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Cornelius Gurlitt | |
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![]() Gurlitt in 1905 | |
Born | |
Died | 25 March 1938 88) Dresden, Germany | (aged
Resting place | Johannisfriedhof, Dresden, Germany 51°2′11.92″N13°48′47.84″E / 51.0366444°N 13.8132889°E |
Nationality | German |
Occupation(s) | Art historian and architect |
Employer | Technische Universität Dresden |
Spouse | Marie Gerlach (1888–1938) |
Children |
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Parents |
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Relatives |
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Cornelius Gustav Gurlitt (1 January 1850 – 25 March 1938) was a German architect and art historian.
Gurlitt was born in Nischwitz in Thallwitz, Saxony, the son of the landscape painter Louis Gurlitt and nephew of his namesake, the composer Cornelius Gurlitt. He left the gymnasium of Gotha before graduation and became a carpenter's apprentice. After studying in Stuttgart and Vienna he worked as an architect, then obtained a position at the Arts and Crafts Museum in Dresden.
He married Marie Gerlach in 1888. They had three children, the musicologist Wilibald Gurlitt, expressionist painter Cornelia Gurlitt (1890–1919) and the art dealer and historian Hildebrand Gurlitt.
Gurlitt died in Dresden in 1938 and is buried in the Johannisfriedhof.
While an assistant at the Arts and Crafts Museum in Dresden, Gurlitt wrote a pioneering work on baroque art. This led to a doctorate and a professorship at the Dresden University of Technology, where he worked until his emeritat in 1920.
He was co-founder and president of the Bund Deutscher Architekten ("Association of German Architects") and principal of the Technische Universität Dresden, where he was also professor of art history and the history of construction.
He is regarded as the founder of art historical research into the Baroque, and thus as the founder of the conservation of historical monuments in Saxony. He often worked as a consultant with the architects Schilling & Graebner. From 1894 he continued the Saxon inventory work of the art historian Franz Richard Steche.
Gurlitt wrote 97 books and more than 400 scholarly articles, not only on architecture and art, but also on political problems. Some of his works are:
The Baroque or Baroquism is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well.
The Zwinger is a palatial complex with gardens in Dresden, Germany. Designed by architect Matthäus Daniel Pöppelmann, it is one of the most important buildings of the Baroque period in Germany. Along with the Frauenkirche, the Zwinger is the most famous architectural monument of Dresden.
The Dresden Frauenkirche is a Lutheran church in Dresden, the capital of the German state of Saxony. Destroyed during the Allied firebombing of Dresden towards the end of World War II, the church was reconstructed between 1994 and 2005.
Henry Clemens van de Velde was a Belgian painter, architect, interior designer, and art theorist. Together with Victor Horta and Paul Hankar, he is considered one of the founders of Art Nouveau in Belgium. He worked in Paris with Siegfried Bing, the founder of the first gallery of Art Nouveau in Paris. Van de Velde spent the most important part of his career in Germany and became a major figure in the German Jugendstil. He had a decisive influence on German architecture and design at the beginning of the 20th century.
TU Dresden (for German: Technische Universität Dresden, abbreviated as TUD and often called the Dresden University of Technology is a public research university in Dresden, Germany. It is the largest institute of higher education in the city of Dresden, the largest university in Saxony and one of the 10 largest universities in Germany with 32,389 students as of 2018.
Hilmar Friedrich Wilhelm Bleyl, known as Fritz Bleyl, was a German artist of the Expressionist school, and one of the four founders of artist group Die Brücke. He designed graphics for the group including, for their first show, a poster, which was banned by the police. He left the group after only two years, when he married, to look after his family, and did not exhibit publicly thereafter.
Johann Paul Wallot was a German architect of Huguenot descent, best known for designing the Reichstag building in Berlin, erected between 1884 and 1894. He also built the adjacent Palace of the President of the Reichstag, finished in 1904, and the former Saxon Ständehaus state diet building of 1906 at Brühl's Terrace in Dresden.
William Richard Lethaby was an English architect and architectural historian whose ideas were highly influential on the late Arts and Crafts and early Modern movements in architecture, and in the fields of conservation and art education.
Wassili Luckhardt was a German architect. He studied at the Technical University of Berlin and Dresden. Luckhardt and his brother Hans worked closely together for most of their lives. Both were members of the November Group (Novembergruppe), the Arbeitsrat für Kunst, the Glass Chain and, from 1926, the progressive architecture group Der Ring. The brothers shared an office with the architect Alfons Anker.
Richard Riemerschmid was a German architect, painter, designer and city planner from Munich. He was a major figure in Jugendstil, the German form of Art Nouveau, and a founder of architecture in the style. A founder member of both the Vereinigte Werkstätte für Kunst im Handwerk and the Deutscher Werkbund and the director of art and design institutions in Munich and Cologne, he prized craftsmanship but also pioneered machine production of artistically designed objects.
Hermann Johannes Gustav Pundt was a leading architectural historian and Professor in the University of Washington Department of Architecture.
Schilling & Graebner was an architecture firm based in Dresden, Germany, founded by the architects Rudolf Schilling (1859–1933) and Julius Graebner (1858–1917) in 1889. The firm was under their direction from 1889 until Graebner's death, but continued to exist until 1947, most notably under Graebner's son Erwin (1895–1945). The firm, which initially devoted itself primarily to historicism and later to Art Nouveau and early modernism, worked on mainly buildings in Saxony, including several noteworthy churches, Dresden villas, administrative buildings and entire residential districts. One of the firms' most important works is the Christuskirche in Dresden (1903–1905), which arguably marks the transition of sacral architecture in Germany from historicism to modernity.
Pillnitz Palace is a restored Baroque schloss at the eastern end of the city of Dresden in the German state of Saxony. It is located on the right bank of the River Elbe in the former village of Pillnitz. It was the summer residence of many electors and kings of Saxony; it is also known for the Declaration of Pillnitz in 1791.
Hildebrand Gurlitt was a German art historian and art gallery director who dealt in Nazi-looted art as one of Hitler's and Goering's four authorized dealers for "degenerate art".
The Gurlitt Collection was a collection of around 1,500 art works assembled by Cornelius Gurlitt, the son of one of Hitler's official art dealers, Hildebrand Gurlitt (1895–1956), and which was found to have contained several artworks looted from Jews by the Nazis.
Störmthal is a village, part of Großpösna in the Leipzig district in Saxony, Germany. It is known for its church in Baroque style. The organ, an early work by Zacharias Hildebrandt, was played and inaugurated by Johann Sebastian Bach and is still in mostly the condition of Bach's time.
Carl Sattler was a German architect and university lecturer.
Ernst Friedrich Giese was a German architect and university professor at the Düsseldorf Art Academy and at the Technical University of Dresden.
Hermann Voss was a German art historian and museum director appointed by Hitler to acquire art, much of it looted by Nazis, for Hitler's planned Führermuseum in Linz, Austria.
Walter August Wilhelm Hentschel was a German art historian.