Copper Giloth is a new media artist based in Amherst, Massachusetts. Giloth's work involves digital media, mobile art, virtual environments, animations, videos, painting, and installations, and have been influenced by elements of her life such as her parents. She, along with Darcy Gerbarg, helped organize art exhibitions that showed alongside the SIGGRAPH conference, marking the exhibitions as the first to be shown at the conference. Giloth has been described as "one of the leading exponents of computer art".
Her work has been covered by outlets such as USA Today and the Chicago Tribune . Giloth's work was displayed in a 1980 exhibition at the Museum of Contemporary Art, Chicago, as well as in a 1982 exhibition 'Art and Technology: Chicago Video at MoMA' at the Museum of Modern Art.
Giloth is currently working as an associate professor of art at the University of Massachusetts Amherst, where she teaches courses in Digital Media, Information Design, Mobile Apps and Drawing.
Giloth graduated from the University of Illinois in 1980, with a MFA in Electronic Visualization. She was the first person to graduate from this program.
Following graduation, Giloth began working with computers as her primary medium. This included the creation of ACM Siggraph Art Show competitions. The 1983 edition was on display throughout the U.S., Canada, France, and Japan.
In 1985, Giloth joined the faculty of University of Massachusetts Amherst. [1]
This series incorporates the yearly addition of words into the English dictionary, using terms related to "teapots" and "computer graphics" as a reference point. Giloth created drawings that observe the vast difference in language development between the two. Through her research, Giloth found 231 words in relation to "teapots", a term whose history can be traced back to the 15th century, and 1243 words in relation to "computer graphics", a term that only came into existence around the 1950s. She used these words in her work to consider the patterns shared between the two terms. [2]
Giloth printed lightjet documentation of Hotel de Ville figures that are in rotation with the changing seasons. [3]
In 2011, Giloth created a series of prints inspired by her family history. These BioGrids were based on the mother-daughter relationship. Inspired by her family's quilts and drawings made by her mother, Giloth used digital images in related to ideas of evolution and genealogy to create these prints.
These archival pigment prints measure 40x40”, and were printed on Museo Fine Art Rag Paper. [4]
The Utah teapot, or the Newell teapot, is one of the standard reference test models in 3D modeling and an in-joke within the computer graphics community. It is a mathematical model of an ordinary Melitta-brand teapot that appears solid with a nearly rotationally symmetrical body. Using a teapot model is considered the 3D equivalent of a "Hello, World!" program, a way to create an easy 3D scene with a somewhat complex model acting as the basic geometry for a scene with a light setup. Some programming libraries, such as the OpenGL Utility Toolkit, even have functions dedicated to drawing teapots.
Manfred Mohr is a German artist considered to be a pioneer in the field of digital art. He has lived and worked in New York since 1981.
The Massachusetts Museum of Contemporary Art is a museum in a converted Arnold Print Works factory building complex located in North Adams, Massachusetts. It is one of the largest centers for contemporary visual art and performing arts in the United States.
The Computer Museum was a Boston, Massachusetts, museum that opened in 1979 and operated in three locations until 1999. It was once referred to as TCM and is sometimes called the Boston Computer Museum. When the museum closed and its space became part of Boston Children's Museum next door in 2000, much of its collection was sent to the Computer History Museum in California.
Thomas Albert "Tom" DeFanti is an American computer graphics researcher and pioneer. His work has ranged from early computer animation, to scientific visualization, virtual reality, and grid computing. He is a distinguished professor of Computer Science at the University of Illinois at Chicago, and a research scientist at the California Institute for Telecommunications and Information Technology (Calit2).
The Electronic Visualization Laboratory (EVL) is an interdisciplinary research lab and graduate studies program at the University of Illinois at Chicago, bringing together faculty, students and staff primarily from the Art and Computer Science departments of UIC. The primary areas of research are in computer graphics, visualization, virtual and augmented reality, advanced networking, and media art. Graduates of EVL either earn a Masters or Doctoral degree in Computer Science.
Jean-Pierre Hébert was an American artist of French origin. He specialized in algorithmic art, drawings, and mixed media. He co-founded the Algorists in 1995 with Roman Verostko. From 2003 until his death, he held an artist-in-residence position at the Kavli Institute for Theoretical Physics (KITP) at the University of California, Santa Barbara.
Michael Ragsdale Wright, also known as M.Ragsdale Wright, is an American visual artist, painter, and educator. He works in both traditional and electronic media.
Howardena Pindell is an American artist, curator, critic, and educator. She is known as a painter and mixed media artist who uses a wide variety of techniques and materials. She began her long arts career working with the New York Museum of Modern Art, while making work at night. She co-founded the A.I.R. gallery and worked with other groups to advocate for herself and other female artists, Black women in particular. Her work explores texture, color, structures, and the process of making art; it is often political, addressing the intersecting issues of racism, feminism, violence, slavery, and exploitation. She has created abstract paintings, collages, "video drawings," and "process art" and has exhibited around the world.
Tiffany Holmes is an American new media artist and educator. She is based in Chicago, Illinois.
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Jane Veeder is an American digital artist, filmmaker and educator. She is a professor at San Francisco State University in the Department of Design and Industry, at which she held the position of chair between 2012 and 2015. Veeder is best known for her pioneering work in early computer graphics, however she has also worked extensively with traditional art forms such as painting, ceramics, theatre, and photography.
Naoko Tosa is a Japanese media artist based in Fukuoka, Japan. In recent years Tosa has been creating artwork expressing Japanese tradition and culture without utilizing digital technology but rather by taking photographic captures of water and flowers in motion at 2000 frames per second. Much of her focus is based on Japanese Zen, Shinto and Rinpa traditions. Rinpa, a school of painting which traces its origins to 17th century Kyoto emphasizes natural subjects, refinement and the use of gold leaf, and is a key influence in Tosa's most recent works.
Robert W. Mallary was an American abstract expressionist sculptor and pioneer in computer art. In the 1950s and 1960s, he was renowned for his Neo-Dada or "junk art" sculpture, created from found materials and urban detritus, pieced together with hardened liquid plastics and resins. Mallary's work is represented in permanent collections such as the Museum of Modern Art, the Whitney Museum of American Art, the National Gallery of Art in Washington, D.C., as well as the Victoria and Albert Museum and the Tate Modern in London.
Barbara Sykes into a family of artists, designers and inventors. Since childhood, she has produced work in a variety of different art forms. In 1974, she became one of Chicago's pioneering video and new media artists and, later to include, independent video producer, exhibition curator and teacher. Sykes is a Chicago based experimental video artist who explores themes of spirituality, ritual and indigeneity from a feminist perspective. Sykes is known for her pioneering experimentation with computer graphics in her video work, utilizing the Electronic Visualization Laboratory at the University of Illinois, Chicago, at a time when this technology was just emerging. Her early works broke new grounds in Chicago's emerging New Media Art scene, and continue to inspire women to explore experimental realms. With a passion for community, she fostered significant collaborations with many institutions that include but are not limited to University of Illinois, School of the Art Institute of Chicago, Columbia College, Center for New Television, and (art)n laboratory. These collaborations became exemplary for the showcasing of new media work. The wave of video, new media and computer art that she pioneered alongside many other seminal early Chicago New Media artists persists as a major influence for artists and educators today. Her work has been exhibited internationally, at institutions such as Moderna Museet (Stockholm), Ny Carlsberg Glyptotek (Copenhagen), Musée d'Art Moderne de la Ville de Paris, Museum of Contemporary Art San Diego, Metropolitan Museum of Art , Museum of the Art Institute (Chicago), The Metropolitan Museum of Art and SIGGRAPH. Sykes's tapes have been broadcast in Sweden, Italy, Puerto Rico and extensively throughout in the US, including "The Independents", PBS national broadcast, 1985, and national cablecast, 1984. Media Burn has an online selection of her tapes and over 200 of her raw footage, master edits, dubs and compilation tapes in their Independent Video Archives @ Barbara Sykes https://mediaburn.org/collections/videomakers-page/barbara-sykes/. Select grants include a National Endowment for the Arts and American Film Institute Regional Fellowship, Evanston Art Council Cultural Arts Fund and several Illinois Arts Council grants. In 2017, Sykes began to paint. In 2020, as the recipient of an Evanston Art Center Individual Artist Exhibition Award, Ethereal Abstractions, Sykes's first solo watercolor exhibition premiered 81paintings and she gave an online Artist Talk. Her paintings are lyrical, colorful abstractions reminiscent of organic shapes, ethereal forms and underwater landscapes - evocative impressions of spiritual and elemental worlds. They evoke the spontaneity and themes that have evolved from her previous body of time-based and digital artwork. In 2021, she moved to Florida. Her 2022 painting exhibitions/reviews include Forces of Nature showcased on the cover of Estero Life Magazine and she is in the article, Beholding Beauty: Artists of Estero Exhibit at COCO Art Gallery, the Florida Watercolor Society's 2022 Online Show, the 36th Annual All Florida Exhibition and Connections Art in Flight exhibit at the Southwest Florida International Airport, June 2022 to June 2023. She paints under the name of Barbara L. Sykes.
Colette Stuebe Bangert is an American artist and new media artist who has created both computer-generated and traditional artworks. Her computer-generated artworks are the product of a decades-long collaboration with her husband, Charles Jeffries "Jeff" Bangert (1938–2019), a mathematician and computer graphics programmer. Bangert's work in traditional media includes painting, drawing, watercolor and textiles.
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Shona Macdonald is a Scottish artist and academic. She is Professor of Art at the University of Massachusetts Amherst.
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