather found all the protagonists together and safe from whatever menace they had faced during the episode. This resolution, however, ignored the facts that a single conflict existed throughout all the episodes between the protagonists and the chief antagonist, the Ruler; that his overall motivations and ability to menace were never abated until the final episode; that most episodes included a reference to the preceding episode's adventure and would not make sense if seen in anything other but sequential order and in the totality of the 12 chapters; and that, in its origins in literature, a serial's episodes did not usually have, much less require, a protagonist-in-mortal-peril cliffhanger ending to justify being categorized as serials, and this was also true of the earliest film serials, such as The Hazards of Helen .
Reference works on movie serials, however, generally exclude the serial version of Sky Marshal, or simply mention it in passing as a later Republic TV series. [5]
Commando Cody: Sky Marshal of the Universe, the 1955 syndicated TV series, has been available for decades on all manner of Home Video formats, and was the first of the "rocket man" adventures to be released on Blu-Ray from Olive Films on September 13, 2016.
Flash Gordon Conquers the Universe is a 1940 American black-and-white science-fiction 12-chapter movie serial from Universal Pictures, produced by Henry MacRae and co-directed by Ford Beebe and Ray Taylor. The serial stars Buster Crabbe, Carol Hughes, Charles B. Middleton, Frank Shannon, and Roland Drew. It was written by George H. Plympton, Basil Dickey, and Barry Shipman, and was adapted from Alex Raymond's syndicated newspaper comic strip of the same name from King Features Syndicate. Shown theatrically in 12 separate weekly "chapters", it was the last of the three Universal Flash Gordon serials made between 1936 and 1940.
Project Moonbase is a 1953 independently made black-and-white science fiction film, produced by Jack Seaman, directed by Richard Talmadge, and starring Ross Ford, Donna Martell, and Hayden Rorke. It co-stars Larry Johns, Herb Jacobs, Barbara Morrison, and Ernestine Barrier. The film was distributed by Lippert Pictures and is based on a story by Robert A. Heinlein, who shares the screenwriting credit with producer Jack Seaman.
Commander Cody and His Lost Planet Airmen is a country rock band.
Commando Cody is the hero in two 12-chapter science fiction serials made by Republic Pictures, played by George Wallace in Radar Men from the Moon (1952) and Judd Holdren in Commando Cody: Sky Marshal of the Universe (1953).
Ronald Anstuther Davidson Sr was an American screenwriter, story editor and associate producer.
Adventures of Captain Marvel is a 1941 American 12-chapter black-and-white movie serial from Republic Pictures, produced by Hiram S. Brown, Jr., directed by John English and William Witney, that stars Tom Tyler in the title role of Captain Marvel and Frank Coghlan, Jr. as his alter ego, Billy Batson. The serial was adapted from the popular Captain Marvel comic book character, then appearing in the Fawcett Comics publications Whiz Comics and Captain Marvel Adventures. The character is now owned by DC Comics and is known as Shazam.
Many works of fiction have featured UFOs. In most cases, as the fictional story progresses, the Earth is being invaded by hostile alien forces from outer space, usually from Mars, as depicted in early science fiction, or the people are being destroyed by alien forces, as depicted in the film Independence Day. Some fictional UFO encounters may be based on real UFO reports, such as Night Skies. Night Skies is based on the 1997 Phoenix UFO Incident.
Radar Men from the Moon is a 1952 Republic Pictures' 12-chapter movie serial, the first Commando Cody serial starring newcomer George Wallace as Cody, Aline Towne as his sidekick Joan Gilbert, and serial veteran Roy Barcroft as the evil Retik, the Ruler of the Moon. The director was Fred C. Brannon, with a screenplay by Ronald Davidson, and special effects by the Lydecker brothers. This serial recycles the flying sequences from Republic's earlier 1949 serial King of the Rocket Men. It was later released by Republic in 1966 as the 100-minute television film Retik the Moon Menace.
Zombies of the Stratosphere is a 1952 black and white Republic Studios serial directed by Fred C. Brannon, with a screenplay by Ronald Davidson, and special effects by Republic's Lydecker brothers. It was intended to be Republic's second serial featuring "new hero" Commando Cody and the third 12-chapter serial featuring the rocket-powered flying jacket and helmet introduced in King of the Rocket Men (1949). Instead, for reasons unknown, the hero was renamed "Larry Martin", who must prevent Martian invaders from using a hydrogen bomb to blow Earth out of its orbit, so that the Martians can move a dying Mars into a much closer orbital position to the Sun. As in Radar Men from the Moon, much of the screen time for each of the dozen chapters is spent on fistfights and car chases between the heroes and a gang of earthly crooks hired by renegade scientist Dr. Harding and his extraterrestrial colleague Marex to steal and stockpile the Atomic supplies needed for construction of the H-bomb.
Captain Video: Master of the Stratosphere is an American adventure horror science fiction film 15-chapter serial released by Columbia Pictures in 1951. It was directed by Spencer Gordon Bennet and Wallace A. Grissel with a screenplay by Royal G. Cole, Sherman I. Lowe and Joseph F. Poland, based on a treatment by George H. Plympton. The serial is unique for several reasons--- in particular, it is the only film serial ever based on a television program, Captain Video and His Video Rangers.
The Lost Planet is a 1953 American science fiction serial film 15-chapter serial which has the distinction of being the last interplanetary-themed sound serial ever made. It was directed by Spencer Gordon Bennet with a screenplay by George H. Plympton and Arthur Hoerl. It appears to have been planned as a sequel to the earlier chapterplay Captain Video: Master of the Stratosphere and shares many plot-points, props and sets, as well as some of the same cast. However, the Video Rangers do not appear, and their uniforms are instead worn by "slaves" created electronically by Reckov, the dictator of the Lost Planet with the help of mad scientist Dr. Grood and enslaved "good" scientist Professor Dorn.
Judd Clifton Holdren was an American film actor best known for his starring roles in the serials Captain Video: Master of the Stratosphere (1951), Zombies of the Stratosphere (1952), The Lost Planet (1953), and the semi-serial Commando Cody: Sky Marshal of the Universe (1953). He committed suicide in 1974.
George Dewey Wallace was an American stage and screen actor. Wallace co-starred with Mary Martin in the Broadway musical Jennie and was nominated for a New York Drama Critics' Circle Award for playing the male lead in New Girl in Town opposite Gwen Verdon. He is also remembered for playing Commando Cody in the movie serial Radar Men from the Moon.
The Purple Monster Strikes is a 1945 Republic Movie serial. It was also released as a Century 66 television film under the title D-Day on Mars (1966).
King of the Rocket Men is a 1949 12-chapter movie serial from Republic Pictures, produced by Franklin Adreon, directed Fred C. Brannon, that stars Tristram Coffin, Mae Clarke, Don Haggerty, House Peters, Jr., James Craven, and I. Stanford Jolley.
Roy Barcroft was an American character actor famous for playing villains in B-Westerns and other genres. From 1937 to 1957, he appeared in more than 300 films for Republic Pictures. Film critic Leonard Maltin acclaimed Barcroft as "Republic Pictures' number one bad guy".
Cody may refer to:
Fred C. Brannon was an American film director of the 1940s and 1950s. He directed over 40 films between 1945 and his death in 1953.
Lee Roberts was an American film actor during the Hollywood Golden Age. Sometimes he is credited as Robert Allen or Lee J. Roberts.
A serial film,film serial, movie serial, or chapter play, is a motion picture form popular during the first half of the 20th century, consisting of a series of short subjects exhibited in consecutive order at one theater, generally advancing weekly, until the series is completed. Usually, each serial involves a single set of characters, protagonistic and antagonistic, involved in a single story, which has been edited into chapters after the fashion of serial fiction and the episodes cannot be shown out of order or as a single or a random collection of short subjects.