Counterspy | |
---|---|
Directed by | Vernon Sewell |
Written by | Guy Elmes Gaston Lazare |
Based on | short story Criss Cross Code by Julian Symons |
Produced by | William H. Williams |
Starring | |
Cinematography | A.T. Dinsdale |
Edited by | Geoffrey Muller |
Music by | Eric Spear |
Production company | Abtcon Pictures |
Distributed by | Anglo-Amalgamated Film Distributors |
Release date |
|
Running time | 68 minutes |
Country | United Kingdom |
Language | English |
Counterspy (also known as Night People and Undercover Agent) is a 1953 British second feature [1] comedy thriller film directed by Vernon Sewell and starring Dermot Walsh, Hazel Court and Hermione Baddeley. [2] An accountant comes into possession of secret papers sought by both the government and a spy ring.
When Frank Manning visits an engineering company to audit the accounts, he meets a woman who claims she is being blackmailed by Paulson, the company's director. She asks for Manning's help. Subsequently Manning is captured by a gang of spies, escapes, and he is re-captured, along with his wife Clare. They are taken to a bogus nursing home run by the gang. The police, who have been trailing Clare, arrest the gang.
The Monthly Film Bulletin wrote: "A conventional but quite lively spy thriller, well supplied with action. Hermione Baddeley provides an effective character study as the fortune teller and Alexander Guage makes a suitably sinister and oily villain." [3]
Kine Weekly wrote: "The picture is quickly off the mark and puts over its mayhem and murder against widely varied and appropriate backgrounds. Dermot Walsh acts convincingly as the bewildered but brave Manning, Hazel Court wears tights to perfection as Clare, Alexander Gauge makes his presence felt as the menacing Smith, John Penrose disarms as Paulson, and Hermione Baddeley introduces an amusing cameo as a fortune teller." [4]
Picture Show wrote: "Fast-moving murder and crook drama with a London setting. ... Hazel Court looks very attractive as [Manning's] wife and Alexander Gauge is suitably sinister as an international crook." [5]
Picturegoer wrote: "It needs a sure touch to blend comedy with espionage, and in this British thriller the mixture doesn't have much kick. ... Comedy gets so mixed up with the drama that it is difficult to tell which is which. Dermot Walsh makes a fair try in a semi-comedy role, but Hazel Court, as his wife, has little to do. Hermione Baddeley gives value for money in her cameo of a fortune teller. It's amusing in parts, but the yawns outstay the laughs." [6]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "average", writing: "Comedy-thriller has a bit more life than average 'B'." [7]
The Radio Times Guide to Films gave the film 2/5 stars, writing: "Some topicality is given to the otherwise threadbare plot – the spies are after plans for jet engines, and there's a chase through one of London's newest tourist attractions, the Festival Gardens on London's South Bank." [8]
TV Guide called it "A routine spy picture," and rated it two out of five stars. [9]
Hazel Court was an English actress. She is known for her roles in British and American horror films during the 1950s and early 1960s, including Terence Fisher's The Curse of Frankenstein (1957) and The Man Who Could Cheat Death (1959) for Hammer Film Productions, and three of Roger Corman's adaptations of Edgar Allan Poe stories for American International Pictures: The Premature Burial (1962), The Raven (1963) and The Masque of the Red Death (1964).
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Naked Fury is a 1959 British crime thriller directed by Charles Saunders and starring Reed De Rouen, Kenneth Cope and Leigh Madison. It was written by Guido Coen and Brock Williams.
Landslide is a 1937 British drama film directed by Donovan Pedelty and starring Jimmy Hanley, Dinah Sheridan and Jimmy Mageean. It was written by Pedelty and David Evans.
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The Hideout is a 1956 British crime film directed by Peter Graham Scott and starring Dermot Walsh, Rona Anderson and Ronald Howard. It was produced as a second feature by John Temple-Smith. The screenplay was by Kenneth Hayles.