Established | 19 January 2000 |
---|---|
Location | London, SE11 |
Coordinates | 51°29′28″N0°06′30″W / 51.491168°N 0.108423°W |
Type | Art Gallery, Modern Art, Contemporary Art |
Founder | Tommaso Corvi-Mora |
Public transit access | Kennington Elephant & Castle |
Website | www |
Corvi-Mora is a contemporary art gallery based in Kennington, South London. [1] The gallery represents emerging and established international artists including Turner Prize nominees Roger Hiorns [2] [3] and Lynette Yiadom-Boakye. [4] [5]
Corvi-Mora was founded by Tommaso Corvi-Mora in 2000 at premises in London's Warren Street [6] after the closure of the gallery Robert Prime which he founded in partnership with Gregorio Magnani in 1995. [7] [8] Corvi-Mora moved to a space on Kempsford Road in 2004 with the contemporary art gallery greengrassi. [9] [10] [11]
Notable exhibitions include Sorrow for A Cipher by Lynette Yiadom-Boakye in 2016, [12] [13] Roger Hiorns in 2004 [14] and 2015, [15] The Commune Itself Becomes a Super State by Liam Gillick in 2007, [16] Rachel Feinstein in 2007, [17] and Richard Hawkins in 2009. [18]
The gallery currently represents over 30 artists, including Dominique Gonzalez-Foerster, [19] Lynette Yiadom-Boakye, [20] Alvaro Barrington, [21] Jennifer Packer, [22] Brian Calvin [23] and Tomoaki Suzuki. [24] [25]
The British Art Show (BAS) is a major survey exhibition organised every five years to showcase contemporary British Art. Each time it is organised, the show tours to four UK cities. It usually requires a number of venues in each city to accommodate it. As a snapshot of contemporary British Art, the exhibition has some equivalence to the biennial exhibitions of the Whitney Museum of American Art.
Liam Gillick is a British artist who lives and works in New York City. Gillick deploys multiple forms to make visible the aesthetics of the constructed world and examine the ideological control systems that have emerged along with globalization and neoliberalism. He utilizes materials that resemble everyday built environments, transforming them into minimalist abstractions that deliver commentaries on social constructs, while also exploring notions of modernism.
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Lynette Yiadom-Boakye is a British painter and writer, of Ghanaian heritage. She is best known for her portraits of imaginary subjects, or ones derived from found objects, which are painted in muted colours. Her work has contributed to the renaissance in painting the Black figure. Her paintings often are presented in solo exhibitions.
Jennifer Higgie is an Australian novelist, screenwriter, art critic and editor of the London-based contemporary arts magazine, Frieze.
Robert Prime was a gallery in London in the late 1990s. Founded by Tommaso Corvi-Mora and Gregorio Magnani, it held the first exhibitions in London of artists including Dominique Gonzalez-Foerster, Isa Genzken, Philippe Parreno and General Idea. It also hosted the first exhibitions of artists including Rachel Feinstein, Martin Maloney, Vydia Galstaldon and Jean-Michel Wicker. The gallery closed in December 1999.
Laura Ford in Cardiff, Wales is a British sculptor.
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Ghana Freedom was a Ghanaian art exhibition at the 2019 Venice Biennale, an international contemporary art biennial in which countries represent themselves through self-organizing national pavilions. The country's debut pavilion, also known as the Ghana pavilion, was highly anticipated and named a highlight of the overall Biennale by multiple journalists. The six participating artists—Felicia Abban, John Akomfrah, El Anatsui, Selasi Awusi Sosu, Ibrahim Mahama, and Lynette Yiadom-Boakye—represented a range of artist age, gender, locations, and prestige, selected by curator Nana Oforiatta Ayim. The show paired young and old artists across sculpture, filmmaking, and portraiture, and emphasized common threads across postcolonial Ghanaian culture in both its current inhabitants and the diaspora. Almost all of the art was commissioned specifically for the pavilion. Architect David Adjaye designed the pavilion with rusty red walls of imported soil to reflect the cylindrical, earthen dwellings of the Gurunsi within the Biennale's Arsenale exhibition space. The project was supported by the Ghana Ministry of Tourism and advised by former Biennale curator Okwui Enwezor. After the show's run, May–November 2019, works from the exhibition were set to display in Accra, Ghana's capital.
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Walk in to the cool, top-lit ground floor space at Corvi-Mora right now and you are likely to experience a jolt of keen optical pleasure.
In 1995 Tommaso Corvi-Mora opened London gallery with Gregorio Magnani.
Lynette Yiadom-Boakye: Sorrow for a Cipher, Corvi-Mora Gallery, London, until 8 October
Tommaso Corvi-Mora is pleased to present new work by Lynette Yiadom-Boakye. The exhibition features a new group of paintings, including portraits and figures in landscapes.
Created in the artist's London studio, the sculpture first appeared in March 2007 at the Corvi Mora Gallery, London.