A continuous-toneimage is one in which each color at any point in the image can transition smoothly between shades, rather than being represented by discrete elements such as halftones or pixels. [1]
Examples of continuous-tone images are natural phenomena, [2] images produced with dye-based processes, [3] images produced with certain analog printmaking processes (intaglio, block printing, stone lithography), [4] and paintings. Halftone prints (as produced with inkjet and offset printers), traditional film, and digital screens are not truly continuous-tone since they rely on discrete elements (halftones, grains, or pixels) to create an image. [5] However, the term applies when the appearance is so smooth that the breaks or gaps between tonal values are imperceptible. [6]
TV, computer and phone displays are effectively continuous. Purely analog video signal s can provide infinite tone variations according to its gamut. [ needs copy edit ]
In computing, a printer is a peripheral machine which makes a durable representation of graphics or text, usually on paper. While most output is human-readable, bar code printers are an example of an expanded use for printers. Different types of printers include 3D printers, inkjet printers, laser printers, and thermal printers.
Lithography is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps. Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography.
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ; however, there is some cross-over between traditional and digital printmaking, including risograph.
The CMYK color model is a subtractive color model, based on the CMY color model, used in color printing, and is also used to describe the printing process itself. The abbreviation CMYK refers to the four ink plates used: cyan, magenta, yellow, and key (black).
A raster image processor (RIP) is a component used in a printing system which produces a raster image also known as a bitmap. Such a bitmap is used by a later stage of the printing system to produce the printed output. The input may be a page description in a high-level page description language such as PostScript, PDF, or XPS. The input can also be or include bitmaps of higher or lower resolution than the output device, which the RIP resizes using an image scaling algorithm.
Halftone is the reprographic technique that simulates continuous-tone imagery through the use of dots, varying either in size or in spacing, thus generating a gradient-like effect. "Halftone" can also be used to refer specifically to the image that is produced by this process.
Dye-sublimation printing is a term that covers several distinct digital computer printing techniques that involve using heat to transfer dye onto a substrate.
Dots per inch is a measure of spatial printing, video or image scanner dot density, in particular the number of individual dots that can be placed in a line within the span of 1 inch (2.54 cm). Similarly, dots per centimetre refers to the number of individual dots that can be placed within a line of 1 centimetre (0.394 in).
Giclée describes digital prints intended as fine art and produced by inkjet printers. The term is a neologism, ultimately derived from the French word gicleur, coined in 1991 by printmaker Jack Duganne. The name was originally applied to fine art prints created on a modified Iris printer in a process invented in the late 1980s. It has since been used widely to mean any fine-art printing, usually archival, printed by inkjet. It is often used by artists, galleries, and print shops for their high quality printing, but is also used generically for art printing of any quality.
Digital printing is a method of printing from a digital-based image directly to a variety of media. It usually refers to professional printing where small-run jobs from desktop publishing and other digital sources are printed using large-format and/or high-volume laser or inkjet printers.
Photogravure is a process for printing photographs, also sometimes used for reproductive intaglio printmaking. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high quality intaglio plate that can reproduce detailed continuous tones of a photograph.
Color printing or colour printing is the reproduction of an image or text in color.
Posterization or posterisation of an image is the conversion of a continuous gradation of tone to several regions of fewer tones, causing abrupt changes from one tone to another. This was originally done with photographic processes to create posters. It can now be done photographically or with digital image processing, and may be deliberate or an unintended artifact of color quantization. Posterization is often the first step in vectorization (tracing) of an image.
Dither is an intentionally applied form of noise used to randomize quantization error, preventing large-scale patterns such as color banding in images. Dither is routinely used in processing of both digital audio and video data, and is often one of the last stages of mastering audio to a CD.
Microprinting is the production of recognizable patterns or characters in a printed medium at a scale that typically requires magnification to read with the naked eye. To the unaided eye, the text may appear as a solid line. Attempts to reproduce by methods of photocopy, image scanning, or pantograph typically translate as a dotted or solid line, unless the reproduction method can identify and recreate patterns to such scale. Microprint is predominantly used as an anti-counterfeiting technique, due to its inability to be easily reproduced by widespread digital methods.
LightJet is a brand of hardware used for photographic printing of digital images to photographic paper and film. LightJet printers are no longer manufactured but are however remanufactured and resold; and their lasers are still manufactured. Most The spare parts for the lighjet are from used lightjets, Service are no longer from OCE,
A raster scan, or raster scanning, is the rectangular pattern of image capture and reconstruction in television. By analogy, the term is used for raster graphics, the pattern of image storage and transmission used in most computer bitmap image systems. The word raster comes from the Latin word rastrum, which is derived from radere ; see also rastrum, an instrument for drawing musical staff lines. The pattern left by the lines of a rake, when drawn straight, resembles the parallel lines of a raster: this line-by-line scanning is what creates a raster. It is a systematic process of covering the area progressively, one line at a time. Although often a great deal faster, it is similar in the most general sense to how one's gaze travels when one reads lines of text.
A chromogenic print, also known as a C-print or C-type print, a silver halide print, or a dye coupler print, is a photographic print made from a color negative, transparency or digital image, and developed using a chromogenic process. They are composed of three layers of gelatin, each containing an emulsion of silver halide, which is used as a light-sensitive material, and a different dye coupler of subtractive color which together, when developed, form a full-color image.
Error diffusion is a type of halftoning in which the quantization residual is distributed to neighboring pixels that have not yet been processed. Its main use is to convert a multi-level image into a binary image, though it has other applications.
Jan P. Allebach is an American engineer, educator and researcher known for contributions to imaging science including halftoning, digital image processing, color management, visual perception, and image quality. He is Distinguished Professor Emeritus of Electrical and Computer Engineering at Purdue University.