Cordelia (King Lear)

Last updated

Cordelia
King Lear character
Cordelia - William Frederick Yeames.jpg
Created by William Shakespeare
In-universe information
Family Lear (father)
Goneril (sister)
Regan (sister)
SpouseKing of France

Cordelia is a fictional character in William Shakespeare's tragic play King Lear . Cordelia is the youngest of King Lear's three daughters and his favorite. After her elderly father offers her the opportunity to profess her love to him in return for one-third of the land in his kingdom, she replies that she loves him "according to her bond" and she is punished for the majority of the play.

Contents

Origin

Shakespeare had numerous resources to consult while writing King Lear. The oldest source in print was Geoffrey of Monmouth's The History of the Kings of Britain , c.1136. [1] This is the earliest written record of Cordelia. Here she is depicted as Queen Cordelia.

Role in play

Ford Madox Brown, Cordelia's Portion Cordelia's Portion2.jpg
Ford Madox Brown, Cordelia's Portion

Introduction

In Shakespeare's King Lear, Cordelia is briefly on stage during Act 1, Scene 1. Her father Lear exiles her as a response to her honesty when he asks for professions of love from his three daughters to determine how to divide the lands of his kingdom between them. Cordelia's sisters, Goneril and Regan, give deceitfully lavish speeches professing their love, flattering his vanity. Cordelia, seeing right through her sisters' feigned professions of love, refuses to do the same. Lear deems her answer ("Love, and be silent" 1.1.62) as too simple. [2] Lear asks her, "What can you say to draw / A third more opulent than your sisters? Speak." (1.1.84-5). Cordelia replies, "Nothing, my lord." (1.1.86). She continues, "Unhappy that I am, I cannot heave / My heart into my mouth. I love your majesty / According to my bond; no more nor less." (1.1 90–2). Unlike her father and sisters, Cordelia is able to differentiate love from property. Feeling outraged and humiliated that Cordelia will not publicly lavish love on him, Lear banishes Cordelia from the kingdom and disinherits her. [3] The Earl of Kent objects to her treatment, and is subsequently banished as well. Her two suitors, the Duke of Burgundy and King of France, are then summoned. The Duke of Burgundy withdraws his suit upon hearing that she's been disinherited, but King of France was impressed by her honesty and agrees to marry her. She leaves with him and does not return until Act 4, Scene 4.

Edwin Austin Abbey (1852-1911) Cordelia's Farewell, King Lear, Act I, Scene I Edwin Austin Abbey King Lear, Act I, Scene I The Metropolitan Museum of Art.jpg
Edwin Austin Abbey (1852–1911) Cordelia's Farewell, King Lear, Act I, Scene I

The ending

King Lear mourns Cordelia's death, James Barry, 1786-1788 James Barry 002.jpg
King Lear mourns Cordelia's death, James Barry, 1786–1788

Cordelia was always Lear's favourite daughter. After Lear is rejected by Cordelia's sisters, Goneril and Regan, he goes mad. Cordelia returns at the end of the play with the intentions of helping Lear, ultimately reversing her role as daughter to that of mother. [4] But when she arrives, Lear is not able to recognize her because of his state of madness. Nevertheless, she forgives him for banishing her. By the time Lear finally regains his reason and realizes who Cordelia is, they have little time to talk and reconcile. Edmund arrives and sends them both to prison, where Cordelia is ultimately hanged. In Nahum Tate's revision The History of King Lear (1681), which replaced Shakespeare's original version on stage for decades, Cordelia marries Edgar and becomes ruler of the kingdom. [5]

Cordelia as a mother figure

When Lear offers his kingdom to his three daughters, a role reversal occurs in which the daughters become mother figures for Lear. [6] By dividing his kingdom among his daughters, Lear gives them the power to dictate his own future, just as a father has control over the future of his children. [6] Because Cordelia is the daughter he loves most, Lear expects her to care for him as he hands over his power to his children and advances into old age, much like how a mother cares for her baby. [6]

Performance on screen

Related Research Articles

<i>King Lear</i> Play by William Shakespeare

King Lear is a tragedy written by William Shakespeare. It is loosely based on the mythological Leir of Britain. King Lear, in preparation for his old age, divides his power and land between his daughters Goneril and Regan, who pay homage to gain favour, feigning love. The King's third daughter, Cordelia, is offered a third of his kingdom also, but refuses to be insincere in her praise and affection. She instead offers the respect of a daughter and is disowned by Lear who seeks flattery. Regan and Goneril subsequently break promises to host Lear and his entourage, so he opts to become homeless and destitute, goes insane, and the French King married to Cordelia invades Britain to restore order and Lear's rule. In a subplot, Edmund, the illegitimate son of Gloucester, betrays his brother and father. Tragically, Lear, Cordelia and several other main characters die.

Nahum Tate was an Anglo-Irish poet, hymnist and lyricist, who became Poet Laureate in 1692. Tate is best known for The History of King Lear, his 1681 adaptation of Shakespeare's King Lear, and for his libretto for Henry Purcell's opera, Dido and Aeneas.

<span class="mw-page-title-main">Leir of Britain</span> Pseudo-historical king

Leir was a legendary king of the Britons whose story was recounted by Geoffrey of Monmouth in his pseudohistorical 12th-century History of the Kings of Britain. According to Geoffrey's genealogy of the British dynasty, Leir's reign would have occurred around the 8th century BC, around the time of the founding of Rome. The story was modified and retold by William Shakespeare in his Jacobean tragedy King Lear.

<span class="mw-page-title-main">Cordelia of Britain</span> Lgendary Queen of the Britons

Cordelia was a legendary Queen of the Britons, as recounted by Geoffrey of Monmouth. She came to power in 855BC.

<i>Historia Regum Britanniae</i> Pseudohistorical account of British history (c.1136)

Historia regum Britanniae, originally called De gestis Britonum, is a pseudohistorical account of British history, written around 1136 by Geoffrey of Monmouth. It chronicles the lives of the kings of the Britons over the course of two thousand years, beginning with the Trojans founding the British nation and continuing until the Anglo-Saxons assumed control of much of Britain around the 7th century. It is one of the central pieces of the Matter of Britain.

<i>A Thousand Acres</i> 1991 novel by Jane Smiley

A Thousand Acres is a 1991 novel by American author Jane Smiley. It won the 1992 Pulitzer Prize for Fiction, the National Book Critics Circle Award for fiction in 1991 and was adapted to a 1997 film of the same name. It was premiered as an opera by the Des Moines Metro Opera during their 2022 season.

King Lear (1983) is a video production of William Shakespeare's 1606 play of the same name, directed by Michael Elliott. It was broadcast in 1983 in the UK and in 1984 in the US.

Margrét Vilhjálmsdóttir is an Icelandic actress from Reykjavík.

Edmund (<i>King Lear</i>) Character in King Lear

Edmund is a fictional character and the main antagonist in William Shakespeare's King Lear. He is the illegitimate son of the Earl of Gloucester, and the younger brother of Edgar, the Earl's legitimate son. Early on in the play, Edmund resolves to get rid of his brother, then his father, and become Earl in his own right. He later flirts with both Goneril and Regan and attempts to play them off against each other. His mother died during childbirth.

<i>Holinsheds Chronicles</i> 1577 compilation history of the British Isles

Holinshed's Chronicles, also known as Holinshed's Chronicles of England, Scotland, and Ireland, is a collaborative work published in several volumes and two editions, the first edition in 1577, and the second in 1587. It was a large, comprehensive description of British history published in three volumes.

<i>The History of King Lear</i> Nahum Tates 1681 adaptation of King Lear

The History of King Lear is an adaptation by Nahum Tate of William Shakespeare's King Lear. It first appeared in 1681, some seventy-five years after Shakespeare's version, and is believed to have replaced Shakespeare's version on the English stage in whole or in part until 1838.

<i>Fool</i> (novel) 2009 novel by Christopher Moore

Fool is a novel by American writer Christopher Moore, released on February 10, 2009.

<i>King Lear</i> (1971 Soviet film) 1971 film by Grigori Kozintsev

King Lear is a 1971 Soviet drama film directed by Grigori Kozintsev, based on William Shakespeare's play King Lear. The film uses Boris Pasternak's translation of the play, while the Fool's songs are translated by Samuil Marshak. It was Kozintsev's last completed film.

Regan (<i>King Lear</i>) Character in King Lear

Regan is a fictional character in William Shakespeare's tragic play King Lear, named after a King of the Britons recorded by the medieval scribe Geoffrey of Monmouth.

<span class="mw-page-title-main">Goneril</span> Character in King Lear

Goneril is a character in William Shakespeare's tragic play King Lear (1605). She is the eldest of King Lear's three daughters. Along with her sister Regan, Goneril is considered a villain, obsessed with power and overthrowing her elderly father as ruler of the kingdom of Britain.

King Lear is a 1999 adaptation of William Shakespeare's play of the same name. The film stars Brian Blessed in the title role. Apart from Peter Brook's King Lear in 1971, it is the only other feature-length film adaptation to preserve Shakespeare's verse. Yvonne Griggs, in Shakespeare's King Lear: A close study of the relationship between text and film (2009), characterised it as "a very stilted costume drama".

<i>King Lear</i> (1953 film) 1953 live television adaptation by Peter Brook

King Lear is a 1953 live television adaptation of the Shakespeare play staged by Peter Brook and starring Orson Welles. Preserved on kinescope, it aired October 18, 1953, as part of the CBS television series Omnibus, hosted by Alistair Cooke. The cast includes Micheál Mac Liammóir and Alan Badel.

<i>Kuningas Lear</i> Opera in two acts by Aulis Sallinen

Kuningas Lear is an opera in two acts by Aulis Sallinen, with a libretto by the composer, based on the play by William Shakespeare and premiered in 2000; it was Sallinen's sixth opera.

<i>King Lear</i> (1916 film) 1916 film by Ernest C. Warde

King Lear is a 1916 silent film based on the 1606 play, directed by Ernest C. Warde and starring his father, the noted stage actor Frederick Warde. The film is one of a spate of Shakespearean films produced at the time to coincide with the 300th anniversary celebrations of William Shakespeare's death.

<i>King Lear</i> (2018 film) British TV series or program

King Lear is a 2018 British-American television film directed by Richard Eyre. An adaptation of the play of the same name by William Shakespeare, cut to just 115 minutes, it was broadcast on BBC Two on 28 May 2018. Starring Anthony Hopkins as the title character, the abridged adaptation is set in a highly militarised version of 21st-century London and depicts the tragedy that follows when the sovereign King Lear announces the end of his reign and the division of his kingdom among his three daughters. The adaptation was met with positive reviews, which commended its acting, and many singled out Hopkins for his performance in the title role.

References

  1. Milton, John. The History of Britain. Complete Prose Works of John Milton. Volume V. New Haven and London: Yale University Press. 1648-1671.
  2. Milard, Barbara C. Virago with a Soft Voice: Cordelia’s Tragic Rebellion in King Lear. Philosophical Quarterly 68.2 (1989): Gale Literature Resources Center. Web 25 March 2010.
  3. Shakespeare, William. King Lear. The Norton Shakespeare: Tragedies. Ed. Greenblatt, Cohen, Howard, Maus. W.W Norton and Company, 1997. pp. 707–781.
  4. McFarland, Thomas. The Image of Family in King Lear. Shakespearean Criticism Vol. 73. 2003. Gale Literature Resources Center, Web. 25 March 2010.
  5. Spencer, Christopher. Five Restoration Adaptations of Shakespeare. Tate, Nahum. The History of King Lear. University of Illinois Press, 1965. pp. 203–274.
  6. 1 2 3 Adelman, Janet (1992). Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to the Tempest. Psychology Press. ISBN   9780415900393.

Further reading