Continuous tone image

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Fine Wind, Clear Morning, the second print in Hokusai's Thirty-six Views of Mount Fuji (20th century reprint). Wood block prints like this are an example of a continuous-tone image. Red Fuji southern wind clear morning.jpg
Fine Wind, Clear Morning , the second print in Hokusai's Thirty-six Views of Mount Fuji (20th century reprint). Wood block prints like this are an example of a continuous-tone image.

A continuous-toneimage is one in which each color at any point in the image can transition smoothly between shades, rather than being represented by discrete elements such as halftones or pixels. [1]

Many printing methods use discrete halftone dots of cyan, magenta, yellow, and black (CMYK). Although halftone images are not continuously toned, they can appear continuous with high enough resolution or when viewed from a far enough distance. Halftone example CMYK.png
Many printing methods use discrete halftone dots of cyan, magenta, yellow, and black (CMYK). Although halftone images are not continuously toned, they can appear continuous with high enough resolution or when viewed from a far enough distance.

Examples of continuous-tone images are natural phenomena, [2] images produced with dye-based processes, [3] images produced with certain analog printmaking processes (intaglio, block printing, stone lithography), [4] and paintings. Halftone prints (as produced with inkjet and offset printers), traditional film, and digital screens are not truly continuous-tone since they rely on discrete elements (halftones, grains, or pixels) to create an image. [5] However, the term applies when the appearance is so smooth that the breaks or gaps between tonal values are imperceptible. [6]

TV, computer and phone displays are effectively continuous. Purely analog video signal s can provide infinite tone variations according to its gamut. [ needs copy edit ]

See also

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<span class="mw-page-title-main">Lithography</span> Printing technique

Lithography is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps. Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography.

<span class="mw-page-title-main">Printmaking</span> Process of creating artworks by printing, normally on paper

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<span class="mw-page-title-main">CMYK color model</span> Subtractive color model, used in color printing

The CMYK color model is a subtractive color model, based on the CMY color model, used in color printing, and is also used to describe the printing process itself. The abbreviation CMYK refers to the four ink plates used: cyan, magenta, yellow, and key (black).

<span class="mw-page-title-main">Raster image processor</span>

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Dots per inch is a measure of spatial printing, video or image scanner dot density, in particular the number of individual dots that can be placed in a line within the span of 1 inch (2.54 cm). Similarly, dots per centimetre refers to the number of individual dots that can be placed within a line of 1 centimetre (0.394 in).

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<span class="mw-page-title-main">Raster scan</span> Rectangular pattern of image capture and reconstruction

A raster scan, or raster scanning, is the rectangular pattern of image capture and reconstruction in television. By analogy, the term is used for raster graphics, the pattern of image storage and transmission used in most computer bitmap image systems. The word raster comes from the Latin word rastrum, which is derived from radere ; see also rastrum, an instrument for drawing musical staff lines. The pattern left by the lines of a rake, when drawn straight, resembles the parallel lines of a raster: this line-by-line scanning is what creates a raster. It is a systematic process of covering the area progressively, one line at a time. Although often a great deal faster, it is similar in the most general sense to how one's gaze travels when one reads lines of text.

A chromogenic print, also known as a C-print or C-type print, a silver halide print, or a dye coupler print, is a photographic print made from a color negative, transparency or digital image, and developed using a chromogenic process. They are composed of three layers of gelatin, each containing an emulsion of silver halide, which is used as a light-sensitive material, and a different dye coupler of subtractive color which together, when developed, form a full-color image.

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Error diffusion is a type of halftoning in which the quantization residual is distributed to neighboring pixels that have not yet been processed. Its main use is to convert a multi-level image into a binary image, though it has other applications.

Jan P. Allebach is an American engineer, educator and researcher known for contributions to imaging science including halftoning, digital image processing, color management, visual perception, and image quality. He is Distinguished Professor Emeritus of Electrical and Computer Engineering at Purdue University.

References

  1. McCulloch, Joseph (2008). "Understanding Continuous Tone and Halftone Printing". Printmaking Today. Vol. 20, no. 4. pp. 34–40.
  2. Elkins, James (2001). Why Art Cannot Be Taught: A Handbook for Art Students. University of Illinois Press.
  3. Sweeney, Megan (2012). "Dye Sublimation: An Overview". Journal of Imaging Science and Technology. 56 (2): 220–226.
  4. Anderson, Katherine (2015). The Printmaking Primer: A Beginner's Guide to Printmaking Techniques. RIT Press.
  5. McCullough, Michael (2018). Digital Media: A Practical Guide for Artists and Designers. Wiley.
  6. Stork, David (2013). The Science of Image Processing: An Overview. Springer.