A costume shop is a space where costumes for theatrical or film productions are designed, built, and stored for the company or production. Costume designers, builders, seamstresses, and stitchers work in costume shops. The shops themselves can vary in size, from one large room to a house with multiple floors. Costumes from past productions, fabric, jewelry and accessories are often stored in the shop.
A costume shop is where the costumes worn on stage for a production are built. Some costume shops have washers for cleaning costumes, fitting rooms, racks for storage or spaces for designers to conceptualize a costume. Some shops allow rentals of their costumes. [1] However, the most common and primary purpose for a costume shop is for building and finishing pieces that go onstage. [2]
There is no standard layout for costume shops, though most have stations for stitching or surging, cutting tables, fabric storage, and finishing tables. A large an expansive costume shop style helps work to enable productions to be mounted lavishly and permit study and experimentation at the same time. [3] The process of building a costume requires many steps and stations, which the costume designer first conceptualizes. [4] But before building can begin, the designer must choose where the costumes will come from.
Once the show is designed, pieces can come from a multitude of places, but there are commonly four options: [5]
The costume shop will search, place orders, create, organize, and dole out the costumes for each production and each character in the manner that best fits the costume and production itself. For instance, not every shoe is cobbled in the shop, or "in house"; some are bought and some are borrowed. [6]
Within a costume shop, there are people working on different parts of the creative or accumulative process. The size of the theatre or company will determine whether each job goes to one person, if a group of individuals share more than one job, or if everyone pitches in on everything. [7]
The costume designer is an integral part of the production's creative team. They work closely with the director to develop a look for the actors onstage that best serves the plot of the play and concept the director has envisioned. "The Costume Designer seeks inspiration from many sources, including interviews with the actors who will play the characters, and extensive historical and visual research." [8] Whether the costume designer is a permanent position or a by-production hire will determine whether they are considered the head of the costume department or shop
The assistant designer helps the head designer with the jobs that must be completed. This includes but is not limited to research, shopping, rental acquisition and fittings for actors.
The cutter/draper is responsible for making patterns, cutting, fitting and construction of costumes from specific designs or sketches supplied by the designer. "The Cutter may assist in selecting materials and supervising the costume construction." [8] In most shops there are multiple cutters and drapers to ease and spread out work load.
A shop manager is responsible for daily goings on in the shop, much like a manager in a building or restaurant. They deal with the costume budget from the producers, manufacturing and purchasing, as well as work and costume building schedules and production crew requirements.
A stitcher works on the actual construction of the costumes. The stitcher will sometimes assist during fittings to help with pinning and alterations. This is the entry-level position in a costume shop and often the most common job that is open in a space. A stitcher will help pick up wherever needed, often stretching out from fittings, pinning, and alteration, to textiles, dye working and errands.
Costume is the distinctive style of dress or cosmetic of an individual or group that reflects class, gender, profession, ethnicity, nationality, activity or epoch. In short costume is a cultural visual of the people.
A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture. The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film. The crew is also separate from the producers, as the producers are the ones who own a portion of either the film studio or the film's intellectual property rights. A film crew is divided into different departments, each of which specializes in a specific aspect of the production. Film crew positions have evolved over the years, spurred by technological change, but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures.
Theatre techniques are procedures that facilitate a successful presentation of a play. They also include any practices that advance and enhance the understanding the audience brings to the action and the acting by the cast on stage.
Hat-making or millinery is the design, manufacture and sale of hats and other headwear. A person engaged in this trade is called a milliner or hatter.
Set construction is the process undertaken by a construction manager to build full-scale scenery, as specified by a production designer or art director working in collaboration with the director of a production to create a set for a theatrical, film, or television production. The set designer produces a scale model, scale drawings, paint elevations, and research about props, textures, and so on. Scale drawings typically include a groundplan, elevation, and section of the complete set, as well as more detailed drawings of individual scenic elements which, in theatrical productions, may be static, flown, or built onto scenery wagons. Models and paint elevations are frequently hand-produced, though in recent years, many Production Designers and most commercial theatres have begun producing scale drawings with the aid of computer drafting programs such as AutoCAD or Vectorworks.
Scenic design is the creation of theatrical, as well as film or television scenery. Scenic designers come from a variety of artistic backgrounds, but in recent years, are mostly trained professionals, holding B.F.A. or M.F.A. degrees in theatre arts. Scenic designers create sets and scenery that aim to support the overall artistic goals of the production. There has been some consideration that scenic design is also production design; however it is generally considered to be a part of the visual production of a film or television.
The Oregon Shakespeare Festival (OSF) is a regional repertory theatre in Ashland, Oregon, United States, founded in 1935 by Angus L. Bowmer. The Festival now offers matinee and evening performances of a wide range of classic and contemporary plays not limited to Shakespeare. During the Festival, between five and eleven plays are offered in daily rotation six days a week in its three theatres. It welcomed its millionth visitor in 1971, its 10-millionth in 2001, and its 20-millionth visitor in 2015. At any given time between five and eleven plays are offered in daily rotation six days a week in its three theatres.
A dressmaker, also known as a seamstress, is a person who makes custom clothing for women, such as dresses, blouses, and evening gowns. Dressmakers were historically known as mantua-makers, and are also known as a modiste or fabrician.
A theatrical technician is a person who operates technical equipment and systems in the performing arts and entertainment industry. In contrast to performers, this broad category contains all "unseen" theatrical personnel who practice stagecraft and are responsible for the logistic and production-related aspects of a performance including designers, operators, and supervisors.
The art pipeline is the process of creating and implementing art for a particular project, most commonly associated with the creative process for developing video games. In an era of high-profile video games, wherein the creative energy of the teams and the budgets for projects surpass even some Hollywood blockbusters, graphics are ever-improving and an increasingly important selling point. Video Game developers employ extensive teams of artists to carry a project's artistic goals through from the conceptual stage to the final release. A fully realized game asset, whether it is a character, background, building, object, or animation, is created in a deliberate process with different artists working on and contributing separate aspects in a step by step process to the final product. To facilitate this process, a number of software programs are marketed to developers as flexible tools for productively streamlining the transformation of elements created within a program to a fully realized game asset. These highly customizable programs allow users to apply plug-ins or add-ons to tailor the interactions each program will have with one another as an element moves along the pipeline from concept to completion.
The wardrobe supervisor is responsible for overseeing all wardrobe related activities during the course of a theatrical run or film shoot. The modern title "wardrobe supervisor" has evolved from the more traditional titles of "wardrobe mistress/master" or "mistress/master of the wardrobe". The wardrobe supervisor may be present at some production meetings and fittings, their primary responsibilities generally begin at the load-in stage of a production and during prep of a film. At load-in physical custody and responsibility for the costumes shifts from the costume designer and shop staff to the wardrobe supervisor.
A costume designer is a person who designs costumes for a film, stage production or television show. The role of the costume designer is to create the characters' outfits or costumes and balance the scenes with texture and colour, etc. The costume designer works alongside the director, scenic, lighting designer, sound designer, and other creative personnel. The costume designer may also collaborate with a hair stylist, wig master, or makeup artist. In European theatre, the role is different, as the theatre designer usually designs both costume and scenic elements.
In embroidery, couching and laid work are techniques in which yarn or other materials are laid across the surface of the ground fabric and fastened in place with small stitches of the same or a different yarn.
Zelda Barbour Wynn Valdes was an American fashion designer and costumer. She is the first notable fashion designer who made Playboy Bunny costumes.
Ray Brown is an Australian tailor and clothing designer. He has designed custom clothing for numerous celebrity rock musicians, and operates his own brand for stage wear, It's a Ray!
There are different types of theatres, but they all have three major parts in common. Theatres are divided into two main sections, the house and the stage; there is also a backstage area in many theatres. The house is the seating area for guests watching a performance and the stage is where the actual performance is given. The backstage area is usually restricted to people who are producing or in the performance.
A dance costume is the clothing worn by a dancer when performing before an audience. A dance costume may be custom designed for use in a specific dance work, or it may have a traditional design, such as those used in some ceremonial and folk dances. Typically, dance costumes are designed to harmonize with the dance and not hinder the movements of the dancer.
Susan Hilferty is an American costume designer for theatre, opera, and film.
The Utah Opera is an American opera company that has been merged with Utah Symphony since July 2002, with a combined audience of more than 150,000 annually.
Robert Stuart Howell is an Australian costume and set designer. He is primarily known for his work on the London stage. Howell won the Olivier Award for his set design for the musical Matilda the Musical in 2012. He has also designed both scenery and costumes for several Broadway shows, and won the Drama Desk Award for Outstanding Set Design for Ghost the Musical in 2012.