Nicolai Abraham Abildgaard was a Danish neoclassical and royal history painter, sculptor, architect, and professor of painting, mythology, and anatomy at the New Royal Danish Academy of Art in Copenhagen, Denmark. Many of his works were in the royal Christiansborg Palace, Fredensborg Palace, and Levetzau Palace at Amalienborg.
The Cathedral of the Assumption is a Catholic cathedral in Louisville, Kentucky, and the mother church of the Archdiocese of Louisville. It is the seat of Archbishop Shelton J. Fabre, and Martin A. Linebach, vicar general for the archdiocese, serves as rector.
Girolamo Francesco Maria Mazzola, also known as Francesco Mazzola or, more commonly, as Parmigianino, was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes Vision of Saint Jerome (1527) and the iconic if somewhat anomalous Madonna with the Long Neck (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period.
The Basilica of St. Josaphat is a Catholic minor basilica in the Lincoln Village neighborhood of Milwaukee, Wisconsin, United States. It was built in 1901 in the Polish cathedral style by Milwaukee's Polish immigrant community. The basilica is named for Josaphat Kuntsevych, a Ruthenian martyr and saint.
The Pabst Theater is an indoor performance and concert venue and landmark of Milwaukee, Wisconsin, United States. Colloquially known as "the Pabst", the theater hosts about 100 events per year. Built in 1895, it is the fourth-oldest continuously operating theater in the United States, and has presented such notables as pianist Sergei Rachmaninoff, actor Laurence Olivier, and ballerina Anna Pavlova, as well as various current big-name musical acts.
Conrad Schmitt Studios is an architectural arts studio located in New Berlin, Wisconsin. It provides ecclesiastical art, stained glass artistry, art glass, decorative painting, mosaics, murals and sculptural arts. The studio specializes in restoration services for buildings of architectural, historical and religious significance. Founded in 1889 by German-American artist Conrad Schmitt, the company is one of the oldest and largest glass studios in the United States.
John Wilde was a painter, draughtsman and printmaker of fantastic imagery. Born near Milwaukee, Wilde lived most of his life in Wisconsin, save for service in the U.S. Army during World War II. He received bachelor and master degrees in art from the University of Wisconsin–Madison, where he taught for some 35 years. Wilde was associated with the Magic Realism movement and Surrealism in the United States. His darkly humorous figurative imagery often included self-portraits through which he interacted with the people, animals and surreal objects that populate his fantasy world.
Erhard Brielmaier was an architect in the United States and Canada from the late 19th century through the early 20th century. He designed and built more churches and hospitals than any other architect.
Carl Robert Holty (1900–1973) was a German-born American abstract painter. Raised in Wisconsin, he was the first major abstract painter to gain notoriety from the state. Harold Rosenberg described Holty as "a figure of our art history," known for his use of color, shape and form.
Bernard Otto Gruenke was an American stained glass artist who produced one of the first faceted glass windows in the United States in 1949. He was born in Sheboygan, Wisconsin.
B. Gunar Gruenke is a stained glass artist in Wisconsin.
Susan Stuart Goodrich Frackelton (1848–1932) was an American painter, specializing in painting ceramics. She was a leader in the Arts and Crafts movement in the United States and author of Tried by Fire, the "most popular handbook for decorators of chinaware", having reached a national audience.
The Wisconsin Workers Memorial is a public artwork by American artists Terese Agnew and Mary Zebell located in Zeidler Park, which is in downtown Milwaukee, Wisconsin, United States. The artwork, created in 1995, takes the whole park as its theme, and includes a gazebo in the middle of the park with handles of tools and grills forming the ornamental grillwork. There are also decorative chains around the park spelling out popular labor slogans, as well as graphic panels explaining significant moments in Wisconsin's labor history.
Friedrich Wilhelm Heine was a German-born painter known for his genre works and paintings depicting Norse mythology. He was born in Leipzig, Germany, and died in Milwaukee, Wisconsin.
Stratiformis is a public artwork by Korean-born artist Jin Soo Kim located in Catalano Square, which is south of downtown in the Historic Third Ward of Milwaukee, Wisconsin, United States. The large sculpture combines disassembled knitting machines culled from a local apparel manufacturer in a grid of rusted rebar, all hand-wrapped with galvanized and copper wire. It was installed in 2006.
Happy-Go-Luckies of Nature and Technology is a public artwork by German artist Guido Brink located on the University of Wisconsin–Milwaukee campus, which is near Milwaukee, Wisconsin, United States. The sculpture is a steel structure that is painted red. It was dedicated at UWM's Lapham Hall on October 23, 1992.
Deflected Jets is a public artwork by American artist Guido Peter Brink located on the Fire Engine Company #29 grounds, which is at 3529 South 84th Street in Milwaukee, Wisconsin, in the United States. Commissioned in 1987 and installed the following year, the work consists of a stainless steel abstract form atop a red brick base, to which a placard is affixed. The total size of the piece is approximately 136 by 35 by 35 inches.
Referee is a public artwork by American artist Tom Queoff, located on the south entrance of the UW–Milwaukee Panther Arena, which is in Milwaukee, Wisconsin, United States. The 9 foot laminated marble sculpture depicts an abstracted referee with legs spread apart and arms raised.
Space Game is a public artwork by American artist Joseph Mendla. The piece is located at 1515 West Canal Street, in Milwaukee, Wisconsin, United States. This piece was made originally for an indoor setting to be placed as three pieces and no base. Mendlay ended up giving this piece to Peck Meat Packing Corporation. The concrete base and lights were added. Even after the Peck family sold their slaughterhouse business in the late 1980s the sculpture still remains.
Frederick Layton was an English-American businessman, philanthropist and art collector. He immigrated to Milwaukee, Wisconsin Territory, with his father in 1843, when the city was still a pioneer village. He played a major role in the creation of Milwaukee's meat packing industry and established a trans-Atlantic business exporting his meat products to Great Britain. During his lifetime, he made 99 trips across the Atlantic pursuing business interests and collecting fine art in London and the other capitals of Europe. Throughout his life, he consistently donated his money to support local charities and Milwaukee's art community. In 1888, he built the Layton Art Gallery on the corner of Mason and Jefferson streets in Milwaukee, one of the nation's earliest single-patron public art galleries. By creating an endowment for the gallery, and with donations from the gallery trustees and friends, Layton was personally able to purchase over 200 works of art for the gallery before dying at the age of 92. Though the original building of the Layton Art Gallery no longer exists, many of Mr. Layton's purchases comprise the founding, core collection of early European and American art at the Milwaukee Art Museum. The Layton Art Collection Board of Trustees still supports and maintains the historic collection in collaboration with Milwaukee Art Museum staff and volunteers.
