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Concert etiquette refers to a set of social norms observed by those attending musical performances. These norms vary depending upon the type of music performance and can be stringent or informal.
At classical music concerts, the cardinal principle is to let others listen to the music undisturbed. Instruments and voices are typically unamplified, and the music is rich in detail and includes passages played very softly. Many audience members want to hear everything, and the normal standard of courtesy is simply to be entirely silent while the music is playing. Thus, during this time experienced concertgoers avoid conversation, try to suppress coughs and sneezes until a loud passage arrives, and muffle these with handkerchiefs. Electronic devices are turned off. Concertgoers try to arrive and take seats before the music begins; late arrivals wait until a break between pieces allows seating by an usher.
Dress expectations for the audience are today rather informal in English-speaking countries. Audiences usually meet "smart casual" standards, with some performance companies explicitly telling audiences to wear whatever makes them comfortable. [1] [2] Hats are removed as they block others' view of the stage. Dress expectations may still be very formal for special events, events that are difficult to attend, or that take place in traditional venues. Additionally, concertgoers are expected to dress more formally in certain countries than in others. [3] [4]
Concert etiquette has, like the music, evolved over time. Late eighteenth-century composers such as Mozart expected that people would talk, particularly when audience members took dinner (which many had served during the performance), and took delight in audiences clapping at once in response to a nice musical effect. [5] Individual movements were encored in response to audience applause.
The nineteenth century brought a shift in venue from aristocratic gatherings to public concerts along with works featuring an unprecedentedly wide dynamic range. Mahler clamped down on claques paid to applaud a particular performer, and specified in the score of his Kindertotenlieder that its movements should not be punctuated by applause. [6] Wagner discouraged what he considered distracting noises from his audience at Bayreuth in 1882.[ citation needed ]
With the arrival of recording technology in the twentieth century, applause between the movements of a symphony or suite came to be regarded as a distraction from the momentum and unity of a work. Today it is usually considered something of a faux pas, though a minor and well-meaning one. [7]
Sometimes it is the purpose of the conductor to maintain a fairly long silence after the last notes of a piece; this is an especially likely choice for pieces with quiet endings. The audience can be signaled not to applaud immediately through the device of the conductor keeping their hands lifted (as if still leading the orchestra), then lowering them when the intended silence is over. Thus in a way the conductor is "conducting the audience" as part of a performance ritual. Such efforts are usually heeded, at least by experienced audiences.
Sacred works offered as worship are not applauded. Such works include settings of requiem, Passion, mass, or Kaddish prayer. Presented in an artistic context, such works, along with secular works of comparable gravity, still often get respectful silence for a long moment before any applause.
In opera a particularly impressive aria will often be applauded, even if the music is continuing. Shouting is generally acceptable only during applause. The word shouted is often the Italian word bravo or a variation (brava in the case of a female performer, bravi for a plural number of performers, bravissimo for a truly exceptional performance). The word's original meaning is "skillful" and it has come to mean "well done". The French word encore ("again") may be shouted as a request for more, although in Italy and France itself bis ("twice") is the more usual expression. In some cultures (e.g., Britain) enthusiastic approval can also be expressed by whistling, though in others (e.g., Italy, Russia) whistling can signify disapproval and act as the equivalent of booing.[ citation needed ]
Collapses of decorum have occurred often in music history. In 1861 a Paris performance of Richard Wagner's opera Tannhäuser was deliberately sabotaged by audience members bringing noisemakers. [8] The premiere of Stravinsky's ballet The Rite of Spring in 1913 prompted catcalls and whistles from the crowd that degenerated into fistfights in the aisles and police intervention. Steve Reich's Four Organs at Carnegie Hall in 1973 featured audience members sarcastically applauding and shouting to hasten the end of the performance. [9] Conductor Michael Tilson Thomas recalls a woman walking down the aisle and beating her head against the front of the stage, wailing "Stop, stop! I confess!"
Rock music and related genres are performed with amplified instruments, often at very loud volume, and tend to be dynamically more uniform than classical music. Thus sounds made by the audience are far less damaging to the musical enjoyment of others and are far more tolerated. At concerts of hard rock, punk or heavy metal, a mosh pit will often form in front of the stage, in which slam-dancing and the like may be performed, usually in an atmosphere of lively camaraderie and mutual assistance. 'Moshers' who have fallen are to be helped up immediately to avoid the risk of trampling, while found pieces of clothing, keys, cell phones, and other such items should be held aloft to be reclaimed. Audience members who are familiar with the lyrics of a given song typically sing along, especially during the chorus of the songs.
Requirements for attire are generally very lax. Blue jeans, shorts, and skirts are common attire, and sandals, sneakers, or boots are standard footwear (conventional high heels are generally unsafe for moshing or at outdoor venues with dirt flooring, though wide-heeled boots may be worn). Male (and sometimes female) moshers are frequently shirtless, but total nudity is frowned upon. At heavy metal concerts in particular, dark clothing and items such as chains, studded belts and bracelets, and various leather garments are common (this can vary greatly between different styles of metal).[ citation needed ]
Heavy metal concerts also usually include head banging, mosh pits, fist pumping, stage diving, and crowd surfing. As many rock and metal concerts are held in standing room only clubs and concert halls, it is sometimes considered an insult to the band to sit during performances, particularly in heavy metal. Even in venues that provide seating, generally the audience will stand for the band's performance.[ citation needed ]
Sometimes at rock concerts, lighters are held or waved in the air to signal an encore or a power ballad. With the decline of smokers, the restrictions placed on carrying lighters during air travel, and the increase of cell phones in the early 21st century, cell phones (specifically the camera flash) are often used in place of lighters, and as a way to take personal pictures and videos. While this is frowned upon by some fans, cell phone use is fairly commonplace at concerts. Several artists, such as Björk, Prince, Neutral Milk Hotel, and Jack White have requested that audience members refrain from using their cell phones during their concerts. [10]
Jazz music is performed in many different settings and venues throughout the world. When jazz is performed in public places such as outdoor jazz festivals and indoor jazz clubs, quiet conversation is usually considered acceptable. When attending a jazz performance in an indoor concert setting, western classical concert etiquette is expected with one exception: it is considered well-mannered to applaud after each artist has completed their extended improvised solo.[ citation needed ] Other vocalisations during the performance, offered as reactions to improvised phrases, are also acceptable.
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group together instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds and percussion instruments, or the concert band, which uses brass, woodwinds and percussion.
An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments:
Moshing is an extreme style of dancing in which participants push or slam into each other. Taking place in an area called the mosh pit, it is typically performed to aggressive styles of live music such as punk rock and heavy metal.
The Vienna New Year's Concert is an annual concert of classical music performed by the Vienna Philharmonic on the morning of New Year's Day in Vienna, Austria. The concert occurs at the Musikverein at 11:15. The orchestra performs the same concert programme on 30 December, 31 December, and 1 January but only the last concert is regularly broadcast on radio and television.
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way that reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as facial expression and eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal.
Riccardo Muti is an Italian conductor. He currently holds two music directorships, at the Chicago Symphony Orchestra and at the Orchestra Giovanile Luigi Cherubini. Muti has previously held posts at the Maggio Musicale in Florence, the Philharmonia Orchestra in London, the Philadelphia Orchestra, the Teatro alla Scala in Milan, and the Salzburg Whitsun Festival.
Daniel Barenboim is an Argentine-born classical pianist and conductor based in Berlin. From 1992 until January 2023, Barenboim was the general music director of the Berlin State Opera and "Staatskapellmeister" of its orchestra, the Staatskapelle Berlin.
A concert is a live music performance in front of an audience. The performance may be by a single musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, choir, or band. Concerts are held in a wide variety and size of settings, from private houses and small nightclubs, dedicated concert halls, amphitheatres and parks, to large multipurpose buildings, such as arenas and stadiums. Indoor concerts held in the largest venues are sometimes called arena concerts or amphitheatre concerts. Informal names for a concert include show and gig.
Crowd surfing is the process in which a person is passed overhead from person to person, transferring the person from one part of the venue to another. The "crowd surfer" is passed above everyone's heads, with everyone's hands supporting the person's weight. At most concerts and festivals the crowd surfer will be passed towards a barrier in front of the stage by the crowd, where they will be pulled off and put on their feet by the security stewards. Then, they will be sent back to the side or rear of the crowd at the end of the barrier or they may be ejected from the venue. Other venues may allow the crowd surfer to go onto the stage with the artist for a brief period of time before stage diving or being escorted off the stage.
The Macedonian music refers to all forms of music associated with ethnic Macedonians. It share similarities with the music of neighbouring Balkan countries, yet it remains overall distinctive in its rhythm and sound.
Kathleen Deanna Battle is an American operatic soprano known for her distinctive vocal range and tone. Born in Portsmouth, Ohio, Battle initially became known for her work within the concert repertoire through performances with major orchestras during the early and mid-1970s. She made her opera debut in 1975. Battle expanded her repertoire into lyric soprano and coloratura soprano roles during the 1980s and early 1990s, until her eventual dismissal from the Metropolitan Opera in 1994. She later has focused on recording and the concert stage. After a 22-year absence from the Met, Battle performed a concert of spirituals at the Metropolitan Opera House in November 2016.
A claque is an organized body of professional applauders in French theatres and opera houses. Members of a claque are called claqueurs.
A rehearsal is an activity in the performing arts that occurs as preparation for a performance in music, theatre, dance and related arts, such as opera, musical theatre and film production. It is undertaken as a form of practising, to ensure that all details of the subsequent performance are adequately prepared and coordinated. The term rehearsal typically refers to ensemble activities undertaken by a group of people. For example, when a musician is preparing a piano concerto in their music studio, this is called practising, but when they practice it with an orchestra, this is called a rehearsal. The music rehearsal takes place in a music rehearsal space.
A music venue is any location used for a concert or musical performance. Music venues range in size and location, from a small coffeehouse for folk music shows, an outdoor bandshell or bandstand or a concert hall to an indoor sports stadium. Typically, different types of venues host different genres of music. Opera houses, bandshells, and concert halls host classical music performances, whereas public houses ("pubs"), nightclubs, and discothèques offer music in contemporary genres, such as rock, dance, country, and pop.
Juan Diego Flórez is a Peruvian operatic tenor, particularly known for his roles in bel canto operas. On June 4, 2007, he received his country's highest decoration, the Knight Grand Cross in the Order of the Sun of Peru.
The Musique Cordiale International Festival & Academy is an annual festival of classical music, song, oratorio and opera, founded in 2005. It usually* takes place in hill towns of the Pays de Fayence between Nice and Aix-en-Provence in the South of France in late July and during the first two weeks of August. The festival features up to 18 concerts including major choral and orchestral works, chamber ensembles, free lunchtime concerts and late night recitals in churches, chapels and in the open air.. This pattern of concerts only in Britain was repeated in 2022 with an additional concert on 4 June 2022 in Doddington Place Gardens to commemorate the Queen's 70th Jubilee. In past years, the festival has also included staged opera performances and jazz concerts. It is envisaged that future festivals will again take place in both Britain and France from 2023: the 2023 International Festival in Provence is scheduled for 3-12 August 2023).
An encore is an additional performance given by performers after the planned show has ended, usually in response to extended applause from the audience. They are regarded as the most complimentary kind of applause for performers. Multiple encores are not uncommon, and they initially originated spontaneously, when audiences continued to applaud and demand additional performance from the artists after they had left the stage. However, in modern times they are rarely spontaneous and are usually a pre-planned part of the show.
Mythodea — Music for the NASA Mission: 2001 Mars Odyssey is a choral symphony by Greek electronic composer and artist Vangelis. It premiered as a single concert in Athens, Greece, in 1993 but a recording was only released in 2001 by Vangelis' then new record label Sony Classical, which also set up the NASA connection and promoted a new concert, this time with a worldwide audience.
In music, a standard is a musical composition of established popularity, considered part of the "standard repertoire" of one or several genres. Even though the standard repertoire of a given genre consists of a dynamic and partly subjective set of songs, these can be identified by having been performed or recorded by a variety of musical acts, often with different arrangements. In addition, standards are extensively quoted by other works and commonly serve as the basis for musical improvisation. Standards may "cross over" from one genre's repertoire to another's; for example, many jazz standards have entered the pop repertoire, and many blues standards have entered the rock repertoire.
