Lucas Achtschellinck was a Flemish landscape painter. He is counted among the landscape painters active in Brussels referred to as the School of Painters of the Sonian Forest who all shared an interest in depicting scenes set in the Sonian Forest, which is located near Brussels.
Gonzales Coques was a Flemish painter of portraits and history paintings. Because of his artistic proximity to and emulation with Anthony van Dyck he received the nickname de kleine van Dyck. Coques also worked as an art dealer.
Denis van Alsloot or Denijs van Alsloot was a Flemish landscape and genre painter, draughtsman, and tapestry designer. He was employed as a court painter and worked for the local elite in Brussels. He is considered to be a member of the Sonian Forest school of landscape painters, which included landscape painters such as Jacques d'Arthois and Cornelis Huysmans. These painters working in Brussels had a preference for depicting scenes from the Sonian Forest near Brussels. Van Alsloot was also a specialist in depicting civil processions, local festivals and ceremonies.
Cornelis Schut was a Flemish painter, draughtsman, engraver and tapestry designer who specialized in religious and mythological scenes. Presumed to have trained under Rubens, he treated Counter-Reformation subjects in a High-Baroque style. After a stay in Italy, he worked mainly in Antwerp where he was one of the leading history painters in the first half of the 17th century.
Lucas Franchoys the Younger or Lucas Franchoys II was a Flemish Baroque painter from Mechelen, who painted numerous altarpieces and portraits in a style reminiscent of Anthony van Dyck.
Pieter van Avont or Peter van Avont, (1600–1652) was a Flemish painter, draughtsman and printmaker known for his religious scenes and cabinet paintings often including nude children and putti. Van Avont was a frequent collaborator with many leading painters in Antwerp.
Lodewijk de Vadder was a Flemish Baroque landscape painter, draughtsman, engraver and tapestry designer. His landscapes represent a move away from the Mannerist tradition of landscapes painting in Flemish art towards a more naturalistic approach exemplified by looser brushwork and an emphasis on atmospheric effects. He was the first Flemish landscape painter who painted dune landscapes as the primary feature of his landscapes. While his loose brush handling shows the influence of Rubens and Adriaen Brouwer, his restrained palette shows his awareness of developments in the Dutch Republic.
Jacques d'Arthois was a Flemish painter and tapestry designer who specialized in wooded landscapes with figures. He often depicted the woods around his native Brussels. Jacques d'Arthois was an influential painter and one of the few 17th century landscape painters from Brussels whose fame was remembered in the following centuries as his style was imitated and followed by many other landscape artists.
Charles Emmanuel Biset or Karel Emmanuel Biset was a Flemish painter who had a peripatetic career working in various cities and countries including his hometown Mechelen, Paris, Annonay, Brussels, Antwerp and Breda. He worked in many genres including genre scenes of interiors with merry companies and gallery paintings, history painting, still life and portraiture.
Jacques Fouquier, Jacques Fouquières or Jacob Focquier was a Flemish landscape painter. After training in Antwerp he worked in various places where he often obtained appointments as a painter to the court including that of the French kings. He earned great success and a very high reputation during his lifetime and was even referred to as the 'Flemish Titian'. Very few of his paintings have been preserved. His work was influential in his time and was widely circulated thanks to reproductions by various contemporary engravers.
Adriaen Frans Boudewijns was a Flemish landscape painter, draughtsman and etcher. He was known mainly for his landscapes with trees, Italianate landscapes with architecture, rivers and villages, city, coast and country views and architectural scenes.
Philips Augustijn Immenraet was a Flemish landscape painter and engraver. While staying largely within the traditional scheme of the Flemish Baroque landscape, Immenraet introduced a new brightness and broke with the traditional compositional scheme of obliquely receding planes. His best works already display a pre-Romantic character.
Willem Jacob Herreyns was a Flemish painter of history subjects and portraits. He is regarded as one of the last painters in the tradition of the Flemish Baroque and the last follower of Peter Paul Rubens.
Jan Baptist Huysmans was a Flemish painter active in Antwerp who is known for his Italianate and arcadian landscapes and architectural capricci.
Pieter van der Borcht (I) or Peter van der Borcht (c. 1530–1608) was a Flemish Renaissance painter, draughtsman and etcher. He is regarded as one of the most gifted botanical painters of the 16th century. Pieter van der Borcht the Elder also introduced new themes, such as the "monkey scene" (also called singerie) into Northern art.
Peter van Halen or Pieter van Haelen (1612–1687) was a Flemish painter. He was known for his italianate landscapes with historical, allegorical and mythological scenes with many figures. His works were stylistically influenced by French Classicism.
Pieter Verdussen or Peeter Verdussen was a Flemish painter and draftsman. He is known mainly for his battle scenes, equestrian paintings and landscapes.
Philip van Dapels or Philippe van Dapels was a Flemish painter who specialized in wooded landscapes with figures. He is known for depicting the landscapes around Brussels. Philip van Dapels' style and subject matter are close to those of his master Jacques d'Arthois and Cornelis Huysmans, two artists who like van Dapels often depicted wooded landscapes and the scenery around Brussels.
François Xavier Joseph Jacquin or Frans Jaquin was a Flemish painter and draughtsman known for his portraits, still lifes and landscapes. He was in demand as a portrait painter of religious dignitaries, the nobility and the bourgeoisie. As a still life painter he created game pieces and trompe-l'œil still lifes of game birds.
