Bernard Howell Leach was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery".
The University for the Creative Arts is a specialist art and design university in the south of England.
American craft is craft work produced by independent studio artists working with traditional craft materials and processes. Examples include wood, glass, clay (ceramics), textiles, and metal (metalworking). Studio craft works tend to either serve or allude to a functional or utilitarian purpose, although they are just as often handled and exhibited in ways similar to visual art objects.
Scandinavian design is a design movement characterized by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Denmark, Finland, Norway, Sweden, and Iceland.
Katie Walker is a British furniture designer well known for combining simple components in her work. Her designs combine the function of the object with a sculptural interpretation of its structure. She works with craft and volume manufacturers and produces specific one-off commissions from a variety of materials.
Dame Magdalene Anyango Namakhiya Odundo is a Kenyan-born British studio potter, who now lives in Farnham, Surrey. Her work is in the collections of notable museums including the Art Institute of Chicago, The British Museum, The Metropolitan Museum of Art, and the National Museum of African Art.
Edmund Arthur Lowndes de Waal, is a contemporary English artist, master potter and author. He is known for his large-scale installations of porcelain vessels often created in response to collections and archives or the history of a particular place. De Waal's book The Hare with Amber Eyes was awarded the Costa Book Award for Biography, Royal Society of Literature Ondaatje Prize in 2011 and Windham–Campbell Literature Prize for Non-Fiction in 2015. De Waal's second book The White Road, tracing his journey to discover the history of porcelain was released in 2015.
Primavera is a fine arts and crafts gallery at 10 King's Parade in Cambridge, England. Henry Rothschild founded Primavera in 1945 in Sloane Street, London, in order to promote and retail contemporary British art and craft. The Cambridge branch of Primavera was opened in 1959.
Founded in 1885, the Prague Museum of Decorative Arts is housed in a Neo-Renaissance edifice built from 1897 to 1899 after the designs of architect Josef Schulz. It opened in 1900 with exhibitions on the first floor. The Museum's rich collections include decorative and applied arts and design work ranging from Late Antiquity to the present day with focus on European objects, particularly arts and crafts created in the Bohemian lands. The impressive interior of the permanent exhibition, “Stories of Materials,” offers visitors an excursion into the history and development of decorative arts in the disciplines of glass, ceramics, graphic art, design, metal, wood and other materials, as well as objects such as jewellery, clocks and watches, textiles, fashion, toys and furniture.
Mary Wondrausch was an English artist, potter, historian and writer, born in Chelsea. She trained as a potter at Farnham School of Art, latterly West Surrey College of Art and Design.
Matthew Burt is a British furniture designer-maker who runs a contemporary practice from a studio and workshop based in the South Wiltshire village of Sherrington, west of Salisbury. His work has been displayed in significant public exhibitions, most notably in the OneTree touring show and at the House of Commons in 2008 in a selection of work intended to raise the profile of UK furniture making. Burt's workshop steadily built on a reputation for furniture design that allies structurally robust work that fulfils its function with a lean, elegant line and the occasional bravura surface. Burt has said that he regards the 'intermingling of science, engineering, mathematics, aesthetics and metaphorics' as the building blocks for his furniture.
The Museum of Arts and Crafts in Zagreb, Croatia, was established in 1880, by the initiative of the Arts Society and its former President Izidor Kršnjavi. Drawing on the theoretical precepts of England's Arts and Crafts movement and the intellectual postulates of Gottfried Semper, the museum was devised with the aim of creating a collection of models for master craftsmen and artist to reinvigorate the production of everyday use items. The strategy of the museum's activity was focused on preservation of traditional crafts, as well as creation of a new middle class aesthetic culture. Therefore, in 1882 the Crafts School was founded along the museum. The building, constructed in 1888 by Hermann Bollé, is one of the first purpose-built edifices devised to merge the functions of the museum and the school. Stylistically, the building is a grand historicist palace in the spirit of the German Renaissance.
Stephen Dixon is a British ceramic artist and professor at the Manchester Metropolitan University. He is also a satirist, writer, lecturer and curator. He is known mainly for his use of dark narrative and for using "illustrated ceramics pots as an unlikely platform for social commentary and political discontent." From Renaissance paintings and British politics to pop culture, Dixon draws on a variety of sources to "challenge the status quo and inspire new ways of thinking." Dixon tends to create busy, complex ceramics pieces, each with an intriguing message.
Mabel Phyllis Barron was an English designer, known for her textile printing workshop with Dorothy Larcher. These textiles are ‘noted for the assurance and originality of the designs, their distinctive and subtle colouring, and the quality of the materials selected’
Dorothy Larcher (1884–1952) was an English designer of textiles, known for the printing workshops she shared with Phyllis Barron in Hampstead (1923–1930) and Painswick, Gloucestershire (1930–1940).
Linda Threadgill is an American artist whose primary emphasis is metalsmithing. Her metal work is inspired by forms of nature and the interpretations she gleans from the intricate patterns it presents. She explores the foundation of nature to allude to nature and transform it into re-imagined, stylized plants forms.
Denise Wren was an Australian-born British studio potter and craftsperson. Wren was one of the first female studio potters in Britain. She studied and taught with the Kingston School of Art, Knox Guild and Camberwell College of Arts. Wren and her family subsequently set up the Oxshott Pottery and wrote on the subjects of ceramics, textiles and making.
JamFactory is a not-for-profit arts organisation which includes training facilities, galleries and shops, located in the West End precinct of Adelaide and on the Seppeltsfield Estate in the Barossa Valley, north of Adelaide. It is supported by the South Australian Government, University of South Australia, and private donors. It was founded in 1973 in an old jam factory in the suburb of St Peters. It runs training courses and specialises in high quality craft and design objects, including furniture, jewellery, ceramics, glass, and metal ware.
Muriel Rose (1897–1986) was a collector and publiciser of modern craft and design, a curator, gallery owner and writer, and important in the later Arts and Crafts movement. She has been described as having "made a formidable contribution to the development of the crafts".
Sara Radstone is a British ceramic artist and lecturer. Her work ranges from intimate wall based sculpture to large scale installations of multiple elements.
