Complex of San Firenze

Last updated

The Complesso di San Firenze (Complex of San Firenze) is a 17th-century Baroque-style building, consisting of a church, palace, and former oratory, located on the southeast corner of the saucer-shaped piazza of San Firenze, located in the quartiere of Santa Croce in central Florence, region of Tuscany, Italy. The buildings were commissioned by the Oratorians of Saint Philip Neri.

Contents

Facade of Oratory-Seminary (Court)-Church Complesso di san firenze 33.JPG
Facade of Oratory-Seminary (Court)-Church

History

View of Piazza San Firenze, prior to construction of the Oratorian complex. Lorenzo mariani, festa in piazza san firenze, 1651, 02.JPG
View of Piazza San Firenze, prior to construction of the Oratorian complex.

Prior to the 17th-century, paintings of the Piazza depict a drab 12th-century Romanesque brick church of San Florenzio hemmed by tall medieval houses. [1] The Oratorians acquired the church in the 1640s, and commissioned plans from Pier Francesco Silvani to construct an oratory. Construction began in 1645 with the attendance of the Grand-Duke and of the Cardinal Giancarlo de' Medici.

Once the oratory was complete in 1648, the Oratorians received a further endowment from the son of Senator Giuliano de' Serragli, who commissioned an additional church from the Baroque architect Pietro da Cortona. The design of Cortona with two parallel flanking rectangular facades called for the acquisition of other buildings in the square. [2]

The plan was reformulated over time, and by 1715 construction of the new church facade was completed by Ferdinando Ruggieri. The matching oratory facade was built from 1772 to 1775 by Zanobi Del Rosso. Others involved in the designs and construction were Gioacchino Fortini and Filippo Ciocchi. [3]

This led to the present nearly symmetric arrangement of the church on the north wing, the former seminary and housing in the center, and the oratory on the south wing. In 1848, the church was rededicated to the Immaculate Conception and Phillip Neri. [4]

The Seminary has undergone a number of transitions, ebbing with the fortunes of the founding order. The Oratorian seminary was suppressed transiently in 1769, re-suppressed in 1808, but again returned to the order in 1814. By 1866, when Florence had been chosen the capital of Italy, the building was requisitioned by the state for office space. Restructuring and expansion of the seminary was conducted by Marco Treves and Paolo Comotto. [5]

The entire building suffered damage during the 1966 floods. In 2015, it housed civil courts of Florence, but was used for other functions. The Oratory is used for events and concerts, while the church retains its original function.

External decoration

The scenographic facade is notable for the two advanced wings, church on right, and oratory on left, each flanked by monumental corinthian columns. The portals have triangular pediments with white marble sculptures of leaning allegories: Faith and Hope with putti holding aloft the Sacred Heart, sculpted by Giovacchino Fortini in the church, while Prayer and Humility with putti holding a star, sculpted by Pompilio Ticciati and Giovanni Nobili (sculptor) grace the Oratory. The center of the seminary is crowned by two trumpet-bearing angels holding the coat of arms of the Serragli family. [6]

Interior decoration

Lapi fresco of Trinity with Apostles and Florentine Saints San filippo neri, fi, int., niccolo lapi, ss. trinita e santi fiorentini.JPG
Lapi fresco of Trinity with Apostles and Florentine Saints

The interior ceiling has a large canvas depicting the Glory of San Filippo Neri by Matteo Bonechi. The elaborate and costly stucco work of the nave was completed between 1668 and 1673 by a team of artists. [7]

The Chapel of the Madonna has a Virgin by Carlo Maratta and an Eleven Thousand Martyrs by Stradanus, which had been in the earlier church of San Firenze. [8] The chapel cupola has frescoes by Luigi Sabatelli. The chapel was designed by Zanobi del Rosso, and once had a canvas attributed to Francesco Bacchiacca.

The apse and altars of the church were designed by Fortini. He also completed the statues in the presbytery of Charity and Purity, and the bas-reliefs of the Life of St Phillip Neri. Other works are by Antonio Montauti. Other paintings in the church are by Giuseppe Pinzani, Tommaso Redi, Antonio Puglieschi, Anton Domenico Gabbiani, S and G Perini. The ceiling of the oratory, designed by Silvani has a canvas of Giovanni Camillo Sagrestani depicting the Glory of St Phillip. The apse has a large fresco depicting the Trinity with Apostles and Florentine Saints, by Niccolò Lapi. [9]

Related Research Articles

<span class="mw-page-title-main">Pietro da Cortona</span> Italian painter and architect of the High Baroque (1596–1669)

Pietro da Cortona was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations.

<span class="mw-page-title-main">Girolamini, Naples</span>

The Church and Convent of the Girolamini or Gerolamini is a church and ecclesiastical complex in Naples, Italy. It is located directly across from the Cathedral of Naples on via Duomo. The facade is across the homonymous piazza and street from Santa Maria della Colonna. It is one block west of Via Duomo.

<span class="mw-page-title-main">Giovanni da San Giovanni</span> Italian painter (1592–1636)

Giovanni da San Giovanni, also known as Giovanni Mannozzi, was an Italian painter of the early Baroque period.

<span class="mw-page-title-main">Giacomo Boni (painter)</span> Italian painter (1688–1766)

Giacomo Boni was an Italian painter of the late-Baroque period, active mainly in Genoa.

<span class="mw-page-title-main">Giovanni Dupré</span> Italian sculptor

Giovanni Dupré was an Italian sculptor, of distant French stock long settled in Tuscany, who developed a reputation second only to that of his contemporary Lorenzo Bartolini.

<span class="mw-page-title-main">San Gaetano, Florence</span>

San Gaetano, also known as Santi Michele e Gaetano, is a Baroque church in Florence, Italy, located on the Piazza Antinori, entrusted to the Institute of Christ the King Sovereign Priest.

<span class="mw-page-title-main">San Filippo Neri, Genoa</span>

San Filippo Neri is a Baroque church on via Lomellini in central Genoa. The order of the Oratory of Saint Philip Neri had arrived in Genoa in 1643, under the sponsorship of the Oratorian and Marchese Camillo Pallavicini who was born in Genoa. Originally housed in the church of San Pancrazio, by 1674 the order began a move to this new site and built their church and chapter house on the site of a former palace of the Lomellino family.

<span class="mw-page-title-main">Palazzo dell'Arte dei Beccai</span>

The Palazzo dell'Arte dei Beccai or Residenza dell'Arte dei Beccai is a fourteenth-century building in Florence, Italy. It faces the Orsanmichele, once a grain market, later the church of the guilds of Florence. It has had many occupants, including the Arte dei Beccai or guild of butchers from which its name derives. Since 1974 it has housed the Accademia Fiorentina delle Arti del Disegno, an academy of the arts.

<span class="mw-page-title-main">Madonna di Galliera, Bologna</span> Church in Emilia-Romagna, Italy

The Madonna di Galliera is a church with a Renaissance facade and Baroque interiors, located on Via Manzoni, in central Bologna, Italy. It stands in front of the Palazzo Ghisilardi Fava. The present name over the portal is the Chiesa di Filippini Madonna di Galliera e Filippo Neri.

<span class="mw-page-title-main">Santa Maria della Pace, Brescia</span> Church in Brescia, Italy

Saint Mary of the PeaceChurch is a Baroque-style, Roman Catholic church located on Via Pace in central Brescia, region of Lombardy, Italy. The church belongs to the Oratorians.

<span class="mw-page-title-main">San Filippo Neri, Turin</span> Church in Italy

San Filippo Neri is a late-Baroque style, Roman Catholic church located in Turin, region of Piedmont, Italy. The church is located on Via Maria Vittoria 5; the left flank of the nave faces the Turin Academy of Sciences. The church is still used for services. 69 metres (226 ft) long and 37 metres (121 ft) wide, it is the largest church in the city of Turin.

<span class="mw-page-title-main">Casino Mediceo di San Marco</span>

The Casino Mediceo di San Marco is a late-Renaissance or Mannerist style palace located on Via Cavour number 57 and via San Gallo in Florence, region of Tuscany, Italy.

<span class="mw-page-title-main">Palazzo Rinuccini</span>

The Palazzo Rinuccini is a palace located on Via Santo Spirito #39 in central Florence, region of Tuscany Italy.

<span class="mw-page-title-main">San Carlo dei Lombardi</span>

San Carlo dei Lombardi is a Gothic-style, Roman Catholic church located on Via dei Calzaiuoli in central Florence, region of Tuscany, Italy. It has undergone many refurbishments over the year, and was originally dedicated to Sant'Anna e Michele, but since the early 17th century became the church of the local Lombard community and was dedicated to St Charles Borromeo.

<span class="mw-page-title-main">Obelisks of the Corsa dei Cocchi</span>

The Obelisks of the Corsa dei Cocchi, or Aguglie di Piazza Santa Maria Novella are two 16th-century, four-sided, marble obelisk monuments located in the Piazza of Santa Maria Novella, Florence, region of Tuscany, Italy.

<span class="mw-page-title-main">Monument to Giovanni delle Bande Nere, Florence</span>

The Monument to Giovanni delle Bande Nere is an Italian Renaissance sculpture in marble, by Baccio Bandinelli and his workshop, now in Piazza San Lorenzo in Florence, Tuscany, Italy. The work took from 1540 to after 1560 to carve, and the base and statue, though always meant to be together, were only so placed in 1850.

<span class="mw-page-title-main">San Benedetto, Florence</span>

San Benedetto is a small, Roman Catholic former parish church, then oratory, located in a piazza of the same name just off the piazza of the Duomo of Florence, region of Tuscany, Italy.

<span class="mw-page-title-main">San Francesco, Pescia</span>

San Francesco is a Romanesque and Gothic-style, Roman Catholic church located at Piazza San Francesco in Pescia, region of Tuscany, Italy.

<span class="mw-page-title-main">San Pietro a Varlungo, Florence</span>

San Pietro a Varlungo is Roman Catholic church located on via di Varlungo in Florence, Italy. It was located outside of the former late-medieval walls of Florence.

<span class="mw-page-title-main">Episcopal Palace, Fiesole</span> Italian episcopal palace

The Episcopal Palace is a building located in Piazza Mino of Fiesole, Italy. Built in the eleventh century, it serves as the residence of the Bishop of Fiesole.

References

  1. The name San Firenze is a corruption of San Florenzio or Fiorenzio.
  2. Le chiese di Firenze dal secolo IV al secolo XX, Volume 1, Quartiere di San Giovanni, by Arnaldo Cocchi, (1903), page 284-285.
  3. Palazzo Spinelli, Repertorio delle Architetture Civili di Firenze, entry on complex, by Claudio Paolini.
  4. A. Cocchi, page 285.
  5. C. Paolini, Palazzo Spinelli entry on complex.
  6. The sculpture on the facade is a copy of the original now held in the cloister of the Oblate in via dell'Oriuolo. Palazzo Spinelli entry on complex.
  7. Cocchi cites the cost of over 10 thousand scudi.
  8. Arnaldo Cocchi, page 285.
  9. Oratorio San Filippo, Florence, official site.

Coordinates: 43°46′10.5″N11°15′28.0″E / 43.769583°N 11.257778°E / 43.769583; 11.257778