Courtney M. Leonard (born 1980) is an artist, filmmaker, and activist from the Shinnecock Nation in New York. [1] Her work revolves around issues of ecology and Native identity, specifically their intersection with water, which is essential to the Shinnecock.
In 2024 her work featured in an exhibition titled The New Transcendence at the Friedman Benda Gallery in New York (a group show curated by Glenn Adamson also featuring works by Ini Archibong, Andrea Branzi, Stephen Burks, Najla El Zein, and Samuel Ross). [2] [3] [4] [5]
Stony Brook Southampton is a campus location of Stony Brook University, located in Southampton, New York between the Shinnecock Indian Reservation and Shinnecock Hills Golf Club on the eastern end of Long Island.
Shinnecock Hills Golf Club is a links-style golf club located in an unincorporated area of the Town of Southampton on Long Island, New York, situated between the Peconic Bay and the Atlantic Ocean.
The Shinnecock Indian Nation is a federally recognized tribe of historically Algonquian-speaking Native Americans based at the eastern end of Long Island, New York. This tribe is headquartered in Suffolk County, on the southeastern shore. Since the mid-19th century, the tribe's landbase is the Shinnecock Reservation within the geographic boundaries of the Town of Southampton. Their name roughly translates into English as "people of the stony shore".
The Museum of Arts and Design (MAD), based in Manhattan, New York City, collects, displays, and interprets objects that document contemporary and historic innovation in craft, art, and design. In its exhibitions and educational programs, the museum celebrates the creative process through which materials are crafted into works that enhance contemporary life.
Mario Martinez is a Native American contemporary abstract painter. He is a member of the Pascua Yaqui Tribe from New Penjamo, the smallest of six Yaqui settlements, in Arizona. He currently lives in New York City.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
The Parrish Art Museum is an art museum designed by Herzog & de Meuron Architects and located in Water Mill, New York, whereto it moved in 2012 from Southampton Village. The museum focuses extensively on work by artists from the artist colony of the South Shore and North Shore.
Jeffrey A. Gibson is an American Mississippi Choctaw/Cherokee painter and sculptor. He has lived and worked in Brooklyn, New York; Hudson, New York; and Germantown, New York.
Jenelle Porter is an American art curator and author of numerous exhibition catalogs and essays about contemporary art and craft. She has curated important exhibitions that have helped studio craft to gain acceptance as fine arts. These include the exhibitions Dirt on Delight: Impulses That Form Clay at the Institute of Contemporary Art, Philadelphia in 2009 and Fiber: Sculpture 1960–Present at the Institute of Contemporary Art, Boston in 2014.
Felipe Pantone is an Argentine-Spanish contemporary artist. He was born in Buenos Aires, Argentina and raised in southeast Spain. Pantone's body of work is based in kinetic art, installations, graffiti, and design, characterized by “use of bold colors, geometrical patterns, and Op Art elements.” His combinations recall “bright colored typography, 80s Synth pop music, and SMPTE color bars on the TV.”
The Shinnecock Hills Summer School of Art was summer school of art in Shinnecock Hills, Long Island that existed from 1891 to 1902. The director was William Merritt Chase. The school was one of the first and most popular plein air painting schools in America. During the time Chase was teaching at Shinnecock Hills he painted some of his most notable Impressionist landscapes.
Glenn Adamson is an American curator, author, and historian whose research and work focuses on the intersections of design, craft, and contemporary art. Adamson is currently editor-at-large of The Magazine Antiques, editor of Journal of Modern Craft, a freelance writer and a curator. Adamson has held previous notable appointments as the Director of the Museum of Arts and Design, Head of Research at the Victoria and Albert Museum, and as Curator at the Chipstone Foundation.
Andrea Branzi was an Italian architect, designer, and academic. He was born and raised in Florence, though he lived and worked in Milan for much of his career. He was a professor and chairman of the School of Interior Design at the Polytechnic University of Milan until 2009.
Inimfon "Ini" Joshua Archibong is an industrial designer, creative director, artist and musician who is active in product design, furniture design, environmental design, architecture, watch design, and fashion.
Samuel Ross is a British fashion designer, creative director, and artist. He is known for founding the fashion label A-COLD-WALL*, Industrial Design studio SR_A SR_A, and the Black British Artists Grants Programme. Since founding these organisations, Ross has collaborated with companies such as Apple, LVMH, Nike. Ross's output is often characterised as "social architecture for the body", captured through abstraction, brutalism, and deconstruction.
Stephen Burks is an American designer and a professor of architecture at Columbia University. Burks is known for his collaborations with artisans as well as incorporating craft and weaving into product design. He is the first African American to win the National Design Award for product design.
Objects: USA (1969) was a groundbreaking exhibition considered a watershed in the history of the American studio craft movement. It "blurred lines between art and craft, artist and artisan". The exhibition featured a survey collection of craft works by artists from across the United States. Artists were approached and works chosen by New York gallery owner Lee Nordness and curator Paul J. Smith, the director of the Museum of Contemporary Crafts. The exhibition was funded by S. C. Johnson & Son, which purchased the pieces for the exhibition and later donated many of them to American museums. The Objects: USA exhibition appeared at thirty-three locations in the United States and Europe. The accompanying exhibition catalog Objects: USA (1970) became a classic reference work.
Martine Bedin is a French architect and designer. She was a member of the Memphis Group.
John Hoke III is an American architect and designer who is the chief innovation officer of Nike, Inc. He leads the company's design team which includes more than 1,000 product and industrial designers, graphic designers, and fashion designers, as well as architects, interface, and digital content designers.
Najla El Zein is a Lebanese artist and designer.